Academic research papers were also very hot from 1980s to 1990s to the beginning of 20th century. The most typical examples are: On Aitmatov's Worried Consciousness of the Earth published by Han in Foreign Literature Research, Aitmatov's Philosophical Examination on the Relationship between Man and Nature published by others in Journal of Lanzhou University (Social Science Edition), The Application of Myths and Legends in Aitmatov's Works published by Willy in Journal of Shaoguan University (Social Science Edition) and published by Yang Sumei in University of Los Angeles. Yan Xiaohui's Cultural Criticism on the Ecological Crisis of Modern Civilization published in Anhui Literature, Wang Wenhua's Narrative Art of Aitmatov's White Boat published in Journal of Shijiazhuang Normal University, and Zhang Mei's Study of Siberia. On Ai Matof's Philosophical Examination of the Relationship between Man and Nature published in the Journal of Lanzhou University (Social Science Edition), On the Animal Images in Ai Matof's Works published by Han in the Journal of Hainan Radio and Television University, On Ai Matof's Ecological Worry Consciousness in White Boat published by Du Huichun in the Journal of Jingdezhen College, from the Journal of Keshan Teachers College The publication of Han's "On Aitmatov's Sense of Worry" makes Aitmatov's research focus on ecological literature. For example, Yang Sumei's tragic humanitarianism of human nature —— on Aitmatov's ecological ethics and tragic analysis of Aitmatov's ecological novels, Che Cheng 'an's Warning of the 20th Century —— Comment on Aitmatov's novel The Guillotine, Zhang Haibo's original sin and redemption —— Interpretation of Aitmatov's The Guillotine from the perspective of human nature. More than 70 papers, such as Ding's Questioning and Criticism of Civilization —— the Ecological Ethics Value and Significance of Aymatov's Novels, Chen's Harmony but Difference: A Comparison between Daisaku Ikeda and Aymatov's Ecological Ethics, and the Spiritual Dilemma and Breakthrough of Modernity —— Comment on Aymatov's Mountain Collapse, all interpret the relationship between man and nature in Aymatov's works from a new perspective. This paper examines Aitmatov's urgent desire to build a modern industrial civilization and catch up with the powerful country in the face of the Soviet Union. He used various creative techniques such as myths and images to discover the cultural roots of the latent ecological crisis in modern industrial civilization with the wisdom of the prophet, warning people that economic development should not be at the expense of nature. The author attacked three characteristics of modern civilization, namely anthropocentrism, desire expansion and endless criticism of consumer culture. Aitmatov once said that human beings have been thinking about protecting the earth's wealth and resources for a long time, and this topic has aroused people's ears and warned all mankind. People in ancient times knew how to protect and rely on nature. He dared to speak out and let human beings reflect on the social reasons for the barbarity of their homes. Aitmatov profoundly criticized the right to exist without other life.

At present, various versions of Russian literary history in China have affirmed Ai's artistic achievements. For example, Ye Shuifu proposed in the History of Soviet Literature that White Boat is a work with distinct moral themes. With the help of fairy tales, traditions and personification of animals, the novel describes the opposition and contest between good and evil, and exposes the rampant evil forces and the increasingly serious ecological crisis in real life through the destruction and destruction of animals and the balanced and harmonious nature as the embodiment of "goodness". In the history of Russian and Soviet literature, Mr. Cao Jinghua pointed out that White Boat was a successful moral literature in 1970s, and also analyzed the artistic image and techniques of the novel, pointing out the important role of the myth and legend of "Doe" in the development of the novel plot. The History of European and American Literature in the 20th Century, edited by Jiang, Jiang, Jiang, Jiang and Jiang, also spoke highly of this novel. The editor thinks that White Boat fully embodies Aitmatov's rigorous realistic style in thought and art, and points out White Boat in the history of Russian literature in the 20th century edited by Li, Li and Li and the history of Russian literature in the 20th century edited by Li. In the History of European and American Literature in the 20th Century, edited by Jiezhi Wang, the editors affirmed Aitmatov's The White Ship and a series of subsequent works by writers, believing that they have great aesthetic value and practical significance. In the History of Contemporary Soviet Fiction edited by Mr. Xu, in the chapter "The Development of Puri Stian Tradition —— Contemporary Natural Philosophy Fiction", the author classifies Aitmatov's creation as a novel of "Man and Nature", and thinks that the uniqueness of White Boat as a natural philosophy novel lies in introducing myth into the novel and immediately combining it with the plot about real life. Myth is actually the center of the novel. Without this myth about the mother of the longhorn deer, the white boat would lose its breadth and depth. At the same time, the author also insists that Ai Shi's works are the inheritance and supplement of the purist tradition. White Boat combines the theme of protecting nature with the struggle between good and evil of human nature, and is linked with the traditional moral theme.