Participated in the work 1949, worked as a dialect translator, a culture teacher and participated in land reform in PLA troops. 1955- 1959 studied in the Chinese Department of Sun Yat-sen University, and his literary criticism was published in works and other newspapers. 1959- 1966 worked as a drama critic in Guangdong Chao Theatre and Shantou Opera Research Association, studied Chao Opera, Han Opera, Zhengzi, Western Qin Dynasty, folk songs, tea picking and Flower Dynasty, and published many articles such as The Development Direction of Mountain Opera. He once participated in the compilation of some chapters of the First Draft of General History of China Opera, and wrote the manuscript of A Preliminary Study of Local Opera in Eastern Guangdong. During the Cultural Revolution, the May 7th Cadre School and Chifeng Cement Plant were decentralized. 1978 back to Guangdong Chao Theatre. He has published many articles on the history of Chaozhou Opera, Chunqiu of Chaozhou Opera, in newspapers and periodicals at home and abroad. Southern Opera and Chaozhou Opera —— Also on the New Edition [Discussion on the Interpretation of Orthographic Opera [Yiyang Opera]] It is proposed that "Chaozhou Opera" is the fifth tune of Southern Opera, which has aroused enthusiastic response in the field of opera theory and history. Participate in the compilation and editing of Cantonese Opera and Quyi, Selected Research Materials of Chaozhou Opera and Five Chaozhou Opera in Ming Dynasty. He has written many articles for Encyclopedia of China, Opera Volume, China Opera and Quyi Dictionary and Chaoshan Encyclopedia, and participated in the compilation of Chaozhou Opera. He was appointed as a national key research project of art and was rated as an advanced worker. As an advanced collective member of the book, he was jointly commended by the Ministry of Culture, the State Ethnic Affairs Commission, the China Art and Science Planning Leading Group and the Chinese Dramatists Association.