On Sunday, my mother and I climbed the Great Wall. I hummed a little song and walked on the line. Suddenly I saw an aunt writing on the wall: XXX, come here. I am very unhappy. I walked up to the aunt who scribbled and said, "Aunt, you shouldn't scribble on the city wall." Aunt gave me a white look and still wrote on the wall: XXX, come here. I was even angrier when I saw that my aunt was still writing. I said to him loudly, "Aunt, this is a national cultural relic. Please don't scribble on it. " Aunt was angry, her face was like a burning lantern, and she said to me, "Son, why do you mind your own business?" "Cultural relics belong to everyone and are also state property. It is also uncivilized for you to scribble on the wall. " "Aunt, the national cultural relics law stipulates that no one may destroy cultural relics. My aunt blushed and said to me, "thank you, I will never destroy cultural relics again." "
Today, I used the law to protect national cultural relics, and I decided to protect national cultural relics in the future.
extreme
When the car is driving on the country road, the writer Feng Jicai no longer has the impulse to write. In the past, western-style spires and mosaics with different lights appeared in the farmhouse with white bricks and blue tiles. Smoke from kitchen chimneys curled up, and flowing water from small bridges became a dream buried in my heart. Mr. Feng started running around, shouting: Save our cultural heritage! China's culture is profound. She is everywhere-dissolved in the book, wandering in the Jiangnan path, hovering over the cliff cornices. We are surrounded by this strong cultural message, but we are dignified executioners. Forgetting history is betrayal. Our cultural heritage is the witness of history. The Terracotta Warriors and Horses of Qin Shihuang stand proudly up to now, and the waves of the Grand Canal in Sui Dynasty are still beating on the banks of the Millennium. Meng Jiangnv's cry was piercing and sad, and the voice of the tracker's son still seemed to haunt her ears. After thousands of years of ups and downs, prosperity, humiliation and indignation, these cultural heritages have burned their bumpy hearts and presented their solemnity to the world. With the sword shadow gone, Long song's sorrow stopped and his lofty sentiments vanished. Everything follows the river of no return, and only the pines and cypresses of the Millennium whisper to the breeze.
Our cultural heritage is the soul of the Chinese nation. When you wander in the Temple of Heaven and look up at the sky, you are endowed with generosity and profundity; Mourn your approach to Yue Fei, and a sense of integrity will arise; When you climb Mount Tai and Xiao Lu, the world will be suddenly enlightened. We are lucky to breathe and grow in such an atmosphere. Our ancestors held torches from ancient times to the present, polishing and casting a broad, unyielding and progressive national soul. These cultural heritages make use of the sculptures that our nation fought for.
Our cultural heritage is the root of China people. Have you noticed that every year, there are mighty overseas wanderers coming home, holding loess in front of the Huangdi Mausoleum; Have you noticed that Taiwan Province compatriots come back to worship Mazu every year? Our cultural heritage has attracted the hearts of hundreds of millions of people in China, and the cohesion of this nation cannot be destroyed by any force.
The witness of history, the soul and the root of the nation have made our cultural heritage stand among the world's national cultures for thousands of years. When you understand them, the thousand-year-old trees will shine; When you approach them, the yellowed ancient books are no longer obscure; When you face them squarely, all gloomy colors will disappear, and buildings will no longer be cold monsters. No wonder Mr. Feng would rather give up writing than save the cultural heritage from people's sight. It can be described as well-intentioned!
We walked out of the closed door yesterday. While absorbing foreign civilizations, we should also avoid destroying the soul and roots of the nation. China's cultural heritage needs to go to the world, show our splendid civilization and be carefully cared for by us in China. Only in this way can the Chinese nation be revived, and like Kun Peng, it can "erect my Yun Fan and build the deep and deep sea".
Tisso
First of all, as one of the most precious cultural heritages in China, the Mausoleum of the First Qin Emperor is priceless. Terracotta Warriors and Horses Pit is the burial pit of Qin Shihuang Mausoleum, which is located at1500m east of the Mausoleum, and is known as "the eighth wonder of the world". It has provided very precious physical materials for the study of the military, politics, economy, culture and science and technology of the Qin Dynasty, and has become a precious wealth of human culture in the world. The pottery works in the pit are imitations of Qin Suwei's army. Nearly 10,000 ceramic guards used bows, arrows, crossbows, bronze bows, spears, halberds, or crossbows as precursors, or rode horses, forming four arms: step, crossbow, vehicle and riding. The overall style of the Terracotta Warriors and Horses of Qin Shihuang is vigorous, strong and handsome, and it is washed and practiced. If carefully observed, there are differences in face, hairstyle, posture and verve, from which we can see that Qin Bing comes from different regions, different nationalities and different personalities. Ma Tao pricked up his ears, some opened his mouth and screamed, others stood still with their mouths shut. All these terracotta warriors and horses of Qin Shihuang are full of touching artistic charm.
In the 1990s, it was proposed to "sell a few cultural relics to build a museum". At that time, a representative of the National People's Congress put forward a proposal to "sell it as a terracotta warrior" in view of the predicament of cultural relics work. This in itself is a manifestation of putting the cart before the horse. This museum was built to better protect cultural relics. If the cultural relics are sold to build a museum, the museum itself will always be sad and shameful. The terracotta warriors and horses of Qin Shihuang are a whole. How can you have the foolish and ignorant idea of "reselling a few" because of the large number? How can I bear to ruin this whole? In the material society, the word "selling" cannot be used as the starting point and breakthrough of the reform of cultural relics work.
Cultural relics are the carrier of a country's and a nation's history, and the witness of our ancestors' wisdom and creativity. The particularity of cultural relics is that they are non-renewable. Of course, we have heard that artistic wonders such as Van Gogh's and Picasso's paintings are auctioned between countries, but we have never heard of any national museum's collection falling into the auction hands. What is even more incredible is that the auction has treasured the top collection culture for centuries. No one has the right to sell the historical wealth of the whole nation. The terracotta warriors and horses are priceless, and no one can price them.
In 2002, "Shaanxi Tourism" went public and sold the Terracotta Warriors with 80 million shares, which once again caused controversy. According to the original idea of Shaanxi Tourism Co., Ltd., the listing of "Terracotta Warriors and Horses" is based on the mode of "Huangshan Tourism" (600054), and the ticket management right is entered into the joint-stock company through leasing and then listed for financing. The purpose is to develop tourism and reorganize funds, but it is necessary to emphasize whether cultural relics have the right to operate and whether the ownership and management of cultural relics can be separated. This is what people are most concerned about. The person in charge of the company has repeatedly stressed that it is not "selling cultural relics", but "selling tickets" to better protect cultural relics. At present, this way of "selling Terracotta Warriors" is still a controversial topic.
When cultural relics become the medium of buying and selling, does it lower their own character? Is it not enough to respect history to rely on the treasures of our ancestors to raise funds for listing? It seems that these are all conceptual problems that we need to solve.