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Brief introduction of Wu Shukun's characters
Wu shukun

Wu Shukun (19 15 -20 14 February 13) 19 15 was born in Changsha. Member of Chinese Dramatists Association and Beijing Drama Association. Actor of Beijing People's Art Theatre.

Wu Shukun 1952 joined Beijing People's Arts. During her 50-year artistic career, Wu Shukun created a series of small roles. Representative works include Teahouse, Three National Currency, Cai Wenji and Qing Ji Rich. Film and television works such as The Last Emperor, Sunny Day and I Love My Family.

On February 20 13 14, he died of illness at the age of 99. A farewell ceremony was held in babaoshan funeral home on February 6th 10.

Chinese name: Wu Shukun

Mbth: Wu Shukun

Nationality: China.

Ethnic group: Han nationality

Place of birth: Changsha, Hunan

Date of birth: 19 15.

Date of death: 20 14 February 13.

Occupation: actor

Agent: Beijing People's Art Theatre.

Representative Works: The Stage Play Cai Wenji, Three Yuan National Currency and Teahouse. Film and television drama The Last Emperor and I Love My Family.

Major achievements: 50 years of stage art.

Character experience

19 15, Wu Shukun was born in a wealthy family in Changsha, Hunan. 1937 when War of Resistance against Japanese Aggression broke out in China, she was in her twenties and visiting relatives with her mother and sister. "The news that Japan launched a war of aggression against China and occupied Beiping was only heard by Japan a few days later. At this moment of national disaster, I am in a hostile country, surrounded by the Japanese fanatical atmosphere of preparing for war, which makes people anxious and angry. "

"On August 5th, 1937, we left Tokyo and arrived in Kobe. I didn't expect the original ship to be a Japanese seagoing ship. After the war started, they stopped sailing to China. Hundreds of overseas Chinese can only stay in Kobe. Fortunately, the Overseas Chinese Chamber of Commerce came forward to receive it, and hundreds of people, old and young, lived in the hall of the Chamber of Commerce. The situation is very embarrassing. I was very angry at that time. One day I went out for a stroll alone, and I happened to meet a Japanese woman who sewed a thousand stitches (a thousand stitches-Japanese women collect passers-by to sew amulets for soldiers who went out in groups). When she handed me the needle and cloth, I turned and dodged. The Japanese people present looked at me dumbfounded. At that time, my mood was like a cannon, which exploded a little. "

After returning to the motherland, Wu Shukun, like the passionate young people at that time, took part in various anti-Japanese and national salvation activities. At the beginning of 1938, I rehearsed the one-act play "Playing Devils" with a young man named Liu Ling from the northeast and Zhang Aiting, a female teacher of Shanzheng Primary School in Changsha. I played the role of sister-in-law in the play. The play was performed in Huiping Square of Changsha Education during the Spring Festival. This is the first step in my acting career. Later, we were assigned to the disabled hospital in the suburbs of Changsha, where we set up a disabled club. "

win an honour

Won the performance award of 1982 Beijing municipal bureau of culture's new creation (adaptation) drama program award for playing grandma Cui in the drama "Qing Ji Yu Yu"; Participated in 1979' s Teahouse, 1980' s Neighborhood and 1982' s Xianheng Hotel, and won the first prize.

social activity

20 12, 12 On the evening of February 6th, the audience who entered the front hall of capital theatre was lucky enough to see a rare scene. The four actors in the first edition of Cai Wenji, Wu Shukun, 98, Zheng Rong, 88, Su Min, 86, and Lan Tianye, 85, witnessed the opening of the 60th anniversary of Beijing People's Art Exhibition and the performance of the fourth edition of Cai Wenji.

Last night, the historical drama Cai Wenji was staged at the same time, which was a stage classic left by two masters, Guo Moruo and Jiao Juyin. For more than half a century, Renyi has produced four versions of Cai Wenji, and Zhu Lin, Di Xin and Xu Fan all played the role of Tai Tsing Yi on this stage. The new version is led by Laura, and Pu Cunxin plays Cao Cao with a knife. Before the performance, the gathering of Su Min, Lan Tianye, Zheng Rong and Wu Shukun became an eternal classic moment as in the play. At the age of 98, Wu Shukun is the second oldest drama artist, second only to Ye 10 1 year. She played Zhao Si Niang in the 1959 version of Cai Wenji. Although she was in a wheelchair yesterday, she talked about her role in those days with great interest. Lan Tianye, the actor of the first edition of Middle East IV, also recalled the scene at the premiere. "When10 was first broadcast in Cai Wenji in 959, I was only 32 years old, and I was 85 years old, but I was not the oldest, and there were leaves of10/0, so the 60th anniversary of Renyi lived under one roof for five generations." Speaking of this classic agarwood, Zheng Rong said, "Cai Wenji embodies the' self-spirit' of artistic achievements. At that time, Lao Guo once said "Cai Wenji is me" because his personal experience is very similar to that of Cai Wenji. This drama is the pinnacle of Jiao Juyin's nationalization experiment. "