Hu is wearing a long skirt with a wide swing, wearing ornaments and dancing with long sleeves. When she dances, her body flies like snow. There are many images of spinning dancers in Qiuci murals, with their feet crossed, their left hands rested on their hips and their right hands raised. The whole body ribbon is elegant and the skirt is bent, which is an instantaneous posture of rotation, resulting in the effect of "dancing in the air". This can be seen from Yuan Zhen's description of Hu's "soft clothes fluttering, cymbals circling around the fingers" and Bai Juyi's "double sleeves playing the strings and drums, snow fluttering and dancing". Bai Juyi also wrote: "Hu Xuan's heart should be a string, and her hand should be a drum." String drum-sound double sleeve lift, dancing with your back to the snow. Turn left and right, never tired. Nothing is like human beings. It's too late to run on wheels. "

From ancient poems and unearthed murals, we can see that Hu Xuan's dance is light and fast, with a distinct rhythm.

In addition, there are men dancing Hu Xuan. An Lushan is a master of Hu Xuan dance. At that time, he and Yang Yuhuan were two dancing gods inside and outside the palace. According to historical records, An Lushan weighed 330 Jin, but he danced the Hu Xuan as fast as a gust of wind. Men move differently. Liu Yanshi's poem "Wang Zhongcheng's House Watching Hu Teng at Night" said: "There are few stone people, so you have to squat and dance. Li Duan's poem "Hu Tenger" said: "Everything in the circle is in a hurry, it should be a festival, and the backhand is like a bright moon. You can see men's Hu Xuan dance, some Russian and Eastern European spin dances, a lot of squats and kicks, and the posture of akimbo following the rhythm.