Qiao Yinan, male, 1968 was born in Xi, 1990 graduated from the Department of Chinese Painting of Xi Academy of Fine Arts, and 1993 graduated from graduate department of Xi Academy of Fine Arts with a master's degree.

Chinese name: Qiao Yinan.

Nationality: China.

Place of birth: Xi 'an

Date of birth: 1968

Occupation: painter

Graduate school: graduate department, Xi Academy of Fine Arts.

Main achievements: Master of Arts degree.

Representative works: Qiao Yi Man's Flower and Bird Painting Collection, etc.

outline

At present, he is a painter of China National Academy of Painting, a member of China Artists Association, a member of China Gongbi Painting Association, a member of Shaanxi Youth Federation, the chairman of Provincial Young Artists Association and a professor of xi Academy of Fine Arts. His main works were selected for the 8th, 9th and 10th National Art Exhibition, the 1st China Artists' Academic Invitation Exhibition, the 98th Beijing Art Exhibition, the 4th National Art Exhibition and the 3rd National Art Exhibition, and won the Silver Award of the 3rd National Art Exhibition, the Excellence Award of the 5th National Art Exhibition, the second prize of the National Art Exhibition to commemorate the 60th anniversary of the publication of Speech at Yan 'an Forum on Literature and Art, and the Excellence Award of the National Academy of Fine Arts. He has held many solo exhibitions in China and Singapore.

Personal work

China Volume, 1990 Graduation Yearbook of the World Academy of Fine Arts, works of the 8th, 9th and 10th national art exhibitions, centennial of Chinese murals, works of 100 painters in China, modern volume of China meticulous painting, works of national meticulous painting, line drawing of China, works of China Academy of Fine Arts. A large number of works have been published in National Painter, Art Observation, Jiangsu Pictorial, Art and so on. A large number of papers have been published, and more than 200,000 words of art monographs "Knowledge of Calligraphy and Painting" and "Qiao Yinan's Flower and Bird Painting Collection" have been published.

review article

Qiao Yinan: Quietly, the cause is quietly unfolding.

Joe Zhao Yinan micro-photographed "Du Kang to relieve boredom, Hemerocallis to solve worries." Hemerocallis in Bai Juyi's poems are actually a girl without sorrow. However, few people know that day lily also has a name called "Izuman".

This winter, in a studio next to the National Painting Academy in Beijing, another "Hemerocallis fulva" is in full bloom-Qiao Yinan stamped a new seal "Hemerocallis fulva" on the six-foot-four-screen Chinese painting specially created for the first national art exhibition in nine provinces and cities.

What changed with the seal was Qiao Yinan's artistic life. On 20 1 1 Mid-Autumn Festival, Qiao Yinan was transferred from Xi Academy of Fine Arts to China National Academy of Painting with the title of researcher. From Xi Academy of Fine Arts to China National Academy of Painting, Qiao Yinan has become a well-known painter in China for twenty years.

The temptation to teach students exceeds money.

In China National Painting Academy, a Tibetan White Pagoda stands in the courtyard, showing the unique cultural atmosphere of this border, and the Chinese courtyard also reveals the elegant atmosphere here.

However, there is a certain inevitability behind many seemingly "predestinations". Qiao Yinan told reporters that efforts and opportunities are indispensable. If I hadn't studied painting with Liu Wenxi, Chen Guangjian and Liu Baoshen, if I hadn't been sent to graduate school at that time, if I hadn't stayed in the Department of Chinese Painting of Anmei Academy, if I hadn't been recruited to Beijing, if one of these links was slightly lacking, I wouldn't be here now.

For others, Joe Yinan had a good trip. However, Joe and his wife also struggled. At that time, when Qiao Yinan chose to walk to graduate school, many of his classmates had already started drawing design drawings to make money. Later, after graduation, he stayed in the Chinese painting department of Xi Academy of Fine Arts to teach. At that time, there was almost no market for Chinese paintings. This means that choosing a teaching career means choosing poverty. Qiao Yinan admitted that he was hesitant at the time. However, the temptation to draw what you like and teach students is better than money.

Xi 'an's best "painting the second generation"

Some people say that Qiao Yinan is the most outstanding "painting the second generation" in Xi 'an. Many people began to talk about his father, the famous painter Qiao Yuchuan, because of Qiao Yinan.

From the fact that Qiao Yinan is the son of Qiao Yuchuan to the fact that Qiao Yuchuan is the father of Qiao Yinan, the unchangeable facts and different appellations themselves confirm this situation. China people are most happy to see this situation: in the first 30 years, they will respect their father, and in the second 30 years, they will respect their father. This is probably the so-called cultural heritage.

At the beginning of the year, doubts about Qiao Yinan's future began to spread among the people, and the price of his works began to rise slightly. Around the Mid-Autumn Festival, after everything became clear, his works began to multiply. People familiar with the Shaanxi calligraphy and painting market said that the market price of young and middle-aged painters in Shaanxi soared rapidly, and more than 30% of the factors were caused by Qiao Yinan's leading works.

Although there is not enough data to support this statement, anecdotal evidence confirms another statement mentioned above to some extent-Qiao Yinan is the most outstanding "painting second generation" in Xi 'an.

Xi 'an's paintings are broad and calm.

Faye Wong, the queen of heaven, said: Beijing is home and Hong Kong is the place of work. The painter Qiao Yinan also said: Xi is home and Beijing is the workplace. His family are all in Xi, and he has to teach nine graduate students from Xi Academy of Fine Arts from time to time. However, his new job in Beijing has given him an important position, vice president of China National Painting Academy. A few days ago, he was hired by China Renmin University as a member of a famous studio. Qiao Yinan's career in Beijing has quietly begun.

Qiao Yinan said that Xi and Beijing are the two most representative cities in the history of China. They are both traditional imperial capitals, but they carry different cultural and artistic connotations. Xi 'an's painting is a reflection on the best quality of traditional art, the most profound grasp of the traditional context, the most touching grasp of the painting concept, and the most sincere and persistent adherence to the traditional painting language, namely pen and ink.

Xi 'an is very confident. His memory is the most powerful and beautiful fragment of the Chinese nation, and he has never suffered any defeat. Therefore, Xi 'an's paintings are broad and calm. Like a lake, it is intoxicating, thought-provoking and calm. Beijing has completed another journey of our country. The last two modes of traditional social forms in Ming and Qing dynasties ended here. Whether Beijing's painting is active or passive, we should consider the continuation of vitality in a painting, and then it is the premise and significance of the existence of art.

Thinking about culture has never stopped.

When Xi painter was selected into the "First National Nine Provinces and Cities Art Exhibition", Qiao Yinan was still in Xi Academy of Fine Arts. When Qiao Yinan came to Xi Station to make a perfect curtain call for the exhibitions at Dadu Station and Guangzhou Station, he was already a painter. All these fully prove a popular saying: it's not that I don't understand, the world is changing rapidly. When talking about the cultural significance of the nine-city joint exhibition, Qiao Yinan concluded: the city itself is not important. What is important is that this exhibition jumps out of a single artistic atmosphere of a city. Under the background of a hundred flowers blooming in culture and art, the works of painters from all over the world represent the aesthetic opinions of China's contemporary themes. Summarizing and refining the mainstream representing China's aesthetics and culture in communication and running-in is undoubtedly the important content of China's painting. In addition to the handy lines of Chinese painting, Qiao Yinan can also eloquently talk about literary theory. He is very careful, meticulous and thoughtful, and never stops thinking about culture. Our reporter Fu Xiaoqi