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The artistry of black and white woodcut prints
Black and white woodcut prints have the following artistic features worthy of attention:

1 makes use of the true colors of objects as much as possible, presenting a woody taste.

2. Using the technique of "leaving black" skillfully, the depicted characters are specially treated, and the unique artistic effect of printmaking is obtained.

Give full play to the characteristics of print watermark, so that large prints can produce strong artistic effects.

Through ingenious composition, the theme is set off by different styles such as fullness, density and simplicity.

Here are several woodcut painters who can search their works to enrich their papers.

Kollwitz and Dick are especially recommended. Let's look at someone else's. You can dig more if you like.

Kate Kolwitz (female: Catherine Kolwitz) (1867-1945)

Edvard munch (1863-1944)

Spanish Barbereau Picasso (188 1 year-1973)

Chen Hongshou, China (1588-1652)

Gage (1774-1829)

Han Yan (19 16-)

Guyuan (19 19-1996)

Leaf (1907-1995)

Composition by Dongzhouzhai, Japan (date of birth and death unknown)

Suzuki Harunobu (1725- 1770)

Evergreen in torii (1752- 18 15)

Xizhai Yingquan (179 1 year-1848)

Beichuan grid pattern (1753- 1806)

Ge's North House (1760- 1849)

Guang Mao Gechuan (1797- 1858)

Specific information can be found in Baidu Encyclopedia /v236668.htm#2.

Western printmaking attaches great importance to the inheritance of traditional techniques, so it is a perfect paper to analyze the works, contents and techniques of ancient western black and white woodcut painters.

At present, the development of new materials in China is still relatively persistent, so new materials are also a key point.