1, double hook
In meticulous painting, especially in meticulous painting with heavy colors, double hook coloring is the most obvious painting feature. "Double hook" refers to the representation of an object as a "line outline" (originally a calligraphy term: a stone in calligraphy, which is hooked out with thin lines along the outer edges of both sides of its pen surface, called "double hook").
As shown in the picture, bamboo leaves are depicted with double hooks. Both bamboo leaves and bamboo poles are shaped along the outer edge of the hook line.
2. Flat coating
Filling a certain color evenly without concentration change within a certain range is called flat coating. One of the basic skills of meticulous painting.
As shown in this picture, the front leaves of bamboo are painted with light emerald green, and the back leaves are painted with light juice green. The shade is basically unchanged, and the color cannot exceed the outline of the object. The color blocks should be uniform and tidy.
3. Uniform dyeing
In the process of meticulous painting, according to the needs of shading, it is often necessary to render several leaves and petals in a unified way, emphasizing the overall relationship between shading and color, which is called unified dyeing.
As shown in this picture, at present, the bamboo leaves are dyed pale cyanine, which mainly means that the roots are dyed to the tip in a large area, and there is no waterline near the main reinforcement of the roots. Dyeing is actually a rendering of various colors.
Step 4 dye alone
The most important dyeing technique in meticulous painting. Dip one pen in color and the other in water. After the colored pen paints the paper, the color is washed off with a water pen to form a gradient effect of the color from thick to light. In order to distinguish it from general dyeing, we usually call it small area, local and detailed rendering sub-dyeing.
As the picture shows, bamboo leaves are dyed separately. At this step, the left and right waterlines have been drawn, the colors of each bamboo leaf are not confused with each other, and the picture is gradually refined.
Step 5 dye ...
When the sub-dyeing is nearly completed, it is called lifting dyeing to brighten or deepen the picture in a small area and part with a certain color.
As shown in the figure, the roots of bamboo leaves are deepened locally, and the bamboo leaves at the bottom are aggravated with a small area of dark blue, which is the painting method of lifting dyeing.
6. Overdyeing
Re-cover the color picture with a layer of color and render it locally.
As shown in the figure, the green of the last side of bamboo leaves is spread flat on a large area, and after reaching the tip of the leaf, it is lightly dyed. This is the treatment method of covering dyeing.
7. wake up and die
Re-dye the slightly dim picture into light dark color after masking to set off the background color and make the picture eye-catching.
As this picture shows, after the bamboo leaves are covered with green, the shadows on the bottom leaves are slightly sultry. At this time, the darkest place can be slightly dyed with ink, which leads to the dark blue at the bottom. This step is to wake up the dye.
8. Drying and dyeing
The faint presentation background color around the depicted object is used to set off or hide the object.
As shown in the picture, the bamboo leaves are baked and dyed into light green areas, so that the object will not appear too isolated and the connection between the object and the background will be enhanced. It can also be called "contrast dyeing" or "insufficient dyeing".
9. Shrinking worker
After the color setting is completed, redraw the outline along the edge of the object with ink lines or color lines.
As shown in the picture, the leaves and branches on the opposite side of bamboo leaves are outlined again with faint rouge, revealing a faint blush, and the lines will also appear moist, which is the effect of re-le. The rough rouge of the short main reinforcement in the middle of the positive leaf plays a refreshing role.
10, waterline
One of the common techniques of meticulous painting. When encountering the edges or lines of an object in meticulous color setting, bright edges are often used to distinguish local colors or keep lines or reflect the thickness of the object. This bright edge is called waterline. At the same time, keeping the waterline can better reflect the unique decorative interest of meticulous Chinese painting.
As shown in the figure, the bright color band near the main reinforcement on the peony leaves is the waterline, which can bring good decorative beauty and increase the thickness of the leaves.
1 1, dyeing
A wet dyeing method with strokes is to dry the colored pen, rub it slightly, and then break the original color with a wet pen, which is often used to treat the edge of broken leaves.
As the picture shows, the leaf edge of Lin Song's painting "Tree Worm" is broken, so it is more appropriate to dye it.
12, swimming dyeing
The fountain pen rotates around the color block and dyes a piece of color around it. When this method is used to draw the blush of a lady's cheek, it is also often used in the painting of fine brushwork peony, especially the coloring of the root of inverted petals.
As shown in the picture, the dark red of the top few peony petals is concentrated in the middle of the petals and gradually fades from the middle to the surrounding, that is, swimming-dyed strokes are used.
13, spot dyeing
With a brushwork close to freehand brushwork, one stroke is dipped in different shades of color and dyed on the screen to take the meaning of agility. This method is often used to deal with background or small flowers.
The slopes and weeds as shown in the picture are painted by dot dyeing. The beauty of this method is that it is vivid and natural, and there is a certain freehand brushwork in it, which can make the picture look vivid and not rigid.
draw
14, dyeing
Use two or more pens dipped in different colors to draw objects with different shades, and then use a water pen or another colored pen to dye and color. It is often used in boneless painting or dealing with objects with relatively empty background.
As the picture shows, the lotus leaf in the foreground is dyed light brown, cyan and dark green. This method is used properly, the picture is moist and natural, and the charm is vivid.
15, vertical milling method
One of the important ways to point out stamens. The long-front pen is fully dipped in pink yellow (gamboge and white), or a little glue can be added, and the color concentration should be very large (the feeling of dripping is the most suitable). At the same time, the pen tip stands up and slowly points out the shape of the core. When wet, the color will be about 1 mm higher than that of paper. When it is dry, it will form a visual effect with high sides and concave middle, which is very stereoscopic.
As shown in the picture, the stamen of plum blossom is made by the method of standing powder, and the stamen has a good sense of volume and visual effect. However, it is impossible to show this effect simply by using ordinary pink yellow dots.
16, color punching method
Texture techniques are widely used in modern meticulous painting. Paint a certain color on the cooked publicity first, and rush into other colors or clear water or rubber alum before the background color is dry. Using the blending of water and color, a mottled and disorderly natural texture aesthetic feeling is produced. Often used to draw old cadres and slopes. The principles of "powder bumping method" and "salt sprinkling method" are similar to those of color punching method.
As shown in the picture, the old dry part is painted with ochre, washed with four colors of green, heavy ink and blue before the color dries, and then dripped with clear water. This colorful effect is caused by the washing technology.
17, silk wool method
Common techniques for meticulous bird feather treatment. Draw one by one with long hook lines dipped in ink, color or white powder according to the feather trend of birds. This method is rigorous, delicate, true and natural, and it is one of the basic skills of meticulous flower-and-bird painting.
As shown in the picture, the feather part of the sparrow is made by silk wool method, which is also called "monofilament wool method"
18, batch method
Common techniques for meticulous bird feather treatment. Squeeze the nib of the bristle brush into a flat brush shape, dip the nib in an ink color suitable for water, and draw it in groups according to the growth structure of bird feathers. This method is suitable for drawing medium-sized birds.
As shown in the picture, myna's head, back, waist, chest and abdomen are all made by chopping hair, also known as "chopping hair"
develop
Propylene spots:
The special technology of meticulous painting makes use of the washability of propylene. After repeated scrubbing, the place where propylene touches is still clear, while the background color has a special effect of mixed color, mottling and subtlety.
Fine sandpaper grinding:
When expressing rough texture such as stone, cowboy and washed cloth. , can be gently polished with fine sandpaper, and can be colored after polishing.
Shading method:
The special technique of meticulous painting, when drawing a regular large color plane, can first cut a fixed shape with white paper, cut a few gaps at the edge, stick it with tape, and then you can color it.
Water contrast method:
Draw a shape with light ink or color, with more water. Dye with thick ink or color to make it flow freely. Can be used to draw camouflage clothes or tree trunks.
Smoking method:
Wet the paper first, color it by contrast, and absorb the color with a paper towel or sponge when it is slightly dry, so that a subtle and rich texture can be obtained.
sketch
Meticulous brushwork technique is a painting method with lines as the means of expression, which relies on the changes of line rigidity, thickness, agility, Fiona Fang and density to express various objects. At the same time, the line itself also has a certain abstract aesthetic effect. As far as the whole Chinese painting is concerned, line drawing is also an independent art. As a meticulous line drawing, the general line type changes little, thin and uniform, leaving room for the use of color.
Water injection method:
It is mainly used for stones and tree trunks. First, dye the outline of the stone or trunk with ink (the color of the ink should change in depth), so that the water can be fully utilized and the ink should be watery. When the ink is not dry, water or heavy ink is injected to wash off the color of the plate, resulting in rich changes.
Point core:
It's important to draw some flowers. When you point the core, dip it in full color with a sharp pen, drop it on the tip of the pen, and point it into a round bead. When dry, it should be round, convex and even in size, and it is best to sink a small pit in the middle.