Wang Bo (649 or 650 ~ 675 or 676) was a poet in the Tang Dynasty. The word zi an. Jiangzhou Longmen (now Hejin, Shanxi) people. Together with Yang Jiong and Lu, they are called "Wang Luo" and "four outstanding figures in the early Tang Dynasty". Wang Bo's talent was revealed very early. When he was a teenager, he was praised as a child prodigy by Liu Xiangdao, the governor of the imperial court. He recommended it to the imperial court and took countermeasures to seal him as a court official. At the beginning of 666, Gan, a native, took part in reading in the palace. Two years later, he was expelled from the palace for his role in The King's Chicken. Then go to Bashu. In the third year of Xian Heng (672), he made up for Zhou Guo to join the army. He was dismissed because he was good at killing officials and slaves. His father was also involved and was demoted to toe order. In the second year (675) or the third year (676) of the Shang Dynasty, Wang Bo went south to visit relatives and drowned across the sea.

Wang Bo's literature advocates practicality, and thinks that "a word spoken by a gentleman is a lost cause". Mencius did not do it; It is shameful for Yang Xiong to advise you to be sarcastic. If we can't clarify the righteousness, rectify the last stream and vulgarize the rise and fall of capital, the country will depend on its weight. The ancients never paid attention to it ("Pei Shi Lang Qi of the Official Department"). At that time, the poetic style, represented by Shangguan Yi, prevailed in the literary world, with "trying to slim the structure and carve it", "doing one's best to keep one's backbone, but not listening to it", and Wang Bo "thinking about its disadvantages and pursuing its career lightly" (Preface to Yang Jiong and Wang Bo). His poems are "strong but not empty, firm and moist, engraved without breaking, strengthened by pressing", which has played a great role in changing the atmosphere.

Wang Bo now writes more than 80 poems, most of which are five-character poems and quatrains. Among them, writing Farewell to Homesickness is more famous. Du Shaofu's Biography of Ren Shu is a famous farewell poem in the Tang Dynasty, which expresses the feelings of parting, taking "However, China has our friendship and the sky is our neighbor" as comfort, and the artistic conception is open, sweeping away the deep breath of parting and pain. Five laws, such as Farewell to Xue Hua and Farewell to Xue Hua, are sincere and touching. Five-character quatrains, such as In the Mountains, Ji Chun, A Spring Tour and Two Poems on the Riverside, express deep homesickness through scenery writing. In the Ming Dynasty, Hu Yinglin thought that Wang Bo's Five Laws were "graceful and vigorous, which really opened the wonderful scene of prosperous (Tang) and middle (Tang) times. Five words absolutely Yi Shu writes sadness, washes and cuts the flow. Investigating their talents is naturally the first time for the Tang people to open up the atmosphere (Volume 4 of Poems).

There are more than 10 ancient poems in Wang Bo alone, among which "Lingaotai" reflects the bustling life of the city and secretly satirizes the nobles and giants. "Lotus Picking Song" and "Autumn Night is Long" describe that women miss their husbands when picking lotus and smashing clothes, which directly inherits the tradition of Yuefu folk songs and can open up artistic conception. Although these poems still have the gorgeous colors of the Six Dynasties, their styles are fresh and clear, showing a new atmosphere of Tang poetry.

There are more than 90 existing essays, such as fu and preface, table, monument, fu and so on. Most of them are parallel prose, among which there are many excellent works. Preface to Wang Teng-ting has become a household name in the Tang Dynasty, and it is considered as a "genius" work that should be immortal (Tang Dynasty). Famous sentences such as "Sunset and Lonely Qi Fei, Autumn waters grow together, and the sky is the same color" are even more admired by theorists. "Biography of Old Tang Dynasty Wen Yuan" quoted Cui Rong as saying: "Wang Bowen and Zhang Hongyi are very popular." The catalogue of Sikuquanshu is also called "Bowen is the crown of the four outstanding figures".

He has also written many academic works, including five volumes of Zhouyi Opera, five volumes of The Analects of Confucius (one of which is 10), the Chronicle of Chitose, Yan Zhu, etc., as well as 10 Platform Notes. Except for a few chapters, such as Preface to the Eighty-one Difficult Classics of the Yellow Emperor and Comments on Platform Tips, all these works were lost in Huaying Wenyuan Pavilion.

Earlier, 20 volumes, 30 volumes and 27 volumes of Selected Works of Wang Bo were not circulated. The existing Wang Zian Collection 16 compiled by Zhang Xie during the Chongzhen period of the Ming Dynasty; Notes on Wang Zian was written by JOE and Jiang Qingyi, tongzhi people in Qing Dynasty, and it is divided into twenty volumes. In addition, Yang Shoujing's "Visit to ancient paper" recorded Prince An Wen of 1 volume, and copied 13 volume (actually 12 volume, of which 6 volumes were incomplete). Luo Zhenyu's essay continuation of Yongfeng Farmer has lost essays 1 volume, with a total of 24 articles, that is, 12 supplements what Yang did not have and six incomplete articles recorded by Yang. Roche's preface also mentioned that "Tomioka Jun (Cang Qian) kept The Wang Zian Collection (Volumes 29 and 30) in Kyoto". According to the manuscript of Imperial University in Kyoto, Japan (volume 1), there are two volumes of Wang Canjuan, which says "twenty-nine to thirty" and was immediately collected by Tomoka. In the third year of Qing Dynasty (19 1 1), Yao's Collection of Relieving Daowei Zhai included the Chronicle of Wang Zian.