The background painting style of Miyazaki Hayao's films is always fresh and romantic, and there is always a feeling that people want to return to nature. In particular, the sky background in the film gives people a vast feeling, which makes people feel daydream, as if they want to go to that background to find the freshness far away from the polluted air in the city and feel the beauty of nature. Large tracts of white clouds, like cotton candy, are soft and full of happy and sweet memories, setting off the happy ending of the film's protagonist. Under the shade of green, the vibrant world reappears in front of us. This adds beauty to the film. It can be said that only in Miyazaki Hayao's films can we release the pressure of work and study that we have felt for a long time, rediscover the truth, goodness and beauty, and rediscover the leisure after returning to nature.
The painting style of the background is meaningful and long, echoing the fragrance of green tea for a long time, and it is difficult to dissipate.
Let's talk about the characters first. The figures in Miyazaki Hayao are all hand-painted. People (including animals) have simple and bright lines, which are not complicated, making people feel more simple and simple and close to life.
This shows Miyazaki Hayao's love for nature and life, which is also quite meaningful.
We have no choice but to start from this world where the flu is prevalent. -Miyazaki Hayao, take your positions.
We use drugs, sports or religion to avoid paying attention to reality. -Miyazaki Hayao, take your positions.
Even in hatred and killing, there are still some things worth living. Beautiful meeting, or for the existence of beautiful things. We describe hatred to describe something more important. We describe the joy after liberation by describing the curse. -The Ghost Princess project
Mongolians feed on grass. All kinds of creatures eat grass, and then people get salt, meat and skin from them. The bodies of dead creatures also belong to other creatures and the soil that nourishes grass. Mongolians live in this huge food chain and life cycle system, and also see their own existence. Compared with their spiritual life, how bad are we in spirit now? -Miyazaki Hayao on "Ghost Princess" ("Japanese Digest") [3]
When I decided to be an animator, I made up my mind never to copy anyone.
Our children were born in a world full of AIDS and drugs. Who knows what else? Even if the world population is as high as 65.438+0 billion, we will still live-we may be uneasy, struggling and screaming, but we will still live.
When I started writing Valley of the Wind, my opinion was an extinct one. When it is over, my view is an existential view. Don't be too arrogant. We must realize that we are just a small species among many species on this planet. If we want mankind to survive for another thousand years, we must create an environment for it now. This is exactly what we are trying to do.
Miyazaki Hayao talks about Japanese current education:
The mother cat has a kitten that hasn't grown up. When she grew up, she gave birth to a kitten herself. As soon as the kitten climbed out of its nest, it nervously carried the child back. Gradually, the kitten's range of activities is getting bigger and bigger, but it still tries to get them back. Finally, the kitten didn't listen at all. It went crazy, ran around the house and died. (Excerpted from "Starting Point, the Future of the Country —— A Talk between Miyazaki Hayao and Zhu Zizhe")
"This is an adventure story without weapons and superpowers. It describes not the struggle between justice and evil, but how to survive in a society where good and evil are intertwined. Drawing lessons from human friendship and giving full play to people's own wisdom, she finally found the way to return to human society, but this is not because she completely defeated the evil forces, but because she tapped her vitality. Nowadays, Japanese society is becoming more and more ambiguous, and likes and dislikes are inseparable. People in the animation industry are used to telling the truth and power of life, which is what I consider when I make a movie. " —— (Miyazaki Hayao, Spirited Away)
"This is really a shame for Japan" —— Miyazaki Hayao's view on former Prime Minister Taro Aso's mispronouncing of Chinese characters.
What makes Miyazaki Hayao's animation so attractive? It is because in this era of computer painting, Miyazaki Hayao is still committed to creating a peaceful and beautiful Zen world with his hands, just like water dripping on a mossy rock and a train crossing the sea at dawn. This vivid highlight is not conveyed by a lot of music or high technology, but by simple and excellent craftsmanship, which is enough to make you think far and far. ...
Part of the information comes from Baidu entries.