1, idea? A little boy and compact layout.
The artistic charm of prose is mainly reflected in artistic conception. Zhu Ziqing's prose is a very special idea. Careful, rigorous, novel and complex business structure is reasonable. "Let our eyes cause it."
Prose has "eyes", and traditional art experiences China ancient prose. Only the theme of "eyes" can be hidden and obvious, can there be reality, can there be the degree of detail, and can there be the density of structure.
Zhu Ziqing attached great importance to the device of "eyes" in his prose. The idea of a full March? "Focus" has become the freezing point of unifying dialectical thoughts and works of art.
Moonlight on the Lotus Pond began to "mention the purpose of the whole text"-"It's quite calm these days". Then, the writing clue of the work is "quiet", which is "quiet" in the dim moonlight, compared with "very quiet". Secondly, the cicada singing around the hawthorn and the frog's "noisy" highlight the "quietness" of the moonlight in the lotus pond, and also take into account the ancient custom of picking lotus in the south. The songs dedicated by Emperor Liang Yuan to the Western Regions have lively and playful scenes, such as Moonlight and Quiet. The last finishing touch is: "I miss Jiangnan very much, until the end." Implicitly reveals the reason for "quiet".
The first chapter of Return emphasizes the theme: "My father and I didn't match for two years, and I can't forget his back." This paper focuses on the reasonable cutting layout of various materials of "Hui". First of all, the funeral of the Syrian son gathered from far to near, and the various manifestations of the fault were fatherly love and affectionate memories. The next time I write about my father's "finally uneasy", someone "walks me to the car", which shows my father's feeling of love. These concise narratives laid the necessary foundation and preparation for the previous "retreat". On the one hand, it is difficult to write what my father did, and the real father's deep concern for the performance. On the other hand, it highlights the estrus of "I" and shows gratitude for missing my father. Finally, it introduces the abandoned baby abandoned by his old father and the love of his children and grandchildren who care about it. Describe and read the mentality of the letter, the feeling of "back" appearing for the fourth time and echoing from beginning to end.
2. Strong lyrical color.
His prose is superior to lyric style and other literary genres, especially the description of soul singing. The beauty of Zhu Ziqing's articles is inseparable from his lyric art, and his works are full of lyricism.
1. Financial lyrical narration, pursuing "sincere beauty".
Prose, Zhu Ziqing's Realism, the same method, matters needing attention, explain his true feelings. The key point is that their love essays around trivial matters, such as Dead Woman and Children, are good at touching the narrative things through pots and pans, and simply express their true feelings after experiencing "feelings" in order to obtain another round of lyricism and sensibility.
Return is a famous literary masterpiece of Zhu Ziqing, with simple and vivid emotional details. The narrative incorporates sincere feelings. In general, people often write their faces and eyes on the front to express their feelings, for fear of giving people an indirect impression. However, in this work, the author does not write the positive image of his father, but writes about his father to satisfy the relationship between specific people and occasions. Her children, especially men, love his father very much, but this kind of love is more subtle and less exposed. Farewell, knowing that my father is very sad, he will not look at his father positively, observe him carefully and express his feelings for him. His father's surface is full of fairy gas and unintentional, but in fact he looked at his father from the side or behind with great care, and his nerves were very careful at that time. So the author writes back to the center, which is the real place of his lyric.
In the case that the work revolves around "Hui", the four major centers of gravity turn a deaf ear and are dense according to the actual situation. At the beginning of this work, "my father hasn't arrived for more than two years, and I can't forget his back." This is the first time to mention "Hui", and we can only point out the theme of "Hui" with a simple pen. Then sneak out of the writing, at first it was written directly back, but it turned to the writer's funeral, grandmother's death, family shortage, bleak scenes, father's wandering around, all the way from Beijing, Xuzhou and Nanjing to orderly and concise. It has been repeatedly emphasized that the father endured the sad loss of his mother, but at first he showed his love for his son to comfort him, and a sad lyric background appeared behind the painting. Later, my father tried to depict his father's lyric climax in the plot of buying oranges and climbing the platform on the railway. This is the second time mentioned later. The exquisite description of the model pen is euphemistic. Write about my father's "circuitous" behavior: luggage, picking out the coat of the seat shop on dips, and exhort me to ask: "On the train, my father simply tells the truth and my son cares. Of course, the most exciting and moving thing is the description of the orange line drawing I bought. It's just a series of actions that a father climbed down the platform beside the railway and climbed up the platform on one side with his hands and feet, and how he struggled to hold it and bring it back. To tell the truth, "Buy Oranges" outlines the description of buying oranges and reveals his father's diligence and affection. At the end, the wonderful and strong contrast technique enhances the deep thoughts and love of the son and father, and this lyric is very real and profound. It's a pity that their father always thinks "words are not pleasant to hear", "laughs at his pedantry" and condemns "being too clever". Comparing his father's series of so-called pedantic behaviors to "cleverness", the father and son have sincere feelings for the rich trifles of rural life, among which, in the case of financial constraints, they euphemistically praised the best feelings of mankind.
The third number describes the scene when the father left the station, saying that the "virtual" between fathers can only be written in very simple words, but the father is so attached to his son that he only quietly left a mixed feeling of melancholy and sadness. Finally, once again, from the crystal tears of "I", another kind of death premonition of any father to sad students-obese blue cloth gown and black cloth mandarin jacket, feels more profound and sincere.
Sincere emotion and narration are not simple makeup, but a combination of "emotion" and "thing". Describe your feelings through a series of typical life details, which are true, natural and unambiguous. Their lives naturally become touching lyrical details.
Zhu Ziqing emphasized that narrative prose was delicate and euphemistic, sincere and true, and played down different Zhou Zuoren. Yu Pingbo's "lingering" is different, and it is a different cover. Xu said, "Otherwise, it would be sincere and graceful." It is precisely because he pursues a "sincere" feature, a combination of lyric and narrative.
(2) Combining lyricism with description, pursuing a kind of "beautiful painting".
Zhu Ziqing's prose, lyrical works by borrowing scenery account for a large proportion. In these works, he is a good man. He attaches great importance to form and vividness, especially the "form" advocated by emphasizing form, "not seeking shape, painting different landscapes with heavy colors, genre painting, and not worrying about truth and falsehood", and pursues a beautiful painting. His works do depict a "financial scene" of song month in Qinhuai, the lotus pond, waterfalls in rainy season ("green"), long spring breeze, drizzling spring rain, lush spring, and Yan Yan's spring flowers ("spring")-the injection of feelings brings a truly meticulous "personal" color, which appears in a beautiful painting to express feelings. "Moonlight" Zhu Ziqing's representative portrait works and essays,1After the failure of the July Revolution in 927, white terror enveloped the whole country and China fell into unprecedented darkness. In the face of reality, he did not hesitate to understand that "only by participating in the revolution or counter-revolution can we solve this problem. We are afraid and unwilling to take any road, so we took a middle road and temporarily divorced from reality." The Lotus Pond in the Shade reflects the author's own aesthetic taste, beauty and loneliness, and gets rid of the troubles of reality in order to pursue a sudden quiet transcendence.
The author reveals for the first time that this artistic conception is a delicate and vivid painting style landscape. Judging from the puncture, he didn't write the lotus pond scene loosely like usual, but the scene he wrote this scene was "outside, hawthorn and moonlight." The first part focuses on the hawthorn in the scene, the background in the moonlight, and the change of the moon in the second half, which is the focus of the background hawthorn. It shows that this decomposition is twice, which will be able to describe and explain hawthorn in the moonlight. The author further points out that the cross section of static beauty is to write the overall image of hawthorn, "Wang Mi" and "Tian Tian" with dense leaves, beautifully write the "Tingting" skirt of individual lotus leaves, "scattered" flowers, and gracefully and shyly write the sitting posture of lotus flowers. The beauty of "star", the lotus color of "pearl", and then the moving beauty of the lotus pond breeze. This breeze sends a wisp of fragrance, and the waves under the lotus leaves of hawthorn in the breeze are like "condensed waves", describing the moonlight hawthorn. The author is also a section. First, Dutch leaves, lotus seeds and hawthorn wrote about moonlight, saying that "moonlight water splashed on leaves and flowers quietly, as if washed in milk", that moonlight was clean, and that there was a thin blue fog floating in the pond "another dream like a veiled cage". Then write the famous song "Sparse Shadow of Willow" in the moonlight mixed with mottled shadows, "Under the moonlight, the shadows of 65438+ October are distributed harmoniously", with the beautiful bells of the Vatican ringing. As a part of describing the cross section of an object, we try to describe the shape, color, texture, size, quantity, smell and sound of the object from the perspectives of vision, hearing, smell and touch, and their movement changes make the description in this paper particularly subtle.
Here, scenery and lyricism are closely combined, and * * * is the same as the scene and artistic conception created. Hawthorn, in the moonlight, all the scenery, colors and patterns are different, but the word "light" of taste is suppressed. In the faint moonlight, the thin blue fog is like milk, like mosaic washing, suggesting that there are mottled and sparse shadows on the mountain. Contact with cloud computing, slight wind and faint fragrance are all faint. The cicada's chirping of the frog and the concrete patterns of sleeping and taking a nap are combined in one word "light". In short, the composition of light, shadow, color, fragrance, quiet beauty, leisurely elegance and * * * are all consistent with the calm mood display that the author yearns for. It contains a touch of comfort, and more is a touch of sadness.
(3), lyrical, talk about staggered, "pursuing reasonable interests.
"Ben Li" is a combination of Zhu Ziqing's prose poems and lyric aesthetics of political criticism, emphasizing "financial fairness and rationality", and inheriting the reasonable interests and popular articles mixed by Han Yu, forming its own unique narrative logic. American reasoning lies in lyrical beauty. "The cost of life-70 cents" The Ship of Civilization "(a bad habit of irony in men's and women's seats), the combination of narrative and discussion of marginal things, the bad habits of poetry under the old social system, and the humor of the reactionary warlord government contain important marginality, which is often a strong appeal and a call for happiness.
In short, Zhu Ziqing's lyricism is intertwined with narration, description and discussion. Because of the different concepts and themes of the works, it shows the lyrical beauty of the scene, sincere "beauty", drawing lessons from beauty, and reasonable interest. The beauty you see is witty.
3, fresh and natural, your beautiful and elegant artistic language.
The tone of Zhu Ziqing's prose language is simple, fresh, natural, beautiful and elegant.
First of all, we should pay attention to rhetoric, the language should be beautiful, and the wording should be profound. For example, "moonlight" and "diarrhea" should describe the general way of top-down moonlight soaking like water, and the light "floating" way of mist is accurate and vivid. At the same time, the author uses good metaphors and synaesthesia techniques, such as the visual impression of "pearl", the metaphor of early lotus flowers, the metaphor of "singing in the dark", the rhetoric of "smelling the impression" and the metaphor of "light and shadow". For synaesthesia rhetoric, there are many overlapping words, such as "faint" Tian Tian, "Kingston in maxine Harbor" and "high point and low point" and "vague" wording, which force beauty to have rich melody and poetic beauty, such as "spring".
Peach, apricot, pear, you let me, I won't let you rob Wade's child with flowers? Red is like fire, pink is like chardonnay and white is like snow. When you spend a lovely child, you close your eyes, and the tree seems to be full of children with peaches, Hu Xinger and pears.
The author puts forward a long story, which is short and neat, but in short sentences, the sentence tone caused by more frequent pauses and gyrations constitutes various natural, lively and scattered lyric rhythms. Spoken intonation, more harmonious melody, lyrical prose language express a kind of mood, praise the changing spring and pleasing to the eye.
The language of Zhu Ziqing's prose is endowed with musical beauty and poetic beauty, which is also primitive and simple, and exquisiteness is a powerful beauty. The pursuit is another kind of beauty, which is a simple spoken language. This is not hypocrisy. For him personally, it's flashy, and don't be ostentatious and polite. He once said, "A pen is like a tongue". He said that the rich "talking about the wind" works "are kind and interesting to read." The narrative language of Return is colloquial, especially the language of characters. What his father said was not only simple, even innocent, but also very vivid. "Things have been like this, don't be sad. Fortunately, there is no retreat! " Wipe the proverbs of life, the wonderful performance of my father's inner world. His father decided to send his son to the car and only said, "Never mind, they can't leave!" " Say goodbye: "I went to the other side of the letter!" " ""in order to get in, there is no one inside. " The words are simple, but the heart expressed is the kind of "beloved son" as a father. Yang Zhensheng said: "Elegant is simple, quiet is sincere, powerful and plain. Zhu ziqing and modern prose. Simple magic.
Another example is Children:
You want a bowl, he wants a bowl, you say red chopsticks, he says black chopsticks. Rice, porridge, tea, soup, fish, tofu, radish. You said he was good at food, and he said you were good at food. My wife comforted them as usual, but it was obviously too jade ring. I am an impatient person, how to wait? Needless to say, the old ways will be conquered at once. I began to cry, and soon I won a bowl with tears in my eyes.
Lexically, most of these words are spoken. Give them special emotional effects, such as reading comprehension, popularization, vividness, concentration and eternity.
Zhu Ziqing's prose poem "Hurry" was written in/kloc-0 on March 28th, 922. When the reality of the May 4th ebb tide constantly disappointed the author. But the poet's loss is not willing to sink, and his persistent pursuit stands in his position. He said: "there is independent meaning and value in the process of life-the meaning and value of every moment!" " It lasts all the time, which is quite a position. (Zhu Ziqing, Yu Pingbo's letter "165438+20221October 7") Therefore, he "stepped into the soil step by step, leaving deep footprints" (Zhu Ziqing's "Destroy") to achieve paragraph satisfaction. This poem reveals the poet's spiritual injustice and faint sadness, and also reflects the general mood of the May 4th Movement and the low tide of young people's knowledge.
"Fighting" made the poet's sexual consciousness. Inspire the poet and imagination, the spring scenery in front of him calls for a sudden outbreak of his emotions. Imagine, "the ambiguity now formed, the image written by the poet is complete, so the ethereal black, residence and noble children can be called." (Shakespeare's A Midsummer Night's Dream) The poet's ethereal time, abstract concepts and phenomena, as clues to the poet's emotions, can be selected and captured in vivid images. With the passage of time, the poet's mood changed from intangible to tangible, and a group of waves that fluctuated on the screen were vaguely removed.
Swallows went and came back; Willow withered, green again, peach blossom again. "The poet drew a few strokes on the screen. The author doesn't really describe spring scenery, but the emotional contagion accepted by readers, but the images on the screen suggest that the ups and downs of this painting show the essence of time. Therefore, the poet's whereabouts have been searched for a day by himself, but "I" am invisible and intangible, which is a sign of "stealing" or "jailbreaking" of natural metabolism, on the contrary.
"Like water drops in the sea, my days are dripping in the stream of time." More than 8,000 days are more novel and extremely exaggerated than "water", and the vast stage proportion of the sea and the metaphor of time, while the highlight of his day is "silent and shadowless". In fact, it is a trace of his time. A drop of water is figurative. When it fell into the sea, its sound was slight. The poet tried to feel it through sight and hearing, and to find the last days. However, more than 8,000 days have slipped away. Time is ruthless, life is short, and the poet can't help it, but he "oozes" and "tears are cedar".
How to "grab" time? Poets have no abstract arguments. His own feelings and potential consciousness, expressed through images, "infiltrated into those unaudited people who are familiar with the surface and found' new things' there. (Zhu Ziqing's Poetry and Emotion), therefore, the ethereal real-time visualization and learning reveal the life picture that poets often "win secrets". "
"In the morning, two or three people basking in the sun got into a small room, and he moved gently and quietly step by step." The embodiment of the sun, like a girl walking around quietly, the sun is a "diversion" and "rotation". Then, the poet used a series of comparative sentences, how time flies, eating, washing hands and meditating. The details of people's daily life are what poets are eager to see. When he tried to "fly" through the light with reserved cleverness and whispered, time "slipped away" and "flashed" faster and faster. The poet described an ever-changing image with vivid words, giving people a sense of life. We hear the brisk footsteps of time and the trembling of the poet's soul.
Time flies, the poet lingers, thinks and pursues persistently. Contrary to the conflict between the dark reality and their enthusiasm, the rush of time and their own inaction, poets can see more clearly: "The past is like smoke, the breeze blows away, like fog, and the sun melts", so as to reflect the feelings of the third quarter or a specific day, so as to reflect the passage of time. In order to reflect the general situation here, the author proposes to summarize all kinds of pictures condensed at one point through more than 8 thousand days. The poet saw it, was moved, and clearly saw that his whole heart was feeling the passage of time, looking for "the traces of life like gossamer."
With the emotional flight, Yuan Qing, the poet's environment, and the visual ethereal time, combined with a series of lyrical questions, we can see the natural self-struggle, his soul and painful self-confession, and we can also see the sustainability of his pursuit of vagrancy. There is a strong lyrical atmosphere in the ordinary plainness.
Poetry has the beauty of high quality music. The rhythm of metrical poems embodies music, and its rhythm is maintained by branches and free rhymes. Abandoning all these external forms of prose poems and beautiful music, the rhythm of language naturally emerges from the organic unity of the poet's inner emotional fluctuations. Hunter said: "Although sometimes the rhythm of prose fully shows its existence, it deviates from its nominal type, in the name of" prose poetry ",that is, in the field of poetry, a semi-rhythmic work." "Running" is a "half-rhythmic work".
"The performance is short, and the pursuit of tracking is due to the rapid flow of emotions. The style of light and beauty is unified, and the rhythm is dense and smooth. In the artistic conception of harmonious rhythm, the author uses a series of parallelism sentences: "Wash your hands from the basin every day; "When eating, day by day passed, from the silent bowl ... the same sentence was simplified, and a static and dynamic emotional influence picture expanded rapidly. I seemed to see the flow of time. And the sentences are mostly short sentences, five or six words, light and smooth. Pure grammatical structure, multi-level changes, such as endless mixed piano, enthusiastic continuous sound waves. The cadence of music is not the key, but the fluency and liveliness of the won sentences is the key. The author did not deliberately carve the unrestrained poetic expression of vivid spoken language, the rhythmic rhythm of language and emotion, and the rhythm of poetry.
The overlapping use of "hurry" in Rhythm America. The sun is a divergent "I", "chaotic and rotating" hurry ",and it is a sound channel of" fixed gaze ". These overlapping poems not only realize the authenticity of vision, but also the authenticity of appearance, that is, on the one hand, the time movement of writing. At the same time, poets, like the subjective feelings on the one hand, the poet's real feelings, the language that causes fluctuations, and the voice expression of love with the king, can also see that the natural symmetrical distribution of poets overlapping in each sentence presents a sparse and hidden rhythm, which is only a general weak emotional fluctuation.
Large and complex poetry is also a kind of prose poetry, which is often a means to maintain its musical characteristics. The so-called "words emerge in an endless stream, but the emphasis on words makes the poet's feelings far away from the heavy melody and poetry." Only wandering, only running; In more than 82 days of running, what is left except wandering, what is left? The words "wandering" and "grabbing" often have bitter echoes. "What traces, I left? Did you leave any traces like gossamer after you left? " The number of sentences with the same meaning changes, the emotional level is improved, and it is neat and beautiful, which is also revealed in collocation. Repeat the sentence again and again, strengthen the work on the main theme, and draw the waves of the poet's emotional ups and downs. It is very complicated, and the use of hymns repeatedly has the effect of singing and sighing.
The structure of "Fighting" is very simple, with 1 1 clues of mood fluctuation. The unanswered question, wandering and the fluency of two excellent works also reveal the jumping of the thread of the poem, which makes the image unfold quickly. Ordinary poetry, showing the leap of emotion, is often unusual in language syntactic structure and grammar, although some sentence elements are omitted. Prose poetry is the basic usage of prose sentences, and there is generally no emotional leap of long-span free poetry. But it is different prose, sentences and sentences that make up paragraphs, and the cohesion depends on the gap of his ideas. The urgent question has been asked, but there is no answer. It has implicit meaning, which can stimulate readers' imagination and arouse their thinking, show the beauty of fast flow and the implicit emotion of collaborators, and present the beauty of poetic rhythm.