1) latex blowing wrinkle method.
2) painting makeup method.
3) Parts pasting method.
Plastic wrinkle method is a method of blowing wrinkle with natural latex or * * * polymer.
Young actors often use this method to shape wrinkles and loose skin when they play the role of an old man or several roles of different ages. The deeper the wrinkles caused by this method, the better the effect. According to the needs of the characters in the play, you don't need too many deep wrinkles, even people with tight skin can achieve the ideal effect. The proficiency of operation will also affect the effect.
Divide the face into several parts according to the range of blowing wrinkles and the trend of wrinkles. Such as: canthus, lacrimal sac, cheek, nose, forehead, brow, temple and neck. Every part should be wrinkled many times.
Steps of gluing and blow molding:
1) According to the position of blowing wrinkles, first hold the skin tightly with your left hand, the direction should be perpendicular to the direction of wrinkles, and the horizontal wrinkles should be supported vertically.
2) Dip a sponge in a small amount of latex and photograph the tight skin area. Try to apply evenly at one time to avoid repetition. Move quickly and coat the edges thinly. Don't let the latex stick to the fingers that support the skin, otherwise it will affect the effect and cause rework.
3) After the latex is spread evenly, don't relax the supporting hand, and blow dry the latex with a hair dryer. The airway should be kept shaking to avoid scalding the skin. According to the depth of wrinkles, you can apply 2-4 layers, not too much, too much will be lifeless and lifeless like dead skin.
4) Dry the last layer of latex and coat it with loose powder to prevent the latex forming wrinkles from sticking together, and then release the left hand to form wrinkles. If the wrinkles are not obvious, then pinch the skin tightly and continue to apply glue to remove wrinkles, but it must be powdered. In this way, one part is blown out and the other part is blown out. The lines of all parts should be coherent, and the direction of lines should turn naturally, so as to avoid unnatural hard folding and dead folding as much as possible. When some skin is slack, you can stick it on your face with glue instead of grasping it tightly, so that wrinkles and textures will be more natural.
According to the needs of the character's age, some parts can also be blown, such as the corner of the eye, lacrimal sac, forehead and so on. Local blow wrinkles should pay attention to the thin edge and natural connection with the skin. After blowing the whole face, use a warm wet towel to wipe the powder, which can be traced according to the painting method. Although wrinkles have a three-dimensional effect, they should be slightly emphasized with color. Ordinary oil paints are not allowed. The oil on rubber is easily absorbed, leaving only powder, which lacks texture and is easy to get dirty. Plastic oil painting pigments should be used to show falsehood. If there is no plastic paint, you can coat the surface with a layer of polymer or castor oil, and then coat it. Sponge it and finally powder it to absorb the excessive reflection of plastic oil paint. If you are a middle-aged man in his fifties, just applying a layer of latex on your face can make your face look rough and slightly wrinkled, resulting in frustration and a feeling of wind and frost.
In addition, different methods should be adopted according to the specific situation of the actors and the roles they play. For example, a manual worker has thick and deep wrinkles, so it is enough to apply a few major and obvious wrinkles. His fine lines are not many, but the feeling of rough skin is more obvious. For another example, intellectuals have different images and characteristics. When operating, try to make the texture delicate, smooth and dense, so that the skin will not be too tight when gluing, and a layer of glue will be enough.
It can be seen that when blowing wrinkles, we should not only consider the influence of age, but also consider the characteristics of characters' personality, occupation and identity. Only by adopting different operation methods and mastering different changes of operation methods can we get different artistic effects.
Painting and dressing up as clothes for the elderly;
First of all, we must understand the characteristics of the elderly. The lines, shadows and highlights of old people's clothes are particularly obvious, and the contrast is even greater, because people have declined physiologically after they get old. The fat old man's skin is sagging, his blood vessels have degenerated, and his skin looks pale yellow. Thin old people are thinner, because of the lack of fat and water, the skin looks drier, loses elasticity and droops, and more and deeper wrinkles appear. When people get old, the fat glands in their hair dry up, so they begin to turn white. Generally, they turn gray first, then white, starting from the temples and then to the top of their heads. The beard also turns white from the beard head to the upper lip and from the sideburns. Eyebrows are the last to change. Generally, when changing eyebrows for the elderly, add a few long white eyebrows at the eyebrows (female eyebrows will be sparse and the color will fade; Men will grow longer and thicker). Old people can express themselves with hair, beard and eyebrows; The old lady's brow arch is not so high, her nose bone is relatively low, her chin muscles are bright yellow, and her skin color is relatively light because more subcutaneous fat affects her skin color.
To change old clothes:
1) The position of temporal line on the forehead of elderly clothes.
Old people, whether fat or thin, will show a physiological decline in their foreheads. The temporal bone is painted yellow, the light color is bright yellow, and the dark color is dark yellow, which is combined with the yellow of the forehead. The purpose is to highlight the eyebrow arch and then turn over the horizontal wrinkles on the forehead, not too wide. The wrinkles on the forehead mound are lighter than those around.
2) cheekbones
This place should be more prominent, because the temple is sunken, so the cheekbones should be highlighted with bright yellow, and the highest point of the cheekbones should be painted with brown red as blush, so as not to bump or cross. When people are old, they also have a rosy feeling on their faces, not as red as young people. So the brown shadow is painted under the brown cheekbones, and the surroundings are well connected. If you are an elderly patient with special aging, don't blush at the cheekbones, but gray, indicating that there is no blood.
3) temporal bone (temple)
The position of the temple is dark yellow. The purpose is to highlight the temple line and cheekbones to make the temple droop and connect with the surrounding colors.
4) orbicularis oculi muscle
When people get old, the water in the eyeball decreases, and the eyelids droop because of water loss, so when people get old, their eyes will become smaller and the top of the eyeball will collapse.
5) Wrinkles in the outer corner of the eye (crow's feet)
The shape is radial, because the orbicularis oculi muscle is a round wrinkle, which is 90? Right angles are usually in groups of 3, and shadows are stained with toothpicks.
6) the shadow of the bridge of the nose
The shadow at the bridge of the nose combines with the shadow at the upper eyelid, and then gradually fades to the lower eyelid.
7) nasolabial groove
Can make the actor's mouth laugh back and forth, find the nasolabial fold, mark two dark lines, then wipe the dark lines in the direction of the corners of the mouth, paint the other side of the dark lines bright yellow and wipe them out. If the nasolabial groove is straight, it looks fierce.
8) Eyebrow wrinkles
The wrinkles caused by the expansion and contraction of the frown muscles are generally two, one is long and the other is short. Paint bright yellow on both sides of the dark line, and then rub bright yellow.
9) nasal root striation
The horizontal wrinkles caused by the contraction of the descending muscle should be intermittent.
10) nose
The nose of the elderly should be bright, in contrast to the shadow of the nasolabial groove, which is deeper.
1 1) orbicularis oris muscle wrinkles
When people get old, radioactive wrinkles will appear on their upper lips. Paint your lips the same color as your face with the background color, then make some longitudinal radioactive wrinkles and paint them bright yellow between every two lines. If the old man has a beard, he doesn't have to keep it. The old lady keeps it up and down.
Lower corner of mouth
Because the skin is slack and the skin outside the corners of the mouth droops, the lower corners of the mouth are covered (two short arcs) and wiped away in the direction of the mouth.
13) Labial sulcus
Draw a short arc in the groove of the lower lip with the shadow color under the lip, and then rub it down. The shadow under the lips is particularly deep.
14) mandibular knot (chin and mandible)
Foreigners usually have double chins. Old people don't need beards, but old ladies wear bright yellow.
15) tooth
Wipe the teeth to be made with alcohol cotton before, then stick them with tape or brush with glue, and then brush with black paint or eyeliner. You can also buy ready-made black tooth lotion to cause tooth loss.
16) neck
You can use the method of blowing wrinkles.
17) hair
You can dye your white hair, use a silver paint pen, or wear a white hood.
18) eyebrows
Generally, the shape is not changed, but it can be painted with flesh color to make the eyebrows lighter. Old people can use fake eyebrows.
19) eyelashes
Paint it with a flesh color, not to make it obvious.
lip
Cover the insult line with light oil paint, and then paint it with dark brown or brown to reflect the thin lips.
White hair cream formula:
According to this formula, hair creams of various colors can be made.
Raw materials: silver powder 25g, lithopone 75- 100g, vaseline 25g, white wax or beeswax 15g and lanolin 5g.
Production method: firstly, melt the oil with low fire (water heating), add lithopone and silver powder, stir, cool and solidify, and then pour into a container for later use. If it is white, you can add lithopone.
Advantages: avoid soiling clothes and face, avoid powder flying into respiratory organs, it is really shiny, easy to wash off, and it is not easy to fall off when applied to hair.
12. film and television middle-aged makeup method:
1) The characteristics of the middle-aged makeup crowd: there are some fine lines and wrinkles on the face, the muscles are slack and drooping, and the hair is sparse.
2) Middle-aged women make up:
⑴ Make-up according to the age of the character: This kind of make-up generally adopts three-dimensional or partial make-up method, depending on age and occupation. If you are young, you can exaggerate a little; If you are old, you can use local makeup.
Middle-aged makeup is mainly the choice of background color, eye shadow and lipstick. Eye shadow is mainly orange and brown, and the background color should not be too white. Lipstick is a normal lip color or flesh color. Lip gloss should not be used, and the eyebrow color should not be too heavy.
⑵ The actor's age is lower than the role's age: increase the age makeup method.
(1) Choose an age-appropriate foundation, and generally choose a background color that is darker than the actor's own skin color.
(2) according to the facial structure, add shadow color to the part that needs to be depressed.
Add a shadow color to the fatigue lines of the lower eyelid, and also add a shadow color to the outer corner of the lower eyelid to form the feeling of bags under the eyes. 3 eyebrows should not be too dark and too regular, and gently hook them with a gray eyebrow pencil.
4 don't be too bright in lip color, choose a dim color.
Change your hairstyle or add a little white hair.
⑶ The actor is older than the role. Make-up: age-reducing make-up method.
(1) Choose a foundation with strong hiding power, which can be lighter than the actor's own skin color and cover up the flaws on his face.
② Except for a few basic parts, the fatigue lines, nasolabial groove, corners of the mouth and eyebrows of the lower eyelid should be painted with high-gloss color, and the high-gloss color should not be too strong.
3 Make up according to the steps of youth makeup.
Stick double eyelids and false eyelashes.
⑤ Stretch the face by pulling loose muscles.
6. Change with hairstyle.