Goddess is Guo Moruo's first new poetry collection, and it is also the first new poetry collection with outstanding achievements and great influence in the history of modern literature in China.

Goddess, a collection of poems, issued a revolutionary call against imperialism and feudalism. This vigorous revolutionary romanticism created a new poetic style in the history of China literature and laid the foundation of modern poetry. Guo Moruo believes that only a person with relatively complete personality can become a real poet.

Therefore, a real poet should first "create personality", beautify and purify feelings. Many chapters in Goddess are the unity of the poet's personality impulse and his inner passion. Guo Moruo's boxing poems have created a new poetic style in both content and form. With the help of pantheism, poetry enthusiastically praised the October Revolution, completely rebelled against the old traditions, vigorously publicized individualism, expressed the poet's patriotic feelings, and expressed his ancestors' yearning for a better tomorrow.

Nirvana of the Phoenix is a solemn ode to the times, announcing that the oldest Chinese nation in the world is experiencing great nirvana in the new era opened by the May 4th Movement. The poem "Phoenix Song" and "Phoenix Song" ended the darkest page in the history of the Chinese nation with a deep and solemn crown. With its warm and harmonious singing, The Phoenix Renaissance Song heralds the arrival of a vivid, free, clean and gorgeous new era of national rejuvenation.

Coal in the Furnace is a love song of the poet's sincere enthusiasm for the motherland. Throughout the poem, feelings are expressed in figurative images. The poet compares himself to coal, the patriotic enthusiasm ignited by the revolutionary fire to burning coal, and the youthful motherland after the May Fourth Movement to a young girl, full of deep and implicit love for songs.

Goddess embodies the poet's strongest and most concentrated democratic ideal of calling for the birth of a new world. In the dog, in the earth, in my mother! In his poems such as Standing on the Edge of the Earth and Blowing the Horn, Guo Moruo relies on macroscopic objects and many images of the earth, continent, ocean and universe to inspire people to "constantly destroy, constantly create and constantly work hard", clean up all the sludge and muddy water, embrace a brand-new world, and be born in the fire of phoenix nirvana.