Reading Wang Xiaoping's paintings, like a spring poem, is always intoxicating. The characters in her works have a quiet and serene beauty, as if telling you something, happy and sad. She devoted herself to the artistic research of traditional culture and thought, and indulged in exploring the olympiad in the art of masters of past dynasties. She adopts Gu Zhuo, beautiful, subtle and exaggerated lines, dense and simple shapes, constantly explores innovative techniques of ink figure painting, expresses the unique exquisiteness of oriental women with new thinking mode and artistic language, and can grasp it from the aesthetic and cultural levels, so that her works contain rich aesthetic charm. Her works such as Moonlight, Clouds Beyond the Mountain and Autumn Rhyme are full of pure and holy beauty, and elegance seems to be shrouded in mystery, which strengthens the inner spiritual charm of the characters. Her paintings skillfully use the expression of "formal writing", so that the characters are placed in the warmth and peace of "Xanadu" and the broad artistic realm of "harmony between man and nature" and "ecstasy". Her paintings turn pure feelings and extreme beautification into poetic imagery, and turn holiness and sublimity into artistic images, in order to seek the depth, strength and thickness of the works, thus showing the painter's personality, characteristics and aesthetic ideals.
The cultural connotation of Wang Xiaoping's series of works is combined with painting expression, which gradually forms the painter's personal style. She has also made a new breakthrough in her creation, which not only broadens the theme of creation, but also has a deeper understanding of the spirit and realm of Chinese painting. This is a qualitative leap, very gratifying.