This "Yunshan Map" adopts the "panoramic" composition used in the Northern Song Dynasty, with towering trees in close range, wide middle scene and distant white clouds transpiration. It is both simple and ups and downs, blending the north and the south in one furnace. It's really written by everyone. Wang Yisheng studied Huang, but at the same time, because of his family history, he learned from others and copied all the famous works in Song and Yuan Dynasties. He once praised the richness of ancient painting heritage, saying that "there are hundreds of famous traces for more than a thousand years, and then I know the exquisiteness of painting theory and the vastness of painting, not just one school." This picture of Yunshan is his careful imitation of Gao. In particular, the painting method of Yuanjing Yunshan is a typical Fangshan. However, the treatment of alum head still absorbs the characteristics of yellow. The "Four Heavenly Kings" are all famous for advocating antiques, and Wang's painting belongs to this category. Even so, Wang and Huang have different purposes in the design of light crimson colors, but they both focus on ochre, re-dye and re-draw, closely combine with pen, and complement each other, and use the complete combination of color and pen and ink to enhance the broad and far-reaching effect.

This photo shows Yunshan and Gu Song, with houses faintly visible. The painting of Yunshan is unique, not the painting of eggplant spots by Mifei and Mi Youren in Yunshan. It is a painting method of sketching with dry pen, rubbing, and then smudging with thick ink, which shows that the author is not in tune with others.

Shi Tao (164 1- 1724) was one of the four great painting monks in the early Qing Dynasty. The common name is Zhu Ruoji, the legal names are Yuanji and Daoji, and the word is Shi Tao. Guangxi people, living in Yangzhou. Shi Tao is good at flowers, vegetables, plums, bamboo and pine, and works part-time, especially for mountains and rivers. His paintings are novel in composition, bold and unrestrained in brushwork, bold and unrestrained in quietness, graceful and restrained in danger, and he is a master of innovation in the early Qing Dynasty.