No matter in study or at work, everyone must be familiar with papers, which are tools for academic communication. How to write a thoughtful and literary essay to analyze the aesthetic differences between Chinese and western art songs? The following is my carefully arranged analysis paper on the aesthetic differences between Chinese and western art songs, hoping to help everyone.
Analysis of Aesthetic Differences between Chinese and Western Art Songs Because of the differences in cultural characteristics, the art of songs in different countries has different forms of expression, but expressing emotions is the common ground. There are significant differences between Chinese and western music aesthetics in ideological connotation, singing method and thinking mode.
abstract:
There are differences between Chinese and western arts, but there are also integrations. Due to the differences in cultural environment and social environment, there are differences between Chinese and western arts. China's artistic aesthetics is used to synthesis, while western artistic aesthetics is used to analysis. Strengthening the research on the artistic differences between China and the West is conducive to promoting the development of China's artistic culture and has academic research value. From the perspective of music aesthetics, this paper discusses the reasons for the aesthetic differences between Chinese and western art songs.
Key words:
Chinese and western arts; Songs; Aesthetics; Difference; musical aesthetics
1 Aesthetic Similarity of Chinese and Western Art Songs
1. 1 Attach importance to creative forms.
The aesthetic forms of Chinese and western art songs are similar, and both attach importance to the adaptation of folk songs. Western art songs are based on domestic folk songs, while China's art songs are influenced by western culture. While developing traditional culture, we should strengthen the research of national music, so that the national music in China can develop. In the creation of folk songs, bel canto is the main method in the west, such as My Sun and Auld Lang Syne, which are widely circulated. However, China is a multi-ethnic country with different cultures and various forms of national singing. Representative works with the theme of folk songs include mayila and Under a Silvery Moon, all of which are based on folk songs.
1.2 paying attention to the creative skills of texture tonality
Both Chinese and western art songs attach importance to the creation skills of accompaniment texture, because accompaniment texture can not only enrich the emotion of songs, but also set off the atmosphere of songs and show the beauty of harmony. Western art songs are mainly romantic melodies, which play the role of accompaniment texture and tonality, making songs more artistic and emotional. His representative works are Bodhi Tree and Devil. At the same time, Chinese song creators also attach importance to the creation of melody accompaniment, and often use the texture of national tonality to write songs with national characteristics. Representative works include Jasmine and Teach me how to miss him.
2 Analysis of the aesthetic differences between Chinese and Western art songs
2. 1 differences in aesthetic ideas
Due to the differences in geographical environment and humanistic environment, there are differences in aesthetic concepts between Chinese and western art songs. China's music aesthetics developed differently in different periods, which originated in the Western Zhou Dynasty and was deeply influenced by the thought of rites and music. During the Spring and Autumn Period and the Warring States Period, China's musical aesthetics was deeply influenced by the cultural thought of a hundred schools of thought contending, and different musical aesthetics emerged one after another. At the same time, Li Shangyin's music aesthetics is also deeply influenced by Confucianism and Taoism. However, due to the restriction of feudal ruling ideology, it is in a state of conservative development.
Western music aesthetics originated in ancient Greece. Western music aesthetics was bound by religious thoughts in the Middle Ages, and it didn't develop until the near civilization period-the beginning of the 20th century. Music has become a professional discipline, and its symbol is the appearance and application of "staff". With the emergence of new aesthetic concepts, western music art has developed rapidly. Western aesthetic thoughts show a critical and innovative development attitude, and attach importance to solving aesthetic problems in works in connection with specific works.
Due to the differences in background and culture, the composer's musical perspective and aesthetic feeling are affected. Take China's "Three Wishes for Roses" and the Western "Wild Roses" as an example: both songs are based on roses, and the song "Three Wishes for Roses" is based on the "Battle of Songhu", which expresses the yearning for a better life. Accompanied by violin and piano, the melody is mainly elegant and quiet, filled with melancholy emotions, while the work Wild Rose is adapted from a German folk song by Goethe, with romantic feelings, bright and concise melody and lively inner feelings.
2.2 Song deductive method differences
The deductive way of songs can best reflect the emotional connotation of songs, and different deductive ways and methods will bring different feelings to the audience. Western art songs are mostly bel canto, paying attention to chest sound, adopting scientific vocal methods, pursuing delicate feelings when singing, and describing the artistic conception of works with sound. Bel canto pronounces words backwards, which requires the singer to breathe smoothly and enunciate words roundly, and be good at using the penetrating power of sound to express the cheerful artistic conception of song works. China's artistic singing combines bel canto, traditional opera and folk songs. The position of articulation of the lyrics is relatively high. By moving the throat up and down to adjust the sound of the song, it pays attention to elegance and pursues noble artistic conception, which is in line with the aesthetics of China folk songs. For example, the interpretation of the work "Three Wishes for a Rose" pays attention to the change of melody, and the overall speed of the song is slow. Singers should not only show women's tenderness.
2.3 differences in ways of thinking
First, the analysis of the differences in ways of thinking. The aesthetic concept of China's music works pays attention to perceptual thinking and is not bound by fixed thinking concept, which belongs to illogical thinking. China's songs pay attention to the beauty of artistic conception, and the pursuit of artistic conception is far-reaching, which can give people room for daydreaming and sublimate personal thoughts and feelings. The aesthetic thinking mode of western music attaches importance to scientific and logical thinking. Before the 20th century, due to the development of psychology, mathematics, physiology and other fields in the west, the western musical thinking mode also developed in the direction of scientific and logical thinking. When creating works, creators pay attention to the rational layout of modal harmony and the application of accompaniment texture skills. Most of their works advocate rational thinking, with distinctive song structure and meticulous techniques. In most art songs, modal harmony is boldly adopted.
Second, take the song works as an example. Taking China's Three Wishes for a Rose and the Western Wild Rose as examples, this paper makes a comparative analysis: Three Wishes for a Rose adopts a one-part musical structure, and * * * is divided into two parts. Some of them are in e major. This part of the melody is beautiful, but a little sad. Mainly depicts the colorful image of blooming roses. The other part uses the relative minor #c to adjust the tonality, gradually enhance the melody, push the song to a climax to describe the rose, express people's expectations for a better life, and make the song memorable. Schubert's Wild Rose adopts debugging harmony, which makes innovations in mode modulation and harmony change. The work * * * consists of three lyrics in G major, with melodious and logical melody. The first four bars of the song, as the creative theme motivation, run through the whole song, and the melody is bright and smooth. At the same time, temporary ascending and descending marks are used to change the tonality, and the melody is mostly four or six degrees. As for the interlude and ending of songs, pauses and decorative sounds are often used as writing techniques to create a lively atmosphere.
2.4 differences in creative methods
As far as the creative methods of musical works are concerned, there are differences between Chinese and western musical aesthetic arts. The creative way of China's music works is collective and comprehensive. Most of the works are not the composer's personal behavior, but the creative ideas of many people. Composers also need to play double or multiple roles as singers or performers. At the same time, the performance or singing process of the work is impromptu. The creation of western music works is individual and separated from the second creation. Moreover, the works of western songs are mainly the composer's personal labor and have strong personalized characteristics. Composers do not need to give consideration to the functions of the performers, but only need to complete the creation of music scores; Furthermore, China's music works emphasize artistic conception and verve, and pursue creative fun, and their works are subtle and euphemistic, while western music works have a strong religious flavor and Taoist color, and their expressions are relatively fixed, and their works have a sense of sacredness. The works in the later period of the West are more integrated with the breath of life, which makes the expression of the works more straightforward and intense.
From the perspective of music aesthetics, this paper briefly discusses the aesthetic differences between Chinese and western art songs, trying to emphasize that the aesthetic differences between Chinese and western art songs are mainly manifested in aesthetic concepts, song deduction methods, ways of thinking and creative methods, so as to help listeners better understand the aesthetic differences between Chinese and western art songs.
References:
[1] Wang Jian. On the aesthetic differences of western art songs from the perspective of music aesthetics —— Taking Huang Zi's Three Wishes for Roses and Schubert's Wild Roses as examples [J]. One hundred artists, 20 15 (05): 228-229.
[2] Peng Xiaozhe. Analysis of the aesthetic differences between Chinese and western music from the appreciation of art songs [J]. Ladies and gentlemen, 2011(24): 41-42.
Chinese and western painting art papers 1. Differences between Chinese and Western Painting Artistic Features
No matter how high your artistic attainments are, you can't clearly see the characteristics of Chinese and western paintings, because we know that in order to see this clearly, you must first know what their characteristics are. After seeing the China Art Exhibition, you will be fascinated by the beauty of landscape painting, as if you can't extricate yourself. At this time, if you suddenly go to see western oil paintings, you will find that they are completely in a different world, because their painting artistic characteristics are different. No matter from color, shape. Or the layering of the picture is different, which is also the reason for the different characteristics of the two. Perhaps from the perspective of painting art, their essence is the same, but we should know that they all have their own characteristics, and they are all differences in artistic forms created in specific environments.
In China, influenced by feudalism and ancient theology, there can be no emotional expression of resistance in the picture, and more attention is paid to the description of aesthetic formal concepts. The tone is gloomy, emphasizing the use of real environmental descriptions to reflect their feelings, mostly feudal theological descriptions, so it lacks authenticity and scientificity. In this regard, we should clearly realize that we can no longer look at the characteristics of painting art from the previous perspective, but look at new things from the perspective of development, so that Chinese painting art can reach a new level. Vision is the only way to observe things, and it is also the most direct and clear way. We all need to observe things with our eyes, and so do those drawn with strokes. We all need to observe with our eyes. Only in this way can we have aesthetic interest. Due to the different social environment and geographical location, different aesthetic senses, there are also differences in the observation of things between China and the West, which also leads to their different performances in painting art. Therefore, we should seek common ground while reserving differences and treat the characteristics of painting art with an inclusive attitude.
Second, the differences between Chinese and Western painting art forms
The artistic form of painting is an artistic ideology formed by different world views and artistic views in China and the West. In terms of world outlook and artistic outlook, China and the West have their own different characteristics, such as the great differences in painting styles. China's paintings are mainly gentle and euphemistic, and his painting style is gentle, which can show the author's personal thoughts and feelings very concretely. Only a few parts, some realistic parts, they like to describe some details, such as landscape painting. China's landscape painting has obvious characteristics, with illusory painting art characteristics, flickering and drifting away. This painting style will make the appreciator have an inexplicable sense of curiosity and mystery, thus increasing the aesthetic emotion of art. Greatly improved the artistry of painting itself, thus obtaining a special art form. Generally speaking, western paintings are more realistic and reliable, because they often like to depict some real scenes and pictures, and they emphasize the role of people in nature. In the art form of painting, people can control and transform nature from painting. China believes that man is a part of nature and should develop in harmony with nature, and should not destroy nature in order to satisfy his own needs and desires.
The west believes that human beings are the masters of all things, and human beings are the saviors and masters of nature. This difference in concept makes the expression of Chinese and western painting art forms very different. For example, animals have a high position in China's paintings, and painters pay more attention to the description of animals' details when painting. They will go to see if the flowers, birds, fish and insects in the painting are alive, spiritual and lifelike. The West, on the other hand, pays attention to the detailed description of the characters, and the characters are the most prominent in any environment and occasion. So this is the difference between the two painting art forms. When we treat this difference, we should combine the characteristics of the two and be impartial. Only in this way, the level of Chinese and western painting art forms can be continuously improved, and they can make progress together.
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