Chen Chong gives the impression that he has reached the fuzzy balance between truth and fiction pursued by A Tale of Twenty-four Cities. Chen Chong's role is somewhat similar to his own. The sadness of the passing of youth and the pride and pride of those years are even more helpless and painful. One of the most imaginative details of the director is "Little Flower". Chen Chong herself was a "little flower" in the film and a female worker "little flower" in front of the camera. He is the party who forged this memory and a historical witness from that era to today. It can be said that Chen Chong is playing that role and herself at the same time, so her performance has achieved a very vague balance between reality and fiction. It's not an excellent actor sitting in a chair on the screen, but Chen Chong himself.