Modern and contemporary novelists and essayists are called the founders of the Lotus School. Formerly known as Sun Shuxun, he used to be Yunfu, a native of Anping, Hebei. 1927 started literary creation. 1933 graduated from Baoding Yude Middle School. 1937 joined the work, a primary school teacher in Tongkou Town, Anxin County. 1939 to participate in the anti-Japanese work. He used to be an instructor of Hebei Anti-Japanese War College, an editor and teacher of Jinchaji News Agency, Jinchaji Border Federation of Literary and Art Circles, Jinchaji Daily and North China United University, a teacher of Lu Xun College of Literature and Art in Yan 'an, and an editor of Plain magazine. 1942, joined the China * * * production party. 1944 published short stories such as Lotus Lake and Yan 'an Luhuadang, which attracted the attention of literary and art circles with their fresh artistic style. In addition, there are the novel "The Legend of the Wind and Cloud" (three episodes), the novella "The Prequel of Tiemu" and the collection of literary criticism "Short Comments on Literature". Chronicle of Baiyangdian is the author's most famous collection of novels and essays, among which Lotus Lake and Luhuadang are the main representative works of Lotus School. After 1949, he served as deputy section chief and editorial board member of Tianjin Daily, chairman of Tianjin Branch of Chinese Writers Association, honorary chairman of Tianjin Federation of Literary and Art Circles, director and consultant of the first to third sessions of Chinese Writers Association, consultant of the fourth session of Chinese Writers Association, honorary vice chairman of the fifth session and honorary member of China Federation of Literary and Art Circles. Sun Li (19 13-), Zhao Shuli, Zhou Libo and Liu Qing are called "four great poets" and "four iron pens" to describe rural life.
work
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Lotus Lake (Collection of Novels and Proses) 1947, Hong Kong Ocean Bookstore; 1959, humanities
Luhuadang (Collection of Short Stories) 1949, Qunyi
Charge (Collection of Short Stories) 1949, World.
Village songs (novella) 1949, the world.
Rural sketch (prose and novel) 1950, reader.
Sanlian vegetable garden Hua Ting (collection of short stories) 1950
Shanhaiguan Xu Hongsong (poetry anthology) 195 1, Knowledge Bookstore.
Fengyun's story (novel) l, 195 1, humanities; 2 episodes, 1953, humanities; 1-3 episode, 1963, screenwriter.
Chronology of Baiyangdian (Collection of Novels and Proses) 1958, Zhongqing.
Temujin prequel (novella) 1959, from Tianjin.
Hundred Flowers Golden Gate Collection (Prose Collection) 1962
Song of Baiyangdian (Poem Collection) 1964, Hundred Flowers
Evening Flower Collection (Prose Collection) 1979, Hundred Flowers
Lu Xiu's works (essays and novels) 198 1, Baihua
Notes on Gengtang (Essays) 198 1, from Hebei.
Xinjiang butyl (prose collection) 198 1, Baihua
Qin and Xiao (collection of novels and essays) Huashan 1982
Selected Stories of Sun Li 1982, Sichuanese.
Collected Works of Sun Li (Volume L-5) 198 1- 1982, Baihua
Geng Tang Prose 1982, Huacheng
Chi (Prose Collection) 1982, Hundred Flowers
Sun Li's Literary Theory Collection 1983, Humanities
Mid-autumn grass in the forest (essay) 1983, Sanlian
Selected Prose of Sun Li 1984, Humanities
Yuan Daoji (Prose) 1984, Hundred Flowers
Collection of Old Wasteland (Prose Collection) 1985, Shanghai Literature and Art.
Collection of the Mean Alleys (Prose Collection) 1987, Hundred Flowers
Preface and Postscript of Gengtang 1988, from Hunan.
Wu Wu Ji (Prose) 1989, Humanities
Zhai Yun's Novel 1990, People's Daily Publishing House.
essay
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literacy class
The first hole
Live in a guerrilla zone for a week
Brief introduction and postscript of three martyrs
Taji
Wangfeng gangkeng shakangshu
Reed on the pile-picking platform
An Xin Kan mai Xi Ji
Zhang Qiuge
The Battle of Guantun during the Restoration of the Tang Dynasty
study
dormitory
rescue
Little Liu Zhuang.
Guajiasi ferry
Factory scene
Visit old friends or frequented places.
marriage customs
A day's diary
Recall Comrade Sakov.
Orioles
Crystal lens
Preface to Chronology of Good Darkroom
Memories of partners
The story of clothes
Mourn the painter's car
Deleted text
Childhood Iman
On Zhao Shuli
On Liu Zongyuan
Thoughts on eating porridge
Miscellaneous notes of A Dream of Red Mansions
Preface to Ji Fang's Prose Collection
Dream of books
Dream of painting
Dream of drama
Ye Si
Mourn for Comrade Li Ji
Old news of Xiang Li
the same old story
Hanging old photos during the New Year.
The story of the newspaper
Anecdotes of the deceased
On Zhai Yun
Mother's memory
Youth dream
Zhai Yun Yu Meng
The story of cat and mouse
Count Nou
…
Style Introduction of Sun Li's War Works
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Reading Sun Li's works began with novels at the earliest. What impressed me strongly was the unique style. They are all war themes, but they rarely depict blood and fire, and there are no tortuous storylines and complicated war descriptions. They show more the inner beauty of the characters in the war, but they have an attractive magical power. The scenery of Baiyangdian in his works is fresh and sparse, emitting moist moisture, like a faint ink painting, filled with rich poetry. At that time, I loved reading Luhuadang and Lotus Lake. As soon as I closed my eyes, I saw the dim moonlight. When I heard Shui Sheng say that I would join the army tomorrow, my sister-in-law Shui Sheng's fingers trembled, thinking that Mei Wei had cut her hand. She put her finger in her mouth and sucked. How delicate and vivid the details are!
Maybe it's because I'm young and inexperienced. I didn't like reading Sun Li's prose at that time. I think it's too dull. There are no strange sentences and no fancy words. I write people's narratives, mostly sketches. At that time, I preferred heavy make-up, flowery words and unrestrained passion, and even "false, big and empty" lyric prose that emphasized sadness for adding new words. With the growth of age and the deepening of experience, I feel that Sun Li's prose pays attention to emotional restraint, implication, simplicity and cleanliness, as if it had been washed in water, and it belongs to the gorgeous extreme of plain "great beauty". Only then can I understand that it is difficult to be plain and natural, and it is even more difficult to be "plain, plain, light and tasteful". At this time, I love his prose more than novels, and I love his prose in the new period. "The Dead", "Lu Xiuji", "Lian" and "Chi" ... No matter remembering people, missing hometown, reminiscing about childhood and war years, or singing things, they all incorporate deep feelings of life. Mr. Sun Li doesn't like officialdom, and he stays away from excitement and loneliness. It is precisely because of this rare personality that he can enter a grand and profound artistic realm that ordinary people can't reach for a long time with a quiet and submerged attitude.
Mr. Sun Li's prose is "Writing Life". He is a writer full of philosophical thoughts. Most of his philosophical thoughts are accompanied by images and passions, so in many cases, they help his works to form poetically. He often sublimates his feelings about life from ordinary things, and condenses and shows his deep feelings about life in his works, which not only gives people aesthetic enjoyment, but also makes people realize the truth about life, society and nature. Reading his prose is like listening to a wise man who has gone through many vicissitudes talk calmly and approachable to Kan Kan. You need to calm down and read slowly. In "The Oriole", he wrote affectionately: "Everything has its limit. Tigers roar in the mountains, fish swim at the bottom of the pool, camels walk in the desert, and geese line up in the air. This is their ultimate. " In Preface to Jia Pingwa's Prose Collection, he praised Jia Pingwa as a farmer who worked tirelessly in a small garden, and reminded the writer: "The road of literature and art is just like the road of life. It is not necessarily a good thing to have gold medals, horses, senior officials and tall buildings too early, and there are too many bonuses and stimuli. A person's life, or a writer's life, should be able to withstand hardships and loneliness, as well as slander and humiliation. The most important thing is that on this road, cold can be determined, heat can be obtained, wind can come, and rain can go. " Mr. Sun Li lives a simple life and does not advocate wealth. He likes to eat the yellow and white cauliflower on the root of Chinese cabbage stored in the winter of the year before last, carefully put it in the basin and put it on the book case. So there was a beautifully written "Cauliflower". He thinks cauliflower is small and common, but it is also beautiful. At the end, the author wrote: "Now, I am old and have lived in the city for a long time, and my hometown is like a dream. Facing a cauliflower, I suddenly remembered many past events. The past, like the color of cauliflower, is far from being elusive and can only cause melancholy. A person's life is undoubtedly a big topic. Many people try their best to write it into a magnificent article. I can only write a short essay, a short essay equivalent to cauliflower. Cauliflower is also life, and all life can be the theme of the article. " 1992, Mr. Sun Li wrote a meaningful "Lentil". "White lentils are thin and long, purple lentils are wide and thick, and there are many after harvest. I like to eat lentils since I was a child, either fried or fried. When frying, first steam the lentils and wrap them in flour, which is called lentil fish. " Write here, a sudden turning point, cut into the life memory of 1939, and the time of single guerrilla life. "Every night, I come back from the mountain, sit on his hot kang and eat his fried tortillas and fried lentils. There was a piece of roasted tobacco on the stove, which he held in his hand. We smoke and chat and listen to the mountain wind whistling outside. " From things to people, I deeply miss and miss the harmonious relationship between life and death and sincere meeting in wartime. It is simple and sincere, rational and restrained, lofty in realm, flexible and elegant, and complete.
Writing is like a man. Sun Li was indifferent to fame and fortune all his life, living in seclusion, keeping a low profile and keeping a clear distinction between love and hate. Writer Xie Daguang put it well in Impression of Sun Li: "Sun Li's works are completely consistent with his personality and can be trusted. Here we can borrow a passage he said in memory of the Russian writer Chekhov:' We can only know him from his works. ..... For such a sincere writer, we can fully understand him as long as we read his works carefully.