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Hallelujah
Thank you, Mr. Wang Wensheng, Mr. Zhu Xiaohua and Brother Yang Zhuangzhen.
This article will be published in the Summary of Frontier Literature and Literature 20 1 1.7. Please indicate the source for reprinting. Thank you for your cooperation.
On April 20 1 1, the author was fortunate to attend the international conference "Literature and Religion: Christianity in the Context of China in the Late Qing Dynasty and the Republic of China" (hereinafter referred to as "Changsha Conference") jointly organized by Hunan Normal University and the University of San Francisco. The paper "How the Fur Appears in the Bone Marrow —— An Academic Investigation Centered on the Spread of Christianity in China and the Cultural Relations of Three Modern Dramas" (hereinafter referred to as Piwen) submitted by the author has aroused the criticism of Professor Wang Wensheng of Nanjing Normal University and the debates of other scholars attending the meeting. Chloe Faith Starr, a professor at Yale University Theological School in the United States, even included this issue in her lecture report summarized at the conference. Regardless of criticism or contention, its core revolves around a proposition, that is, is Hong Shen's play "Qinglongtan" published in 1936 related to Christian culture? In other words, can the image of "Lin Gongda" created in this work really be associated with some Christian ideas because of its spirit and behavior of redemption and sacrifice? ……
It should be the whole book.