Wang Guowei

The word (1) takes the realm as the top. If you have a realm, you will be unique and have your own famous sentences. Ci in the Five Dynasties and the Northern Song Dynasty is unique here.

(2) There are creative environment and writing environment, which are divided into "ideal" school and "realistic" school. But it is difficult to distinguish the two, because the environment created by great poets must conform to nature, and the environment written must also be adjacent to the ideal.

(3) whether there is my site. "Tears ask the flowers to be speechless, and the red flies over the swing." "It's like a lonely pavilion in spring and a cuckoo falling in the sunset." There is my place. There is no place for me to "pick chrysanthemums under the east fence and see Nanshan leisurely" and "cold wave starts and Bai Niao falls leisurely". If you have my own environment, you can see things with me, so everything is my color. Without me, we look at things in terms of things, and we don't know what is mine and what is physical. The ancients wrote ci, and many people wrote my realm. However, you can't write the realm of no self until the beginning, which can be neutral to heroes.

If there is no ego, people can only get it in silence. If you have my place, you will get it when you are quiet. Therefore, one is beautiful and the other is magnificent.

(5) Things in nature are interrelated and mutually restricted. However, when it is written in literature and art, its relationship must have certain limitations. Therefore, realists are also ideal homes. No matter how fictional the realm is, its material must come from nature and its structure must come from the laws of nature. Therefore, idealists are also realists.

6. Scenery is not the only thing, and emotion is also one of the realms in people's minds. Therefore, what can describe the true feelings of the scene is called the realm. Otherwise, it is called boundless.

[7] "The branches of red apricots are full of spring", and the word "noisy" is used to make the realm come out; "Clouds break through the moon to make a shadow", with the word "de", the realm is gone.

8. There are big and small realms, and the advantages and disadvantages are not divided by what they are. "Fish comes out in the drizzle, and the swallow leans in the breeze". Why not "the flag of sunshine falls and the wind rustles in A?vagho?a"? "A small silver hook is hung on the curtain", why not "the fog loses its tower and the moon crosses the maze"?

[9] Yan Canglang's "Poetry" said: "The princes in the prosperous Tang Dynasty are only interested, and the antelope is hanging on the horn, and there is no trace to be found. Therefore, its beauty is beautiful and delicate, and it cannot be combined, such as the voice in the air, the color in the phase, the shadow in the water, and the image in the mirror. " I said that the characters before the Northern Song Dynasty were all the same. The so-called "interest" of Canglang and the so-called "charm" of Ruanting are just their appearance. If I choose the word "realm" to explore their origins.

[10] Taibai Chun wins by the weather. "Sunset in the west wind, the tomb of the Han family", a few big characters, then closed the eternal landing mouth. Only Fan Wenzheng's Pride of the Fisherman and Xia Yinghong's Xi Qian Ying are available in later generations, but the weather is not enough.

[1 1] Fei Qing's word "deep and beautiful", I say these four words are only enough for Feng. Liu Rongzhai said that "Fei Qing is exquisite and unique" and close to his ear.

[12] "A golden partridge on the painting screen", similar to Fei Qing's words. The oriole dialect on the string is similar to its own words. If you want to find it in words and expressions, just "try to make up with tears", almost.

[13] The subject word "Lotus fragrance sells green leaves, and the west wind worries about green waves" in the Southern Tang Dynasty has a sense of indecent beauty. It is not easy to understand people, because he is the only one who respects him in ancient and modern times.

[14] Wen Feiqing's handwriting is also beautiful; Wei Duanji's words, bone show also; Li Shiguang's writing is also beautiful.

[15] Ci came to Li Houzhu and began to have a broad vision and great feelings, so it became a master's ci and a scholar-bureaucrat's ci. Zhou Jie was placed under Wen and Wei, which was a reversal of black and white. "Naturally, people hate that water is longer than the east", "running water is lighter than spring, and it is heaven and earth", "Jin Quan" and "Huanhua" can have this atmosphere!

[16] Poets never lose their childlike innocence. Therefore, being born in the palace and growing up in the hands of women is the weakness of the late master as a gentleman, which is also the strength of the poet.

[17] It is impossible for an objective poet to read more about the world. The deeper he reads about the world, the richer and more varied his materials are. So are the authors of Water Margin and Dream of Red Mansions. Subjective poets don't have to read more about the world. The shallower they look at the world, the more real their temperament is, and so is Li Houzhu.

[18] Nietzsche said that all literature loves to write with blood. The words of the late Lord are really so-called people written in blood. Emperor Song Daojun's "Yanshan Pavilion" is also slightly similar. But the Taoist monarch is only a relative of his own life experience, so the Lord means that Sakyamuni and Christ bear the sins of mankind, with different sizes.

[19] Although Feng's ci did not lose the wind of the Five Dynasties, it greatly opened the atmosphere of the Northern Song Dynasty. The subject words of "harmony" and "post-harmony" are outside the scope of Huajianji, so it is not appropriate to say anything about them in Huajianji.

(20) The words in the middle of the poem are not only dozens of poems in "Happy Magpie Treading" and "Bodhisattva Man", such as "A magpie in a tree holds its nest, the moon is bright and the grass is cold" in "Drunk Flowers", which means that fireflies in Suzhou, Wei's, and phoenix trees in Xiangyang can't pass.

(2 1) In Ou Jiu's Huanxisha, the word "Qingyang Building swings out" means that there is only one word "out", which is incomprehensible to future generations. I say this comes from the word "painting the wall outside the willow" in the upper cup, but European is particularly skillful.

Author: I like Xin Qiji's reply to this statement in 2005-1-1914: 36.

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2 Wang Guowei's "Words on Earth"

[22] Mei's "Su Mu Zhe" poem says: "Pear blossoms are spring, the sunset is everywhere, and the blue smoke is old." Liu Rongzhai said that he has traveled little all his life, and it seems that he specializes in this aspect. I said that Feng's poem "Spring on the Jade Tower" said: "Our second appearance is continuous, and no place is full of love. If you respect the past, you will return to spring. Don't worry about hurting your eyebrows. " Uncle Yong seems to have been engaged in this kind of research all his life.

[23] As we all know, He Jingfu's three poems, Dian Jiang Lip, Fu Sumu and Yong Shu's Spring Tour, are unique in praising spring grass. I don't know who can catch the soul of Chuncao before the word "drizzle wet streamer".

[24] The Book of Poetry is the most popular one. Uncle Tong Yan's "last night, the west wind withered the green trees, and I went up to the tall building alone and looked at the horizon", which means quite close. But once it falls, it will be miserable.

[25] "I looked around and was dumbfounded." Poets are also worried about life. Last night, the west wind withered the green trees, and I climbed the stairs alone and looked at the horizon. "Driving all day, I can't see what I want", and the poet is also worried about the country and the people. "A hundred herbs and a hundred flowers are cold food roads. Whose tree is the fragrant car?"

26. Those who have achieved great success in ancient and modern times and those who ask questions in universities must go through three realms. "Last night, the west wind withered trees, and I went to the tall building alone to look at the horizon." This is the first place. "Clothes are getting wider and wider, and I am thin for Iraq. I don't regret it." This is also the second situation. "The crowd looked for him for thousands of Baidu, and when I turned around, I saw that man was in a dim light", which was also the third place. None of these words are big words. However, Yan and the European public must not interpret these words in this way.

[27] Uncle Yong said, "There is infatuation in the world, and this resentment has nothing to do with romantic affairs." "It was easy to see all the flowers in Los Angeles at first, and it was easy to separate from the east wind." Because of boldness, it is particularly high.

[28] Feng's "Preface to Selected Poems of Sixty-one Poets in Song Dynasty" says: "Huaihai and Xiaoshan are also sad in ancient times, and their shallow words are all delicious." I said Huaihai is the only place to go. Hills are more expensive, but they can drive fields, return to the countryside, and finally compete with Huaihai.

[29] The most sad place is to travel less, and when it comes to "the lonely pavilion is closed in the cold of spring, and the cuckoo is sunset", it becomes sad. Dongpo's appreciation of the latter two languages is still superficial.

[30] "The wind and rain are gloomy, and the cock crows unceasingly", "The mountain is steep and high, which blocks the sun, and the rain is gloomy and rainy. Snow is endless, clouds are rain, pressing into the sky. Trees are in autumn, and mountains and hills are withered. The weather is similar.

Prince Zhao Ming called Tao Yuanming's poems "ups and downs, unique, hearty, and unparalleled in Beijing." Wang responded that Xue Shou's poems were "fantastic in rhyme, wide in meaning and bleak, which is really unspeakable". These two kinds of weather are rare in ci, the former only has Dongpo, and the latter only has white stone, just one or two ears.

(32) Elegance and correctness of words are not apparent. Yong Shu and Shao You, despite their rhetoric, have personalities in the end. The beauty of the party lies in the difference between a lady and a geisha.

[33] Beauty is not as far-reaching as Europe and Qin, and it is a first-class author, because it only talks about emotions and things and is highly skilled. But there are many people who hate to create ideas, and few people who are creative.

[34] Words should not be replaced. The beauty of "sweet-scented osmanthus flowing tiles" in Jieyu Flower has a wonderful realm, so it is a pity to use "sweet-scented osmanthus" instead of "yue". Under the dream window, more words are used. The reason is not enough and the language is not good. If you cover your heart, you will be at a loss. If you say it beautifully, you won't have to. This kind of "small building with a garden, embroidered hub and carved saddle" tour was also ridiculed by Dongpo.

[35] Shen's "The Mystery of Yuefu" said: "When you say peach, you must use the words" red rain "and" willow waves "; If you can't say' Liu' directly, you must use the words' Zhang Tai' and' Ba An'. " If you're afraid people won't have to substitute words. If you regard it as a job, there are books in ancient and modern times, so you can use words with confidence. It should be ridiculed in the abstract.

[36] Meicheng's "Jade Case" says: "The leaves are dry and rainy, the water surface is light and round, and the wind and the lotus are lifted." In this way, you can really get the lotus god. Jue Baishi's "Nian Nu Jiao" and "Cherish the Red Dress" also have the hatred of looking at flowers in the fog.

[37] Dongpo's Water Yong Yang Dialect is like the harmony in the original song; Zhang Zhifu's ci is similar to the original song and rhymes. Talent is not strong, too!

[March 8th] The best object-chanting poem is Dongpo's Hidden Dragon. Bang Qing's "Flying Swallows" came second. Bai Shi's Dimfragrance and Thin Shadow are of high style, but there is nothing to say. How to treat the old saying "A tree on a river hangs upside down"?

(39) Baishi's landscape paintings, such as "Twenty-four Bridges are still there, the waves are shaking, and Leng Yue is silent", "Several peaks are bitter, and the rain in Shang Lue is hazy", and "The cicada on the tree at night tells the news of the west wind", although the rhyme is high, it is like watching flowers in the fog, separated by a layer. Meixi's illness and Mengchuang's landscape writing are all one word apart. It is impossible to cross the river in the romantic Northern Song Dynasty. Will there really be luck during this period?

[40] Asked about the difference between "separation" and "non-separation", he said: Tao and Xie Zhishi are inseparable, with a slight delay; Dongpo's poems are not separated, and the valley is slightly separated. The beauty of the words "spring grass grows in the pond" and "empty beams fall in the mud" lies in their non-separation. So are words. That is to say, the word "one person" is used. For example, there is a cloud in the first half of Ouyang Gong's "Youth Tour Singing Spring Grass": "Twelve are lonely in spring, and the sky is far away. In February and March, Wan Li traveled thousands of miles. " At present, all languages exist, but they are not separated. To the cloud "Xiejiachi, Jiangyan Pupan", it is separated. Baishi's "Cui Lou Fu": "There should be immortals here, holding Suyun Yellow Crane and playing with you. The jade ladder has been staring for a long time, sighing that the grass is thousands of miles long. " There is no separation. To "wine will clear the sorrow, flowers will eliminate the heroic spirit", they will be separated. However, although there was no separation in the Southern Song Dynasty, it was different from before.

Author: I like Xin Qiji's reply to this statement in 2005-1-1914: 36.

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3 Wang Guowei's "Words on Earth"

[4 1] "If you were born before 100, you will always worry that you are a thousand years old. The days are short and the nights are long. Why not travel by candlelight? " "Taking food as god is often mistaken by medicine. It's better to drink wine with Wan and Su and wait on them. " Write your feelings like this, and you won't be separated. "Picking chrysanthemums under the hedge, leisurely see Nanshan. The mountains are getting better and better, and the birds are back. " "The sky is like the sky, and the cage covers the fields. The sky is wild, and the wind and grass are moving to see cattle and sheep. " Writing this scene will not be separated.

42. The style of ancient and modern poets is as high as that of white stone. I don't want to exert myself in artistic conception, so I feel that there is no meaning, and the meaning is not as good as that of the first-class author.

43. Baishi, a poet in the Southern Song Dynasty, is dignified and ruthless, with a sword in the south and anger but no rhyme, no less than the poet in the Northern Song Dynasty. Close to the ancestors of the Southern Song Dynasty and the Northern Song Dynasty, we can learn the characters of the Southern Song Dynasty, but not the Northern Song Dynasty. People who study the Southern Song Dynasty don't learn white stone, but learn white stone and dream window, but they can't learn you 'an. Those who learn to be young and safe will lead their ancestors to be rough and funny, but they can learn their rough and funny points, not their good ones. The beauty of young security guards lies in their temperament and realm. In other words, in meteorology, there is also the concept of "drifting with the flow". Wouldn't it be better if the offspring were dirty and small?

[44] Dongpo's ci is broad and Jiaxuan's ci is extravagant. It is also beneficial to learn from his words without the heart of two people.

[45] When reading Dongpo's and Jiaxuan's Ci, we must observe their elegance and elegance, with the style of Boyi and Liu Xiahui. Although the white stone is like cicada dust, it can't help but squat down.

[46] The madness in Su's and Xin's Ci is still a mystery, but Meng Chuang, Mei Xi, Tian Yu, Cao Chuang and Zhong Lu are all different from each other, and they all belong to their hometown wishes.

[47] Jia Xuan drank in the Mid-Autumn Festival and wrote "Yulan Slow" in the form of "Tian Wen" to send the moon, saying, "Poor Mingyue, where are you going?" There is another world, and I only saw it there. The situation is the East. "The poet imagines the reason why the moon goes around the earth very directly, and it is amazing to be in close contact with scientists.

[48] Zhou Jiecun said that "the word' stealing' is used in Meixi Ci, which is enough to determine its character." Liu Rongzhai said, "Zhou Zhi swings, and history is greedy." These two words make people understand.

[49] It is said that "the best dream window words are like water flowing clouds, swaying green waves, caressing infinitely, forcing them to find their way." There is no such thing in Yu Lan's A, B, C and D drafts of Dream Window. That's right, that is, "people across the river are in the rain, and the evening breeze leaves autumn grievances."

[50] I have to comment on a sentence in Dream Window: "The dream window is messy and beautiful." Tian Yu's words, I have to comment on one of his words: "Tian Yu is barren."

On may 1 day, the bright moon shines on the snow, rivers flow day and night, the bright moon hangs in the sky, and the Yellow River sets the yen, which is an eternal wonder. In terms of words, Nalan Rong Ruo's works, such as "A Thousand-shed Lights at Night" in Sauvignon Blanc and "A Thousand-shed Dome Drunk, The Stars are crumbling" in Mengling, are similar.

(52) Nalan Rong Ruo sees things with natural eyes and expresses emotions with natural language. This is the first time to enter the Central Plains, and it is not influenced by the Han ethos, so it can be true. Since the Northern Song Dynasty, there has been only one person.

[53] Lu Fangweng's postscript "Flower Collection" said: "In the Tang and Five Dynasties, poetry became humble, but it was simple and lovely. If you can't do this, you can't push it. " The Abstract retorted: "If you can still lift 70 Jin, you can lift 100 Jin, and you can carry it freely." His words are outstanding. However, the predicate must be easy to write, I can't believe it. Good at Chen Wozi's words: "Song people write poems without knowing them, so there is no poem in Song." However, its joys and sorrows, those that move in the middle but cannot be suppressed, are born in poetry, so they are independent. "Five pronouns are unique because of this.

During the May 4th Movement, there were four words of Chu Ci, five words of Chu Ci, five words of Chu Ci, seven words of Shu Ci, ancient poems of Shu Ci, and poems of Shu Ci. Guy's style has been popular for a long time, and he has done a lot of work on it. It is also difficult for a hero to come up with new ideas from it, so he fled and set himself free. All styles began to flourish and eventually declined because of this. So literature is not as good as before, I can't believe it. But as far as unification is concerned, there is nothing to say.

There are 300 poems, 19 poems and five generations of ci, all of which are untitled in the Northern Song Dynasty. It is not untitled, but the meaning in the poem cannot be exhausted by the title. Hua' an and Caotang each set a topic, and there was no inscription in ancient times. If you look at a beautiful scenery, what about a mountain and a river? Poetry has a topic and poetry dies, and words have a topic and words die. However, a material man in China seldom knows this and is very self-motivated.

[56] Everyone's work will also be refreshing, the scenery will make people shine, and the words will blurt out, without that charming makeup. What you see is true, and what you know is deep. Poetry is natural. There is nothing wrong with balancing ancient and modern authors with this.

57. If a person can write a poem without giving a gift of beauty, making an official statement or whitewashing the words, then he is half successful.

[58] With the splendor of Song of Eternal Sorrow, the word "Jade Double Success" is enough. If Meicun sings, there is no need to do it. The advantages and disadvantages of Bai and Wu can be seen here. Don't write a poem alone, the lyricist must know!

[59] In the modern poetry system, five-character quatrains are the most respected, followed by metrical poems, ranking the lowest. The body is built to express feelings, and the two are inappropriate, almost rhyming. Small sentences in words are like quatrains, and long tunes are like metrical poems. If the long tune is Hundred Characters Order and Qinyuanchun, it is close to arrangement.

[60] Poets must be in and out of the universe. Enter it so that you can write; Outside it, we can see it. If you enter it, you will be angry; Beyond it, it is high. Beauty can go in but not out, and Baishi can come down, so these two things have never been dreamed.

On June 1st, a poet must despise foreign things so that he can make a fool of himself with his slaves. You must have a sense of attaching importance to foreign things, so that you can be happy with flowers and plants.

[62] "I used to be a housewife, but now I'm a slut. If you can't go home, it's difficult for a person to keep an empty bed. " "Why don't you ambitious, according to Jin Lu first? Doing nothing for a long time is poor, and the car feels long. " It can be described as obscene. However, those who ignore it as obscene and contemptuous words regard it as truth. So did the great poets of the Five Dynasties and the Northern Song Dynasty. It is not obscene, but people who read it feel kind and touching; Not contemptible, but full of energy. It can be seen that the disease of foul language is not the disease of foul language, but the disease of wandering words. "If you don't think, the room is far away." Confucius said, "If you don't think, you will have it. How can you have a husband?" I hate swimming.

[63] "The old vine is a faint crow, the flowing water is slippery and the sand is small, and the west wind is thin and the horse is old. When the sun sets, heartbroken people are at the end of the world. " This Ma Yuan Dongli's Tian Jing Sha is also a poem. A few words won the quatrains of the Tang Dynasty. There is a yuan and a pronoun, and no one can do this.

[June 4th] Bai Renfu's drama Wu Tongyu on an Autumn Night is solemn and stirring, and it is the highest in Yuan Dynasty. But the poem "Heaven" is too superficial, not a slave of Jia Xuan. Is it that the creator is easy to work and the career is difficult to be skillful? Is it possible to suppress everyone? Readers' views on European and Qin poems are far less than those on ci, which fully reveals the news. (End of full text)

Reference:

Those who have achieved great success in ancient and modern times must go through three realms when asking questions: "The west wind withered the green trees last night. A person goes to a tall building and sees the world. " So is this first place. "The wider the clothes are, the more you don't regret it, which makes people haggard for Iraq." So is this second environment. "Everyone looked for him a thousand times and suddenly looked back. The man was in the dim light." So is this third place. None of these words are big words. However, if you interpret this sentence like this, you may not be allowed by terns. "

-Wang Guowei's "Words on Earth"

The first realm: Yan Shu's "near flowers"

The threshold chrysanthemum worries about smoke and tears, the curtain is light and cold, and the swallows fly away. The bright moon doesn't know how to leave sorrow and hate bitterness, and shines obliquely through Zhuhu Lake.

Last night, Xifeng withered green trees and climbed the building alone, looking at the horizon. If you want to send a colorful cage ruler, you don't know that the mountains are long and the waters are wide!

The second realm: Liu Yong's "Dead Hua Lian"

Leaning against the dangerous building, the wind is fine, looking forward to spring sorrow, and the sky is dark. In the afterglow of grass and smoke, no one can rely on the meaning of silence.

I plan to get drunk on the map of madness and sing songs for wine, which is strong and tasteless. I don't regret that my belt is getting wider and wider, which makes people haggard for Iraq.

The third realm: Xin Qiji's "Jade Case"

Thousands of trees are blooming and stars are everywhere in the east night. BMW carved cars are full of incense. Feng Xiao moved, the jade pot turned, and the fish danced all night.

My son's snow willow and golden light, laughter and fragrance disappeared. Looking for him in the crowd, suddenly looking back, the man was there, dimly lit.

Wang Guowei's image metaphor is not only aimed at the course of academic research or artistic creation, but also a generalization and summary of life struggle.

In the first realm, the west wind blows away trees and leaves, which shows that the situation is quite bad. Only he can climb a tall building, look down at the end of the sky in the distance and see places that others can't see. It shows that he can eliminate interference and not be confused by the temporary smoke. He can see the main direction of the development of the situation and grasp the main contradiction of the struggle. This is the foundation of success. This realm is determination and determination. Only with this condition will there be a second and a third realm.

The second realm is to describe how to work hard for this determination. People are thin and haggard, but they still have no regrets. In other words, despite all kinds of difficulties, we must persist in the struggle, keep moving forward and do whatever it takes for our cause. There is no shortcut to anything in this world. You should be brave in innovation and be good at waiting. This is a persistent pursuit, forget my struggle.

The third realm is that it will gradually mature after many twists and turns and years of tempering. He can see what others can't see, and he can suddenly understand what others don't understand. At this time, he will make creative and unique contributions to his career. This is a success. This is a flower watered with blood and sweat, and a building cast with lifelong energy.

There are also those who succeed without their own efforts. This kind of success is rare, accidental and unreliable. Opportunity exists, but if we can recognize it and seize it in time, even if we succeed, we must work hard. All roads are made by people, and life will not be green everywhere.