The practice of singing basic skills can be divided into three stages.
The first stage focuses on vocal area training, mastering basic vocal methods, conditioned reflex and muscle training to meet the needs of singing techniques. No matter what kind of voice it is, you should start training from the sound area. After the sound training field is relatively consolidated, the scope of sound is gradually expanding, which starts from understanding the basis of vocal learning. Singing in the sound field is the basis of sound development, and it must be based on solid play. We must remember the truth that "haste makes waste".
The second stage is to expand the range appropriately on the basis of the regional tone, strengthen the resonance with the training atmosphere, and practice the transitional tone (that is, the training regional tone) well, so as to lay a solid foundation for the training in the first regional tone. The second stage of the exercise is a key part, and the cost is relatively long, but you must be patient and confident, and don't rush to sing high notes. Shen is to keep his breath, such as consolidating this range, and then shout to the exercise area.
The practice area of the third stage is put forward on the basis of consolidating the last two stages, strengthening the training of pitch volume, further expanding the range, making vocal music practice more complicated and making the sound reach the expected pitch range. This kind of classroom practice pays special attention to the unified vocalization of high, middle and low areas, and there will be no cracks and lumps in the transition of sound. The key point is to strengthen the first sound training in the area, obtain the first cavity resonance in the high position, and achieve the purpose of unified vocalization in the area. In this way, after the basic musical instruments for singing are manufactured, we can generally sing more difficult songs.
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How to practice vocalization
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Stage 1: unborn first Li Anqi. Research data show that under normal circumstances, people breathe 16- 19 times per minute, with each breath lasting about 3.4 seconds. However, in concert, one breath is sometimes extended by more than ten seconds, while the inhalation time is shorter and the exhalation time is longer. To grasp the point that gas will stay in the lungs and exhale slowly, we must first do the following:
(1) "Spiritual callback Shen Xi slowly prolongs the control practice."
The key points are: learn to "use qi", let the air pressure out and out, then use the space of nose and tongue to make "Wenhua", often absorb with natural light, inhale and eat, and then breathe slowly and slowly, as long as you exhale slowly, it is called even, and the time is controlled for a long time, and you can practice it repeatedly for 4-6 times.
(2) "Shen Xi slow callback number practice"
Let's first call the steps "sucking and pushing", "sucking and lifting" the atmosphere, "pushing" the air down the field, and at the same time, doing extended exercises on "pushing" the atmosphere. We recommend three training methods: a. Practice times: "absorption and lifting" op. "Push" softly and quickly, while counting "12345678910"-repeat several sounds, and you can see how many times this sound has been repeated so far. B. "Jujube" method: "Suck" op. "Push" while softly saying: "Go to Dongmen Bridge, a jujube tree under the bridge, and beat dates with bamboo poles. The few green ones are red (sucking enough) one date, two dates, four dates, three dates and five dates ... You can look at the date of this kind of gas jujube. Repeat 4-6 times. C. The practice of "gourd several": "inhale" op. "Push" softly while reading: "hyacinthus orientalis, Yin hyacinthus orientalis, can't relax twenty-four hyacinthus orientalis (suck enough) one gourd, two gourds and three hyacinthus orientalis ..." This tone has been repeated for 4-6 times so far. A few numbers, "a few dates" and "a few gourds" control the atmosphere. The more you train, the more you control it and don't run out of breath. Will start abdominal pain, practice for a period of time, will consciously improve greatly.
(3) "Hu Slow Practice"
After the practice atmosphere ended, voices began to join. This practice is still based on audio, supplemented by bass, gentle male voice "ah" (the transmission and phase-of "sang" and "ah") and female voice "yi" (the "yi" of "Xiao Sang" is transmission). Breathe the Zhu Tuo, and the sound outlet will be pushed into a far columnar wave, which can be as long as Radovan and practiced repeatedly.
(4) "tail gas treatment practice"
This is the practice of half voice and half gas. For abdomen or waist insertion with both hands, exhale from the abdomen to swallow, and at the same time, use bass flexibly, and the expansion of abdomen and diaphragm will pop up at the same time. We introduce three practice methods: A. Zhu Tuo opens his mouth quickly with one breath, and says "beep, beep, beep, beep" (repeatedly), which will make a "beep" sound when made. Can be repeated 4-6 times. B. If you collapse in one breath, slow down first and then make a "hahaha"-(repeated) (accelerated) hahaha, hahaha, hahaha ...... "The strength is moving, exercise the broken sound and ensemble". He ..... "Laugh," aha "and" ahem ",commonly used. C. Take a breath, say "hey-rough, hey-rough" slowly and then quickly (repetition is gradually accelerated) "hey, rough, rough ... hey ..." to speed up Bu Zhi's efforts and practice repeatedly.
After this stage of practice, the qi for the sound and the qi for the sound are basically full, and the "qi capacity" has been basically stimulated and active, while the sound has been brewed and protected, and on this basis, it is ready to start practicing the sound.
The second stage: qi, sound and word practice
Especially, China opera actors, including Peking Opera actors, get into trouble with their voices when opera lovers shout, and soon they can't shout as high as they can, and they even shout blindly, which is often counterproductive. We call Sang to practice vocal music. First of all, we are interested in not rushing to practice vocal music. The atmosphere is conducive to vocal music practice. We should define a gradual law and persevere. In this third stage, we propose that we should not rush to climb the high-pitched scale, but practice from qi, sound and words. The relationship of this line should be in this order: music serves qi, sound serves room, word room serves words, words serve words, and words serve information. In this sequence, we can see the position of the words living in the center, with "music" and "room" in front and "word" and "intelligence" behind. It's a mess. All bets are off. The child's pronunciation is true, the voice is round and firm, and it is a baby's principle to "speak with words". We should pay full attention to "qi" when calling the voice, sound and qi of the mulberry word, and recognize the true bite of "music". The specific method is: the Chinese radical method first slows down the words with large characters, stomachs and suffixes to pronunciation, and then speeds up, while practicing the flexibility of mouth, tongue and lips and teeth.
The third stage: Yin Shi, singing practice
The purpose of Yin Shi's practice in the fourth stage of singing is to tap the sound quality of "generous bass, mellow midrange and tough treble", instead of blindly pulling up and running up, but consolidating the midrange and bass to make them sound gorgeous and pure, maintain a good and pleasant voice and exercise the flexibility and toughness of the treble. At this time, the practice and learning of singing are all in vain. Without accompaniment, it is more difficult and demanding to sing. In the third stage of training, the gas, sound and word buttons are a step, and by going up one flight of stairs's voice is not tired, so the exercise effect is good and the grasp is great.
The fourth stage: arc gas sound practice
This is a very unique vocal technique in Beijing opera. It dances like a jump, jumping like a jumping force, bouncing like a jumping force, throwing a shot put, passing it, putting it away, and then rolling around. The atmosphere and sound form a parabola, which is pulled back and then thrown out. If you don't practice this kind of double arc gas and sound well, it is easy to "bend", "turn" or "flower". The general gist is: win the spirit-say hello (like pinyin)-throw it out-and then trot all the way, control the atmosphere and volume, choose the best sound, and make the best of each other. In particular, the "Connotation of Capacity" recited by the Zhuangke people is even more uninterrupted, and thoughtful, Duan Yu will be delivered to the door again. It is necessary to practice and master the rhyme to the sound.
In this paper, the basic rules of vocalization and effective step-by-step training methods are explained in simple terms. Teachers can use it in their usual teaching to improve their singing level.