Everyone in the story of Spring in a Small Town has a distinct identity. For example, the squire in the city wearing robes and mandarin jackets represents the traditional culture of China, while Zhang, who came back from studying abroad and wore a suit, represents the western culture. Although their cultural education is different, their feelings are still bound by China's traditional culture, such as "courtesy" and "faithfulness". This shows that the influence of China traditional culture on China people is deep-rooted and endless. And Zhou Yuwen. Although she still likes Zhicheng, the education and thoughts she received from childhood told her not to do so. Although the film tells the love story between men and women, the artistic conception of "Although the country is broken, the mountains and rivers will last forever, and all the plants are in spring" is everywhere in the film, and the confrontation between new morality and old morality, new ideas and old concepts, lifeless and vibrant is reflected in the film. It also reflects a state in which China's traditional culture still survives tenaciously in the new culture.

The use of lens in Spring in a Small Town is thought-provoking, such as the empty lens in it. When several people were rowing, the ripples on the water suggested the inner fluctuation of the hostess. There are also shots of male and female shadows, which give people a hazy and nihilistic feeling. The withered flowers and plants in the yard look after the heart of the hostess. Many shots combine characters and scenes to create a realm of blending scenes, which makes the special aesthetic feeling of movie scenes have a strong artistic impact. Fei Mu explained his shooting experience in "A Brief Talk about Air": "The eyes of a camera are often more skillful than those of people, so different effects can be obtained by using a camera. The angle of photography can change according to the mood of the drama, and the intensity of exposure can also change according to the mood of the drama. " I think this point is well reflected in Spring in a Small Town. For example, Fei Mu once failed to give Yuwen accurate information. Gradually, three times, she constantly suspected that it was Chen Zhi and constantly denied to herself that it was not him. The dissolution lens and the single lens used between the three lenses have been extended this time, and the psychological activity of jade pattern has been amplified. The audience's psychology and jade pattern psychology have produced strong expectations and inexplicable panic. There is also a picture with jade lines that the lens often looks up (such as the wall) (in fact, the lens that looks up is mainly jade lines and ambitions), which makes her tall and prominent, causing a sense of pressure and persecution, indifference, alienation and untouchability.

Generally speaking, the film Spring in a Small Town is thought-provoking, just like a fresh and elegant poem. In the soothing narrative, the psychological changes and emotional fluctuations of the characters are described in depth and detail by using rich film and television language. The image style of the film is also fresh and natural.