Since the 20th century, academic circles have made great achievements in the study of pastoral poems in Tang Dynasty.
Achievements and breakthroughs, so it is necessary to make a review and summary of its basic situation.
Further research in the future should be beneficial. For convenience, this paper mainly
Summarize and comment on the research status of New China in the past 60 years.
State. ①
The basic course of the study of pastoral poetry in Tang Dynasty in the past 60 years
Over the past 60 years, the study of pastoral poetry in Tang Dynasty has experienced three developments.
Exhibition stage.
1949- 1976 is the first stage of research. Fifty or sixty years.
For a generation, the study of pastoral poetry in the Tang Dynasty was not enough, and the results were good.
Limited, and the research scope is relatively narrow, which is based on the overall situation of landscape pastoral poetry in Tang Dynasty.
This is not involved, mainly for the most representative writers Wang Wei and Meng Haoran.
Some discussions and comments were made on landscape pastoral poetry. Due to the ultra-left trend of thought at that time and
The influence of popular sociology focuses on the ideological content and social value of Wang Meng's poems.
Value, but its artistry is less and rough. Ru Bei Wen Da
(2) Wang Wei's Poetry Evaluation Wang Wei Research Group (1), Peng
Some views on Wang Wei and his poetry evaluation (2)
The ideological tendency and social significance of Wang Wei's pastoral poems (34),
He basically holds a negative attitude towards Wang Wei's poems, saying that his pastoral poems are a whitewash of life.
Seeking truth from facts, Wang Wei's poems are not only worthless, but also counterproductive.
The role of exercise. Of course, more scholars can understand the ideological connotation of Wang Wei's poems.
Make a more objective and fair evaluation of righteousness and artistic value. Such as Chen Yi's "On"
Wang Wei's poetry anthology (4) is a collective creation of China Ancient Literature Teaching and Research Section of Chinese Department of Peking University.
The outstanding poet Wang Wei (5) and Wang Yunxi wrote Wang Wei and his
Articles such as Shi Pin (VI) have comprehensively expounded the ideological and artistic achievements of Wang Wei's poems.
A fair evaluation.
1977- 1989 is the second stage of the study of pastoral poetry in Tang dynasty. this
Great progress and breakthroughs have been made in the first phase of research, and the number of achievements has increased to 90.
About. First of all, I began to pay attention to the overall landscape pastoral poetry creation in the Tang Dynasty.
In particular, he paid more attention to the pastoral school in the prosperous Tang Dynasty and the prosperous Tangshan.
The formation and reasons of Shuitian pastoral poetry school and the psychological basis of pastoral poetry in the prosperous Tang Dynasty are based on
And the spirit of the times, such as Liu De.
Re-reading the formation of the pastoral school of landscape poetry in the prosperous Tang Dynasty and its position in literary history
(7), the pastoral poems of mountains and rivers and the seclusion of literati in the prosperous Tang Dynasty (8),
On the psychological basis of pastoral poetry in the prosperous Tang Dynasty (9) and other articles are as follows. Second, yes.
This paper compares the ideological connotation and artistic characteristics of the pastoral poems of representative poets Wang and Meng.
Conduct detailed and in-depth research and analysis. As an accomplished man, Wang Wei is particularly popular.
Concern, there have been a lot of studies on Wang Wei from the perspectives of Zen, painting and music.
An artistic poem. For example, Yuan Xingpei's Zen and painting in Wang Wei's poems.
(10), On the Formal Beauty of Wang Wei's Poetry by Wen Dasan (1 1), Jin Xue.
The Beauty of Wisdom in Wang Wei's Poems (12) Also on Wang Wei's pastoral poem "Poetry"
This paper analyzes the artistic characteristics of "Chinese painting" and "Zen in poetry". This period
There are also many studies on the style characteristics of Meng Haoran's pastoral poems, such as Meng Hao written by Wang Congren.
On the Style of Ran's Poems (13) and Cheng's Views on Meng Haoran's Pastoral Poems
"Taste" (14) and other articles fill the basic style of simple and natural poetry of Meng.
Discussion of points. Third, this stage not only has a deeper understanding of Wang Meng and others.
The research also pays attention to the fields of other poets in different stages of development in the Tang Dynasty.
The creation of pastoral poetry greatly expanded the research scope of pastoral poetry in Tang Dynasty.
1990-2006 is the third stage of pastoral poetry research in Tang Dynasty. this
The first stage is the most prosperous period of pastoral poetry research in Tang Dynasty since the 20th century.
Stage. Its basic feature is that the research develops continuously in depth and the research mode.
The scope has been further expanded, and the amount of achievements has also increased rapidly, reaching more than 230 items.
First of all, from the overall study of pastoral poetry in Tang Dynasty, it broke the previous emphasis.
It is of real significance to pay attention to the creation in a certain stage (mainly in the prosperous Tang Dynasty).
The study of the whole, such as Gao Dui's Confucianism, Buddhism and Taoism and the study of Tang Dynasty's pastoral poems.
Poetry (15), Ge's On the Artistic Characteristics of the Pastoral School (16), Lin
From the Dialogue between Man and Nature (17) in Tang Dynasty's Landscape Poet to Huo Ran's "Seclusion"
Articles such as "Landscape Pastoral Poetry (18)" respectively analyze the aesthetic implication of landscape pastoral poetry in Tang Dynasty.
This paper probes into the causes, artistic features and aesthetic implications of poetry.
Explain in detail. Ge's monograph "Study on the School of Landscape and Pastoral Poetry" (19) is of great significance to the Tang Dynasty.
Landscape pastoral poetry from the early Tang Dynasty to the maturity of the prosperous Tang Dynasty and then to the middle Tang Dynasty
The new changes have been outlined in a more complete and detailed way. From the study of specific writers' works
You see, the most representative poets, such as Wang Wei and Meng Haoran, continue to receive much attention.
The results are fruitful, the focus is further expanded, and each period has its own characteristics.
The poet's poems have been studied and valued to varying degrees. In addition, the research methods
It has also been further enriched and diversified, and aesthetics, culturology and psychology have been applied to it.
In the study.
In the past 60 years, the basic pattern of the study of landscape pastoral poetry in Tang Dynasty is the first, and the overall study (about 32 articles).
The pastoral poems of the Tang Dynasty existed in every period of the Tang Dynasty, but they existed in every stage.
The development is unbalanced, and each stage has its own characteristics. Sheng Tang Tian yuan
Creation is the most prosperous stage in the whole Tang Dynasty, with many creators and works.
Big, artistic achievements are also the highest, so it is the most concerned (about 2 1 paper).
First of all, discuss the reasons (or conditions) for the formation of the pastoral poetry school in the prosperous Tang Dynasty.
This paper discusses the formation and development of Liu Dezhong's pastoral poems in Tang Dynasty from many aspects.
The position of the history of literature "thinks that" the dark political reality at that time made
Used on a group of small and medium-sized landlords and intellectuals, plus the old ideas of Buddha.
The influence of thinking prompted them to escape from reality, retire to the countryside and send their feelings to the mountains and rivers. this
This is the social reason for the formation of the pastoral poetry school in the prosperous Tang Dynasty. "gexiaoyin
"Pastoral Poetry and Literati's Seclusion in the Prosperous Tang Dynasty" is based on Literati's Seclusion.
This paper discusses the reasons and characteristics of the prosperity of pastoral poetry in the prosperous Tang Dynasty from a unique perspective. should
This paper holds that there are two main types of hermits in the prosperous Tang Dynasty, one is the bureaucratic class, and the other is the middle and lower class scholars.
Type: that is, "hiding for the official", temporarily living in seclusion, which has a direct impact on the creation of pastoral poems.
The influence of contact. First of all, the creative environment of other industries caused some pastoral areas in the prosperous Tang Dynasty.
The fusion trend of poetry and landscape poetry; Secondly, it urged the literati in the prosperous Tang Dynasty to be timely.
Dai Spirit's aesthetic ideal inherits the tradition of Tao's pastoral poetry, but also focuses on it.
To all kinds of pastoral interests that have not been fully expressed in Tao's poems; sequence
Thirdly, the pastoral poems in the prosperous Tang Dynasty formed the aesthetic pursuit of peace, tranquility, elegance and nobleness.
Fun. "This article has become the academic conclusion and vague recluse.
The research on the relationship between pastoral poetry is obviously far more concrete and profound than the previous discussion.
Enter. (20) In addition, Guan said, "I created conditions for the pastoral school in the prosperous Tang Dynasty."
View "(2 1), Tang Cuiqi's" The Prosperity of Landscape and Pastoral Poetry in the Prosperous Tang Dynasty from the Mentality of Literati "
The reasons for the prosperity (22) and other articles also analyzed the prosperity of Tangshan from different angles.
The reasons for the emergence and prosperity of the pastoral school. On Wang Meng's Landscape and Pastoral Poems by Don Li Juan
Artistic achievement and influence of Chen Shengtang's pastoral poetry (23)
Viewing the Art of Landscape Pastoral Poetry in the Prosperous Tang Dynasty from the Mind-matter Induction in Garden Poetry (24)
The operation was deeply analyzed. A summary of pastoral poems in the middle and late Tang Dynasty
There is not much research, mainly a series of papers by Lin Jizhong, "People's Mental Outlook in the Field".
The Position in Landscape Pastoral Poetry —— On the Significance of the Transformation of Landscape Pastoral Poetry in the Middle Tang Dynasty (25) and "Change"
Feeling: Psychological Pressure of Scholar-officials in the Middle Tang Dynasty —— From the perspective of pastoral poems in the Middle Tang Dynasty
(26) Pastoral Afterglow in Late Tang Dynasty (27) and so on. The first two articles pass through Tang Tian in the middle.
By comparing with the pastoral poems in the prosperous Tang Dynasty, this paper discusses the influence of the pastoral poems in the middle Tang Dynasty on the tradition.
New changes in pastoral poetry. The third chapter is also based on the combination of landscape pastoral poems in the late Tang Dynasty and the prosperous Tang Dynasty.
Line comparison, summed up the basic characteristics of landscape pastoral poetry in the late Tang Dynasty.
The profound reason of this feature.
Second, the study of the works of important writers.
1. Wang Wei's artistic achievement in studying Wang Wei's pastoral poems is the highest, because
However, it has always attracted much attention, and the research results are particularly fruitful (about 230 items), and the research also
The most in-depth, meticulous, diverse methods, multi-dimensional perspective. For example, Wang Wei's poems
Important achievements have been made in the study of the characteristics of "Chinese painting": Yuan Xingpei's Wang Weishi
Zen and painting, colors in Wang Wei's poems, She Qinghua (28), Tao.
"Passing the sound of nature, drawing with sound" (29), etc. Among them, Yuan Xingpei was obedient to the Sect.
In the text, this paper discusses the performance characteristics of Wang Wei's "painting in poetry" and thinks that Wang Wei's
"There is a picture in the poem" because although he used language as the medium, he broke through this medium.
The limitation of introduction gives full play to the enlightening role of language in readers' minds.
It has aroused rich associations and imaginations of light, color and state, forming one after another.
Vivid pictures. At the same time, the "management position" skill of painting is also applied.
When it comes to poetry, we should be good at handling the layout of the picture and achieve "there is something in the poem"
Painting ". She Qinghua discusses Wang Wei from the perspective of making good use of color in Wang Wei's poems.
The concrete expression of "painting in poetry" is the focus of Tao's article.
Wang Wei's poetry has the artistic characteristics of poetry, painting and music, and thinks that Wang's poetry is also the same.
When the poet's mind, the painter's eyes and the musician's keen ears capture it, the table.
Now it's naturally beautiful.
The Zen thought in Wang Wei's pastoral poems is also one of the academic studies.
Key point. But before the 1980 s, it was hardly involved in academic circles.
After the 80s, articles that discussed this issue in depth earlier still belong to.
Yuan Xingpei's Zen and Painting in Wang Wei's Poems. Yuan Wen thought that Zen thought.
I want to infiltrate many of Wang Wei's poems, some of which are empty sermons and some are poems.
There is Zen in the description of natural landscape and rural life. Since then,
The articles on the relationship between Wang Wei's poetry and Zen suddenly increased and came into being.
A number of weighty achievements, including Wang Wei's pastoral poems, are of great significance.
Representative is Sun Changwu's "Wang Wei's Buddhist Belief and Poetry Creation" (30).
Zen in Shi's paintings enters poetry (3 1) and Zen in Wang Wei's poems.
(32), Zhang Yingbin' Zen Aesthetics on the Construction of Wang Wei's Pastoral Poetry' (33)
Wait a minute. Among them, Sun Changwu believed that Zen thought was very important to the formation of paddy fields in Wang Weishan.
The unique style of garden poetry "simple and elegant" and "vigorous and elegant" has played a positive role.
Use. Its influence on Wang Wei's poetic art is roughly in three aspects: Zen enlightenment.
Enter poetry, enter poetry with Zen interest, and enter poetry with Zen method. The discussion is quite detailed and accurate.
How did Zhang Yingbin's article specifically participate in the aesthetic construction of Wang Wei's pastoral poems?
The problem of structure has been explored and analyzed in more detail and in depth, and he believes in Wang Wei.
The mystery of landscape pastoral poetry lies in: the realm of wisdom is not only the realm of Zen, but also
Poetic realm, Wang Wei transformed Zen into pastoral poetry through the realm of stability and wisdom.
Aesthetic composition of.
At the same time, some scholars use new theories and methods from other angles.
Study the artistic characteristics of Wang Wei's poems and how to create a new book "On Wang Weishan Paddy Fields"
Images of Garden Poetry (34), Images of Tong Huigang and Wang Wei's Landscape Pastoral Poetry
Interpretation (35), Fu Yijing, From Life Home to Spiritual Home: On Castle Peak
On the essence of Wang Wei's poetic context from the image of "empty mountain" (36).
This paper explores and grasps Wang Wei by analyzing the common images in his poems.
The art and significance of poetry.
In order to grasp the artistic characteristics of Wang Wei's pastoral poems more comprehensively and accurately
Some scholars often compare Wang Wei with China in ancient and modern times by means of comparative research.
Compared with other poets, it has produced many achievements (about 40 items). Meng Hao
But Wang Wei is also known as the master of creating pastoral poems, so Wang and Meng Jiang
Among the most comparative papers, there is a monograph by Wang Congren: Wang Weihe.
Meng Haoran (37). Affirmed the equal status of Wang and Meng.
On this premise, the differences between Wang and Meng's pastoral poems are discussed in detail: First, in Wang.
In Uygur poetry, the poet's self-image is integrated with the external scenery, while the author's self-image
Sex and nature have reached a perfect fit; In Meng Haoran's poems, the image of the poet
Is independent, and the author's feelings are directly expressed. Secondly, Wang Wei's
Poetry, moving in silence, writing in silence; Meng's poems, the first thing that makes people feel, is
The poet's mood fluctuates, but the scenery he describes is often quiet and beautiful. and
Secondly, Wang Weishi is famous for his delicate works, his language is tempered and his paintings are well used. Mengshi
He is fresh and natural, simple in language and good at painting. Representative papers are as follows
Comparison between Li Hao Wang Wei and Meng Haoran's pastoral poems (38), Hu Ai.
On the Similarities and Differences of Aesthetic Taste of Xie Tao's Wang Meng's Landscape Pastoral Poems —— Also on Landscape
The evolution of poetic artistic conception from the Six Dynasties to the prosperous Tang Dynasty (39) and so on. Among them, Li Haowen comes from
Thought, creation time, angle of observing nature, lyric way and genre, etc.
Face, made a more detailed and concrete comparison of Wang Meng's pastoral poems. Hu sui
This paper focuses on the comparison of the characteristics of Wang Meng's poems, and holds that Meng Meng's poems have distinct personality and poetry.
People's self-image is particularly active, showing an interest in "ignoring beauty"; Wang's poems have disappeared.
Sex, eliminate the spirit, so as to achieve a state of "harmony between thinking and environment".
Tao Yuanming is recognized as the pioneer of pastoral poetry, and Wang Wei is a collector of pottery.
Xie Zhicheng is an outstanding poet, so he compares Wang Wei with Tao Yuanming.
There are many articles, such as Chen Ying's Tao Yuanming's Field, Wang Wei and Li Bai.
On the Similarities and Differences of Landscape Poems (40), Tao Qian by Ren Jiahe and Confucianism in the History of Poetry by Wang Wei.
A comparison between the combination of Taoism and Confucianism, Buddhism and Taoism (4 1) and Deng Minxing's pastoral interest.
Other feelings: Comparison between Tao Yuanming and Wang Wei (42), Zhang Zihua, Tao Yuanming and Wang Weishan.
Comparison of artistic conception of pastoral poetry (43), etc.
In addition, the academic circles will compare Wang Wei with contemporary poets such as Li Bai, Du Fu and Chu Guang.
Xi, Pei Di and so on. And foreign poets Wordsworth, Tagore, etc.
In the study of Wang Wei's pastoral poetry art, it also produced
A large number of representative works of Wang Wei's pastoral poems are Autumn Mountain and Wei.
Appreciation of Kawada Ka (about 60 articles).
This paper discusses the cultural connotation and deep connotation of Wang Wei's pastoral poems.
This is also an aspect of the research and has produced some results. For example, Decai Yang's The King.
Cultural mentality reflected in Wei's pastoral poems (44) and Pan Xiaoyan's Wang Weishan.
The tragic implication of pastoral poetry (45), etc.
2. Meng Haoran learns that Meng Haoran is a prosperous Tangshan side by side with Wang Wei.
As a representative poet of the pastoral school, the study of Meng's poems in Tang Dynasty was also idyllic.
A more important aspect of research. * * * produced about 60 related results. that
The research results on the artistic style of Meng's poems are the most. Demeng
The Postscript of Haoran's Selected Poems (46) should be an early analysis of Meng's poetic art.
The article holds that Meng's pastoral poems and hermit poems are the reference of Tao Yuanming's pastoral poems.
Writing experience, pay attention to the fresh and seamless feeling, and successfully create a
An elegant and quiet artistic conception, a harmonious "Shen Feng Saburo"
Lyrical hero image, thus forming a unique artistic style of light, for
The flourishing Tang poetry world with a hundred flowers has added a unique charm. The article also discusses.
"Wu Miao" is the artistic essence of Meng's poetry creation, which is unique and profound.
When analyzing, people often ignore the "muddy life" side of Meng's poems.
Clear focus. The discussion was quite comprehensive and accurate. Tao on Meng Haoran
The article "Aesthetics of Poetry" (47) is devoted to Meng's poetic theory, but few people pay attention to it.
Theoretical research, the angle is relatively novel. Through the discussion of Meng Haoran's poems
This paper sorts out the poems, and discusses that Meng Haoran attaches importance to poetry and focuses on writing the heart.
Lyricism, an aesthetic feature, emphasizes that "feelings move with things, words and expressions"; point to
The aesthetic pursuit in Chu Meng's poetry creation is "halal as the core, clear and white"
A variety of aesthetic feelings of seclusion, lightness and clarity, filled with fresh breath "; And for Meng's
He spoke highly of the aesthetics of poetry. Ge's pastoral poems
The school research also made a detailed analysis of Meng Haoran's pastoral poems and referred to it.
Chu Meng's pastoral poems mainly focus on the feelings of daily life; In art,
Meng Shi is good at grasping subtle emotions in ordinary and leisurely daily life and melting into them.
Meet in the green light. At the end of the article, Meng's poems were highly praised and affirmed.
Meng Haoran combined pastoral seclusion with landscape from two aspects: theme and spiritual purport.
Traveling together makes Tao's feelings and Xie's appreciation blend into one, forming a feeling.
The blending of scenery, like the artistic conception of external meaning, dilutes the style of simplicity and ease. The other elephant is Li.
, Li Hao "On the Natural Features of Meng Haoran's Pastoral Poems" (48), Ke
Su Li's exploration of Meng Haoran's poetic charm (49) Ning Songfu's "Meng Haoran's Landscape Pastoral Poetry"
This paper analyzes the poetic images (50) and other articles in the Garden, and also discusses Mengshan's water and sky from different angles.
The artistic style of garden poetry is explored to some extent. Some articles also come from comparison.
Jiao, Meng Haoran, Wang Wei, Tao Yuanming and so on. Comparative analysis, in order to deepen.
Grasp the unique style of Meng's poems.
In the study of Meng Haoran's pastoral poems, there is another outstanding feature, that is,
This is an appreciation of Meng's most representative poem "Passing the Old Village".
There are 28 appreciation articles.
Problems and shortcomings in the study of pastoral poetry in Tang Dynasty in the past 60 years
Over the past 60 years, great progress has indeed been made in the study of pastoral poetry in the Tang Dynasty.
Achievements, whether it is the overall discussion or the study of important writers' works, are
It has produced some satisfactory results, especially for some pastoral poems.
The achievements made in the research of creative masters (mainly Wang Wei) are even more impressive.
Attention. However, we can also find that there is another one in the whole study.
Some problems and shortcomings. Specifically, there are mainly the following aspects:
First, the overall research is not comprehensive enough. Most researchers are based on
At a certain stage in the Tang dynasty, and the research in each stage is also extremely unbalanced. from
In the distribution of achievements, the prosperous Tang Dynasty occupied an absolute advantage, with 32 overall studies.
Among the articles, there are 2 1 articles devoted to the prosperous Tang Dynasty, only 2 articles in the middle Tang Dynasty and 2 articles in the late Tang Dynasty.
Only 1 article. Of course, the creation of pastoral poems in the prosperous Tang Dynasty was very prosperous and made artistic achievements.
It is also high, and we must definitely pay more attention to the prosperous Tang Dynasty, but it cannot be caused by this.
Ignore other stages of creation. Judging from the actual creative situation, Tang Tian is in the middle and late stage.
Garden poems are not only numerous, but also different from those in the prosperous Tang Dynasty.
Sex and artistic characteristics, but so far, only a few papers in Lin Jizhong.
(See above) And Ge's "Study on the School of Landscape Pastoral Poetry" has done some work on this.
Discussion, there are also sporadic discussions in the study of the works of some writers in the middle Tang Dynasty. late tang dynasty
Pastoral poetry is basically not included in the research field of vision. Although there are several articles in general
Articles on the study of pastoral poetry in Tang Dynasty tend to focus on one aspect.
Features, such as literati mentality, aesthetic implication, cultural connotation, etc. , lack of change.
The outline of history, that is, the creation of landscape pastoral poems from the early Tang Dynasty, the prosperous Tang Dynasty to the middle and late Tang Dynasty, is
What kind of development and changes have spiritual purport and artistic characteristics experienced?
Change, which is extremely important for the study of pastoral poetry in the whole Tang Dynasty.
Second, the study of writers' works is also extremely unbalanced. First of all, we are interested in some
The distribution of research results of important writers was investigated. According to the author
The research achievements of relevant writers are: Wang Wei: about 240, Meng Haoran: about 60.
Xiang, Wang Ji: about 22, Chu Guangxi: about 8, Du Fu: 5, Wei: 3.
Item, Bai Juyi: 2 items, Liu Zongyuan: 1 item. From the results of the specific distribution, we can
It is found that Wang Wei's research is absolutely dominant, accounting for 2 /3 of the total results.
Of course, this is determined by Wang Wei's position in the whole history of pastoral poetry.
It is natural to conduct a comprehensive and in-depth study on it. However, we should also pay attention to
At that time, Meng Haoran, as an idyllic school, was as famous as Wang Wei behind him.
Ladies and gentlemen, his research achievements in pastoral poetry are only Wang Wei's 1 /4, only in numbers.
This word shows that the study of such a great poet as Meng Haoran in the past 60 years is
Insufficient; Judging from the actual situation of the research results, it is also mainly correct.
Analyzing the basic style of Meng Haoran's poems, there are a large number of single articles.
Appreciation, the depth and breadth of its research is obviously not enough. Chu and Guangxi were also a prosperous Tang Dynasty.
One of the important writers of the school of landscape pastoral poetry, his pastoral poems are numerous and rich in content.
Have personality and characteristics, but judging from the number of achievements and the actual situation of research, for him,
The discussion and analysis of pastoral poetry is also limited. On Wei Ying, a Poet in the Middle Tang Dynasty
Things and Liu Zongyuan and Wei's pastoral poetry creation are not only large in number, but also relative.
Obvious traces of new changes, although this has been noticed by some researchers.
Although it has been discussed, compared with Wei's actual achievements and status, the research process of Wei has been improved.
Not enough degrees. Liu Zongyuan was not only an accomplished prose master in the middle Tang Dynasty, but also a great writer.
Shi is also an excellent poet with creative personality, but for a long time, academic circles have been
Mainly concerned about his prose creation, but relatively ignored his poetry. In recent years,
Although there is a great breakthrough in the study of Liu's poems, more attention is paid to his landscape poems.
Writing, but the study of his pastoral poetry is very cold. In addition, the middle and late Tang Dynasty also
Liu Changqing, Qian Qi, Bai Juyi, Li Deyu, Zhang Hu, Lu Guimeng, Du Xunhe,
A group of poets, such as Si Kongtu and Tang, not only created more rural areas.
Poetry, and in the choice of theme, ideological theme, style and emotional appeal.
Characteristics, but the research on it is almost blank.
This extremely unbalanced research mode is of great significance to the synthesis of pastoral poems in Tang Dynasty.
Grasping is undoubtedly unfavorable.
Third, the research topic is repetitive and lacks the spirit of pioneering and innovation. Some commentators
Not only used to paying attention to Wang Wei and others, but also choosing
The topic always revolves around several ready-made topics. For example, for Wang Weishan.
The research on the art of pastoral poetry began in the 1980s, and the academic circles mainly concentrated on it.
He elaborated on poetic imagery, Zen and other issues, although many of them are valuable.
As a result, it is just repeated arguments, and it is repeated without new papers. Counter set
The study of stylistic works mainly focuses on some famous works, while others
Pay less attention to pastoral works, forming a research blind spot.
Fourthly, the definition of pastoral poetry and landscape poetry is vague. Objectively speaking, pastoral
Poetry and landscape poetry are closely related, but they belong to two kinds after all.
Different poetry themes have their own performance fields and style connotations.
During Wei, Jin, Southern and Northern Dynasties, Tao Yuanming and Xie Lingyun wrote pastoral poems.
Landscape poems are two major themes, which set a creative model for later generations. Enter the Tang dynasty
Later, due to the change and influence of economic and cultural factors of the times, from the early Tang Dynasty
From the beginning of Wang Ji, pastoral and landscape showed signs of confluence. In the Tang Dynasty, Wang Ji,
Poets represented by Meng strengthened this tendency in their creation and created some poems.
Song dynasty, landscape and pastoral blend into one, and it is difficult to compete. However, from the overall situation,
Look, most of the poems are still very vivid. For example, we will never take Meng seriously.
Haoran's Sleeping at Jiande is considered an idyllic poem, and it will never be Wang Wei's.
The farmhouse on the Wei River is regarded as a landscape poem. From the actual research process, we can
It is found that quite a few researchers pay more attention to pastoral poetry and landscape poetry.
* * * and relatively ignore the differences between the two, so I am more accustomed to pastoral poetry.
Landscape poems are studied together, and even landscape poems are mainly pastoral.
Poetry is secondary, which is very important for us to grasp the unique style of pastoral poetry more accurately.
It is undoubtedly unfavorable to study and analyze it more deeply.
In the process of its development, the pastoral poems in Tang Dynasty also showed a kind of literati.
The husband's leisure is gradually decreasing, and the spirit of caring for people's livelihood is gradually decreasing.
The trend of strengthening, this phenomenon is rarely noticed.
These problems need to be adjusted and solved in the future research.
Clothing and further exploration.