China is a famous contemporary educator, master of Chinese studies, classical philologist, painter, cultural relic appraiser, poet, Manchu, Ai Xinjue Roche, the fifth son of Qing Sejong and the eighth grandson of Prince Hongzhou. Beijingers. White, also known as Yuan Bo. He lost his childhood and his family was poor. After dropping out of Beijing Academy, he was angry and taught himself. A little longer, I studied under Jia Ximin and Wu Jingting's calligraphy and Dai Classical Literature. Studied hard and finally achieved academic success in 1933. On the recommendation of Mr. Fu Zengxiang, he studied under Chen Yuan to understand the academic division and textual research. Later, he was hired as a Chinese teacher in Fu Jen Middle School. 65438-0935, Assistant Professor, Fine Arts Department, Fu Jen Catholic University; 1938, he served as a lecturer in China Literature Department of Fu Jen Catholic University, and concurrently served as a special member of the Palace Museum, engaged in peer review and cultural relics appraisal in the Palace Museum; 1949 Associate Professor of China Literature Department of Fu Jen Catholic University and Associate Professor of Peking University Museum Department; 1952, he served as an associate professor and professor of Beijing Normal University. Chinese People's Political Consultative Conference, member of the Standing Committee, director of the National Cultural Relics Appraisal Committee, curator of central research institute of culture and history, honorary chairman of China Calligraphers Association, professor of Beijing Normal University and doctoral supervisor. Consultant of Jiu San Society, Chairman of National Cultural Relics Appraisal Committee, Honorary Chairman of China Calligraphers Association, Consultant of Chinese Buddhist Association, Palace Museum and National Museum, President of Xiling Printing Society. He died in Beijing at 2: 25 on June 30, 2005. His main works include Essays on Ancient Fonts, Essays on Poetry and Rhyme, Essays on Qigong, Qigong Poems, Qigong Redundant Words, Essays on China Phenomenon, Poems on Books, Notes on Books, Essays on Eight Essays and Qigong Painting and Calligraphy Collection.
Before his death, he worshipped the famous Buddhist master, poet and calligrapher Poshan Zen Master as his teacher.
Mr. Qi Gong is a famous contemporary scholar, painter and calligrapher. He is rich in works, familiar with linguistics and philology, and even has a good study of eight-part essays that have become historical relics; He is not only an excellent poet, but also an expert in ancient calligraphy and painting, especially the study of inscriptions.
Appreciating his calligraphy works, I always think of his profound study of inscriptions, because his study of inscriptions is inextricably linked with his achievements in calligraphy art. The study of inscriptions is a science that rose in the Ming and Qing Dynasties, and now it has opened up a new realm with the continuous excavation of underground ink. He is one of the pioneers of this garden. This knowledge can be divided into two categories: one is to study historical materials, supplement history with inscriptions, or collate essays; The second is to appreciate and study his calligraphy art. Mr. Qi Gong is good at both, and he is better at the latter. He combined the two, and his method broke through the barriers of predecessors. "Buying bamboo slips and pearls is different, and rubbings are mostly calligraphers. What's the use of rushing away? I saw several collectors chanting. " He wrote this poem because many connoisseurs in the past paid attention to the calligraphy of inscriptions, but often turned a blind eye to the words in them. Famous artists such as Weng Fanggang and Ye all have this defect. He never misses the content of his prose. Because of this, he refuted the "Cao E Monument" that has always been conclusive. Therefore, the so-called "Cao E tablet" written by Wang Xizhi in small letters no longer exists. What's more, Cai Yong's book Dan.
Among Mr. Qi Gong's calligraphy theory works, I like his metaphors and quips best. He has unique views on the art of calligraphy and many problems in the history of calligraphy, which is his decades of experience in calligraphy practice and research. Especially self-annotation, Wen Juan's escape, and his opinions. I have some long-standing problems myself, and after reading them, I feel solved and suddenly enlightened. For example, the textual research of Ode to the Bird originated from the dedication of Kaiyuan Hanlin; In the face of Japanese Fujimoto's book "Le Yi Lun", it proves Wang Xizhi's strong writing style; Identify Zhang Xu's book Geng Xin's "Not Empty Zuo Ci" as the pen of Dazhong Xiangfu after the Song Dynasty; On the True Features of Suo Jing's Calligraphy in Ge Tie from the Remnants of Jin People. These are all cases in the history of calligraphy, and the arguments are solid enough to be convincing. In addition, for example, Cai Xiang and Zhu Yunming's calligraphy did not become their own paragraphs; The calligraphy of Liu Gongquan and Huang Tingjian is perfect, and the words are bound together. Among them, it is very incisive to distinguish the characteristics of famous calligraphers in past dynasties, the style and style of calligraphy in each era, and even the origin of calligraphy and the reasons for its changes.
Mr. Qi Gong's publication chronology
1953
A Dream of Red Mansions Review, People's Literature Publishing House.
1957
Collection of Dunhuang Changes (co-edited with others), People's Literature Publishing House.
1965
Ancient fonts, cultural relics publishing house.
1977
On the Rhythm of Poetry, Zhonghua Book Company.
198 1 year
From the manuscript, Zhonghua Book Company.
1982
Mr. Qi Gong talks about calligraphy (video), Beijing Normal University.
1985
Selected Calligraphy of Qigong, People's Fine Arts Publishing House.
Selected Works of Qigong Calligraphy, Beijing Normal University Press.
Book on quatrains, Commercial Press (Hong Kong)
1986
Selected Works of Qigong Calligraphy (condensed version), Beijing Normal University Press.
Introduction to Calligraphy, Beijing Normal University Press.
Introduction to Calligraphy Reference, Beijing Normal University Press.
Qigong-Uno Xue Cun Painting and Calligraphy Exhibition (Japanese Printing)
1988
Calligraphy teaching (video), Beijing Normal University Audio-visual Publishing House.
1989
Qi Gong Yu Yun, Beijing Normal University Press.
1990
On the quatrains of books, The Commercial Press (Hong Kong), Sanlian Bookstore.
Thousand-character Qigong cursive script, China Peace Publishing House.
Rong Baozhai (HK) Co., Ltd. published Qigong Painting and Calligraphy Exhibition.
199 1 year
China Phenomenon Series, Commercial Press (Hongkong)
Said stereotyped writing, Beijing Normal University Press.
1992
Notes on "Qi Gong Lun Shu" by Beijing Normal University Press.
Qigong Painting and Calligraphy Atlas, Beijing Normal University Press.
1993
Rong Baozhai's Painting Spectrum-Qigong Volume, Rong Baozhai Publishing House.
1994
Talking about Great Achievements, Beijing Normal University Press.
1995
"One Hundred Poems on Success", Rong Baozhai Publishing House.
1997
"Qi Gong Shu Hua" (namely, the Japanese version of "Poems on the Book 100") was published by the Second Selection Society of Japan.
On the quatrains (reprint), Sanlian Bookstore.
1998
Contemporary calligrapher's masterpiece "Qi Gong Juan", Hebei Education Press, Guangdong Education Press.
1999
Ancient font manuscripts, reprinted by Cultural Relics Publishing House.
Redundant Meritorious Words, Beijing Normal University Press.
Manuscripts (paper roll, postscript roll, poetry volume), Zhonghua Book Company.
In 2000,
Three posts of Qigong, Beijing Normal University Press.
Say stereotyped writing, Zhonghua Book Company.
On the Rhythm of Poetry, Zhonghua Book Company.
200 1 year
On Calligraphy (Xuan Paper Edition), Cultural Relics Publishing House.
Qigong Calligraphy and Painting Collection, Cultural Relics Publishing House, Beijing Normal University Press.
Qigong Lin Tie, Beijing Normal University Press.
In 2002
Notes on Qigong Painting and Calligraphy, Shanghai Painting and Calligraphy Publishing House.
Huai Su's Self-narrative Sticker, Rong Baozhai Publishing House.
Wang Xizhi's Seventeen Sticks at the Opening Ceremony, Rong Baozhai Publishing House.
Comments on Poetry by Sanlian Bookstore.
Famous calligraphers and painters in Zhenmingge-Qigong Volume, Cultural Relics Publishing House.
On the Rhythm of Poetry (Ink and Wash Edition) (Revised Edition), Zhonghua Book Company.
In 2003
A Thousand Words Qigong Cursive Script (reprint), China Peace Publishing House.
Qian Qigong cursive script, Shanghai Painting and Calligraphy Publishing House.
Qigong Calligraphy Collection, Cultural Relics Publishing House.
In 2004
Qigong Lecture, Qigong Rhyme Collection, Qigong Painting and Ink Selection, and Qigong Oral History, Beijing Normal University Press.
In 2005
Lin Lanting, Rong Baozhai Publishing House.
Qigong Calligraphy and Painting Collection (Popular Edition) Cultural Relics Publishing House, Beijing Normal University Press.
Qian wrote Qigong Regular Script, Beijing Normal University Press.
Selected Paintings and Calligraphy of Qigong (Xuan Paper Edition), Cultural Relics Publishing House.
Selected Calligraphy of Qigong (Xuan Paper Edition), Xiling Publishing House.
"Xie Lin Series", published by Beijing Normal University Press.
Let me tell you something about calligraphy, Zhonghua Book Company.
In 2006
Selected inscriptions on calligraphy and painting, Cultural Relics Publishing House.
1. Family
Qi Gong is the ninth generation grandson of Yong Zhengdi. His distant ancestor is the fifth son of Yong Zhengdi in Qing Dynasty and Prince Hongzhou. His great-grandfather and grandfather were both born in imperial examinations. He lost his father when he was young, and he dropped out of school. Although Mr. Wang's surname is Ai, he thinks his surname is Qi.
study
He studied calligraphy and painting under Mr. Jia Erlu (Ximin) and Mr. Wu Xizeng (Jingting), and studied classical literature under Mr. Dai Suizhi (Fu Jiang).
3. Social status
Standing Committee of the National Committee of China People's Political Consultative Conference
Director of the Central Institute of Culture and History
Consultant of Jiu San Society
Chairman of the National Cultural Relics Appraisal Committee
Honorary Chairman of China Calligraphers Association
Consultant of Chinese Buddhist Association, Palace Museum and National Museum.
President of Xiling Printing Society
4. Major academic achievements
Three musts of "Poetry, Calligraphy and Painting"