Ouyang Xiu (posthumous title Wenzhong, 6 1 year-old laity) was a great literary master in the Song Dynasty. He inherited the spirit of Han Yu's ancient prose and put forward the idea that literature should be based on Ming Dow. He is not advocating ethics, but caring about Pepsi. He learned the spirit of "following words" from Han Yu, vigorously advocated a simple and accurate, smooth and natural style of writing, and opposed frivolous and obscure. He not only set out from reality, but also set an example with his outstanding creative achievements. Representative works include Zuiwengting Ji, Singing Cicada Fu, Autumn Sound Fu, Ji 'an with Peace, On Friends, Biography of Lingguan, Selling Oil Weng and so on.
Su Xun (Second Destiny) Su Xun's prose has clear arguments, strong arguments and sharp language, and Su Xun is very convincing. The artistic style is magnificent and changeable. Su Xun's articles are mostly political and military. Such as Lun Heng and Shang Shu, clearly put forward the political innovation proposition of governing the country and rejuvenating the country by taking history as a mirror; In Inspecting the Enemy and On the Six Kingdoms, it is believed that the downfall of the Six Kingdoms lies in bribing Qin. In fact, it is a mockery of the past and accuses the humiliating policy of the Song Dynasty. At the same time, the idea of reforming the military system and sealing generals was put forward. There are not many lyrical sketches, but there are also many excellent works, such as Zhang Yizhou's Portrait and Murockery. Representative works such as Six Kingdoms, Balance of Power, Distinguishing Traitors, Guan Zhong, and Power Shu Shu, etc.
Su Shi (the word Zi Zhan, the word He Zhong, the famous Dongpo layman) is the highest literary achievement in the "Three Sus". Su Shi devoted his life to Su Shi's literary and artistic creation. He attaches importance to the social function of literature, opposes "Zhong Hua despises reality" and emphasizes that the author should have a complete life experience. He believes that writing should be "like flowing water, with no definite quality at the beginning", "natural in arts and sciences, full in posture" (thanks to the teacher's book), and be brave in innovation and originality. Su Shi attaches great importance to the discussion of literary and artistic creation skills. He explained "expressing words" by "seeking the beauty of things is like catching shadows from the wind", and then "knowing things in the mouth and hands" (Thank the teacher's book), which touched the special law of literary and artistic creation. Su Shi's creative practice embodies his literary view.
Su Zhe is an old man. Shi's style of writing is Wang Yang's and elegant, such as Huangzhou Kuaizai Pavilion, which integrates scenery, narration, lyricism and discussion, and clearly embodies the style of Su Zhe's prose. He also played a positive role in the development of prose.
Wang Anshi's prose is rough, vigorous, vigorous and simple. He has a clear political view, sharp words and outstanding opinions. For example, the short 24 words in "Reading the Biography of Meng Changjun" deny that the views of past dynasties are masterpieces that have been passed down for generations.
Ceng Gong (Zigu, known as "Mr. Nanfeng" in the world) is a supporter and participant of Ouyang Xiu's ancient prose movement. Advocating "teaching before writing". His writing style is natural and simple, and he doesn't pay much attention to literary talent. Among the eight people, he is the most emotionless one. His articles are rarely lyrical, mostly argumentative and narrative. His prose is good at argumentation, and it is well demonstrated.
The reason for the formation is that Han Yu and Liu Zongyuan rose up in the Zhenguan period of the Tang Dynasty and the prosperity of Kaiyuan, and set off the ancient prose movement, which made the prose of the Tang Dynasty develop to its peak. For a time, ancient Chinese writers rose up and attacked it, forming a climax of "everyone coughs and spits, and everything becomes a pearl."