The natural scenery written by Zhuan Xu is also the result of the poet's meditation: "An egret flies over the quiet wetland, and mango birds sing in the trees in midsummer." You see, in the vast and empty flat land full of stagnant water, egrets take off, and their posture is so quiet and chic; Listen, far and near, in the beautiful forest, orioles are singing to each other, and their voices are so sweet and happy. In the summer of Wangchuan, birds are flying, and the poet only chooses orioles and egrets with different shapes and habits to describe them in connection with their respective backgrounds: snow-white egrets and golden orioles have different colors in vision; Egrets fly, orioles sing, one takes dynamics, the other takes sound; Desert, describing the wide distribution of paddy fields and broad vision; The sky is cloudy, the summer trees are dense and the realm is deep. These two scenes set off each other and cooperate with each other, making the rainy weather in Wangchuan, Shan Ye picturesque. The so-called "painting in poetry" is a good example.
This seven laws, vivid in image and profound in meaning, shows the poet's leisure in seclusion in the mountains and away from the secular world, and is the representative work of Wang Wei's pastoral poems. Once upon a time, some people regarded it as the culmination of the seven laws of the whole Tang Dynasty, saying that it was the acme of "empty the past and accurate the present", which was of course caused by the eccentricity of feudal literati. However, some people think that "elegant and quiet, not better than Yu Cheng's Accumulated Rain". Appreciating the profound artistic conception and superb style of this poem, the artistic opinions are still good.
It's like I'm improving my image. You can go to Baidu encyclopedia to have a look ~