General Patton's opening speech under the Stars and Stripes
Iron Man Wars F22/ Escape from the Cave
District 9's robot scene/stealing fuel from the laboratory.
Anti-terrorism lens of "anti-terrorism swat team"
"Braving the Island" anti-terrorism lens/special forces sneaked into the island for the first time.
Top Secret Flight Air Combat Shot/Eddie's First Mission Du Qifeng Incident (2004)
About 7 minutes after the opening of the police-bandit fighting scene, a long shot was completed in one go, with outstanding sense of integrity and realism, which was extremely difficult to shoot and gave people a hearty pleasure visually. Fans who like long shots should not miss it.
Now, take the American classic road film Bonnie and Clyde (also translated as Bonnie and Clyde) as an example, simply practice the pull ring. For reference only.
From 65438 to 0967, American director Arthur Penn made the film Bonnie and Clyde, which was a sensation and became a masterpiece of New Hollywood. People who have seen this film are often shocked by the scene of the death of the hero and heroine at the end of the film. This classic passage has been repeatedly mentioned in the history of movies, and people call it "violence aesthetics".
The tab analysis is as follows:
Movie Excerpt: Bonnie and Clyde were finally betrayed by traitors and shot by the police on the roadside.
Time: 108: 00- 109: 06
From Clyde turning his head to the police hiding behind a tree, 18 took 20 seconds, but the director used 30 shots to switch. We know that the film of 1 sec is 24 frames, which means that each shot is less than 1 sec, only 16 frames. Its editing speed is stormy, and the close-ups of Bonnie and Clyde's expressions are frequently intertwined when their lives are at stake, such as frightened pigeons, guns in trees, panicked traitors and so on. The combination of these pictures is dazzling, and the danger is approaching but there is no sound, which makes people breathless. A flash of white dove, a moment of beauty, seems to imply the tragic fate of the two.
Suddenly, the short silence was broken by gunfire, and police bullets rained down on them, and they fell in a pool of blood. Clyde fell down, and the close-up of Canada and China was shot in slow motion. The picture of two people was enlarged and the time was prolonged. The bloody bodies hit by bullets, the dust splashing, and the bodies covered with bullet holes were terrible. The director didn't give many shots to the police, but he spent a lot of time showing the tragic scene of the hero and heroine being killed, calm and cruel, whether you want to watch it or not. Generally speaking, movies are all about the death of a good person (of course, the protagonist of this movie can't simply define a good person or a bad person), and the technique is subtle and euphemistic, both at home and abroad. In Zhang Yimou's Hero, Wu Ming was baptized by an arrow rain outside Qin Gong and died calmly. The director handled it this way: panorama, the wall was shot by an arrow, and a human figure was vacant in the middle of a bunch of arrows. In the American movie Braveheart, Wallace died, and mel gibson showed it with the executioner's axe. Wallace released his palm and took a close-up of a handkerchief flying in the sky. On the contrary, Bonnie and Clyde is relatively straightforward in this respect. This technique gives people the feeling that robbers are helpless and fragile, which makes people sympathize; The police are cruel and disgusting. This psychological feeling of putting the cart before the horse is inseparable from the director's unique direction and unique editing. The upgraded shooting and the use of slow motion have painted a poetic sadness on this violent and bloody picture and sublimated the artistic conception.
This slow-motion technique was further developed in the hands of John Woo, such as "The True Color of Heroes" and other films, which later became one of the signature styles of Wu's action films. Of course, there are pigeons.