To determine the center of the material composition, we should not only grasp some key sentences implied in the material, but also grasp it as a whole, guess whether the author's attitude is praise or disapproval, and find out what the author's real intention is. To grasp the whole, we should study the relationship between various "factors" in the materials, try to figure out the objects, play well with the words, and grasp the implied tendency of the author. For those implicit materials, it is necessary to find out the analogy points with the materials, so as to be accurate. Qingyuan lively flow should clarify the relationship between source and flow, and then find an analogy: national construction, academics, interpersonal relationships and so on. Both have the relationship between source and flow. Similarly, Revelation of Echo talks about natural phenomena, but it implies the relationship between people and between people and nature. If we focus on others, society and nature, we will accurately grasp the material. Compare and analyze the phenomena in life and study with the examples in materials, find out the "points" that can be compared, and then determine the center. The process of analogy is from concrete to abstract, from material to rationality, and the reasoning process here is still inseparable from the grasp and control of the whole material.
Material composition is sometimes a topic with a lot of material. There are many materials, covering a wide range. When refining the center, we must take into account the "* * *" in each material, otherwise we will lose sight of one thing and lose sight of another. How to find "* * *"? You can first analyze the truth contained in each material, and then through comparison, seek common ground while reserving differences, or seek common ground while reserving differences, from the outside to the inside, deepen knowledge, and extract the center of each material, such as the following three materials:
1. Just as the nightingale was singing happily, a vulture swooped down and said, "A bird that sings so sweetly must be delicious."
2. I heard that a big monk went upstairs with his friends to see the river view. A friend asked, "How many boats are there on the river?" The monk closed his eyes and replied, "There are only two, one for fame and the other for profit."
3. Some young people become disheartened and complain negatively after seeing the gap between ideal and reality; When something went wrong, he doubted the superiority of the socialist system and said, "I see through it."
At first glance, the three materials are independent and have nothing in common. It is difficult to control three materials with one center. But if you think about it carefully, there are similarities in the differences: vultures' guesses are subjective, monks are blind followers of fame and fortune and draw arbitrary conclusions, and some young people are one-sided. Therefore, the "* * *" nature of the three materials is one-sided. If we think from the perspective of philosophy, it is often easy to find the essence of "* * *", because philosophy is the most general.
Some materials are seemingly opposite, but they are all unified in a * * * topic. If we find the unity point, we will find the convergence point, and the center of discussion will be established. For example:
1, near Zhu Zhechi, near Mexico is black.
2, the mud is not dyed, clear but not demon.
The material "1" shows that the environment can change people and the influence of the environment on people; Material "2" shows that people can be unaffected by the environment. Although the two materials are opposite, they are all unified on the theme of "man and environment", and "the relationship between man and environment" is the center of the two materials.
For many materials, the key is to find out their best combination point, that is, "* * *", so as to meet the proposer's intention. However, the best combination point is not necessarily intention, and the discussion angle can be considered in combination with the practical significance of the topic, so that the articles written in this way are highly targeted, contemporary and deep.