Jurantu was written by Zheng Xie, a genius among the Eight Eccentric Men in Yangzhou.

I wrote three bamboo poles and added some orchids under them.

Always in order to be in the same strain as the seven acres, I want to repair the old spectrum and show it to everyone.

Previously, The Collection of Zheng Banqiao published by Shanghai Editorial Institute of Zhonghua Book Company 1962 included this poem of Lan Zhutu. Today, nearly 40 years later, in 2000, at the scene of the autumn auction of Duo Yunxuan, when the starting price of Lanzhu map was 250,000 yuan, buyers showed their cards one after another, and each did not give in. This photo.

Zheng Xie (A.D. 1693- 1765), a native of Xinghua, Jiangsu Province, was a scholar of Kangxi, a juren of Yongzheng, a scholar of Qianlong, a famous writer and painter in the Qing Dynasty, and was known as the "three wonders of poetry and painting". In painting, Zheng Xie is good at orchids, bamboos and stones, and occasionally paints plums, chrysanthemums and pines. Orchids and bamboos have the highest number of works and artistic achievements. His paintings of Zhu Lan scrolls and miscellaneous products are widely circulated in the world. Since the Qing dynasty, they have become treasures of competition.

There is an inscription by Jiang Shiquan in the "Orchid Bamboo Map" volume: "I love Mr. Sonam and Chen Hualan Bamboo all my life. We can also see whether the stone paintings in ink painting are cracked, intact, broken and finished according to law. Then I took the meaning to form a stone potential, and then sewed it with lanzhu. Although I learned two books, pen and ink are also one breath. " From this inscription, we can know that this painting was written by Zheng Suonan, Chen Boyang and Shi Tao, but it took its meaning and became its own.

The map of Zhu Lan, a paper scroll, is made into a huge cliff with half of it, which has the possibility of pulling the ground to the sky and turning it out; Surrounding rock is managed by dyed brushwork, blank is flat, the peak is steep and stubborn, and the pen and ink are just right. There are several orchids and bamboo shoots on the cliff, which are born from the same root, interrelated and swaying in the blue sky. Although it is clustered in rock cracks, it is not limited to rock walls; It has its own vitality of "natural fragrance of bamboo" and "floating into the distance in the blue clouds". Zhu Lan used Jiao Mo to be bold, realistic in chaos, sparse in dense, and rich in color, which made it present a thriving, proud, quiet and elegant style. The picture urges the cloud: "The fourth eldest brother who drinks cattle is as strong as bamboo, as bright as blue, and as strong as stone. There is no such person in the industry." Repeated requests for paintings did not get a response. In September of the fifth year of Qianlong, he went to live in Zhaitang and returned home to inspect the old paintings. Bamboo withered, orchid leaves slant, stone weak. I'm afraid being a gentleman is not enough. One day I will take good care of my ears. "Comparing the natural features of Zhu Lan with people's temperament and sentiment, between the lines, there is deep affection for friends. Inscription and postscript are related to official script and running script, which not only plays a role in painting and bridging the blank of the picture, but also gives people exquisite calligraphy art enjoyment. The whole painting shows the painter's pure beauty and interest in Zhu Lan, as well as his overall grasp and writing style in chapters. Zheng Xie made potted orchids and hedges, but he still liked painting wild orchids in the mountains. It is said that he planted dozens of orchids for this purpose, and often transplanted them to the shade of wild rocks after March, so as to grow in the next year, thus obtaining the essence of the beauty of orchids in the mountains. Zheng Xie loves to admire bamboo. In an article entitled "Bamboo", he wrote: "The Yu family has two huts, and bamboo is planted in the south. When Xia Rixin was first released, the shade was shining, and there was a small sofa inside, which was very cool and comfortable. In autumn and winter, take the fence bone, cut off both ends, spread it horizontally as a window lattice, and paste it with thin white paper. The weather is warm, and the frozen flies touch the window paper and beat the drums for the small drums. At that time, a bamboo shadow was in a mess, so it was not a natural picture! " Because Zheng Xie's painting of bamboo has changed from "bamboo in the eye" to "bamboo in the chest", and then injecting the painter's subjective feelings, with the help of pen and ink, it is "bamboo in the painting". Therefore, his bamboo paintings are naturally more beautiful and artistic than bamboo in life. Zheng Xie once said, "I draw bamboo without any reference. Most of them are paper windows, powder walls, sunlight, moon shadows and middle ears. "On the contrary, he directly borrowed from Shi Tao and benefited from the brushwork of ancestors such as Xu Wei and Wen. He believes that this kind of learning must be "slightly described", "take its meaning" and make a choice.