In the classical Chinese of Gu Kaizhi's Three Musts, the main contents of Gu Kaizhi's Three Musts are mainly written, and the origin of his being called Three Musts is introduced in detail. Let's take a look at the general content of the article.
Gu Kaizhi was born in Wuxi, Eastern Jin Dynasty. Gu Kaizhi is knowledgeable and talented. People asked him about the landscape of Kuaiji Mountain, and Gu Kaizhi said, "Qian Shan is beautiful, and thousands of waters compete for water. The vegetation is hazy, just like clouds and rosy clouds. " Gu Kaizhi eats sugar cane very much, and people are curious to eat it from the roots first. He said it would get better gradually.
Gu Kaizhi is especially good at painting, and his paintings are superb. Xie An likes him very much and thinks that no one can compare with him since ancient times. Every time I drew a human figure, it was very famous at that time. I once painted a portrait of Pei Kai with three hairs on his cheek, which made people feel very charming.
Gu Kaizhi also believes in small magic, believing that everything is needed. Someone once gave him a willow leaf to deceive him: "This is used by cicadas to cover their bodies. If you use it to cover yourself, others will not see you. " Gu Kaizhi was so happy that he used it to cover his body, thinking that others would not see him, so he cherished this willow leaf very much.
Therefore, the world says that he has three unique skills: talent, painting and infatuation.
What are Gu Kaizhi's works?
The Map of Women's Benevolence and Wisdom is one of Gu Kaizhi's works in the Eastern Jin Dynasty and a copy of the Southern Song Dynasty. Dr. Sun Guanglu's biography of Lienv is the source of Lienv's benevolence and wisdom. The whole book mainly talks about the influence and consequences of women's moral behavior on the country, which is described in two opposite moral aspects: good and bad. This picture is a painting creation from which "Renjuan" is extracted.
List women's ambitions
There are 15 short stories in Renzhi Volume of Lienv Biography, but only 7 short stories in Lienv Renzhi Map are completely preserved, the other 3 short stories are only half preserved, and the remaining 5 short stories have all been lost. In the complete story, we can see that there were mainly male and female dress systems in Han Dynasty. For example, a man should wear a crown of promotion on his head, a big sleeve robe with curves on his body, a ribbon on his waist and a long sword. Women should wear dark clothes on their heads and scarlet eyebrows. This is an imitation of Zhao's new makeup, and it can also reflect the dressing customs at that time. Another example is the carriage called "chariot", which is also a unique specification of the Han Dynasty. These details are well described and there are no mistakes, which can correspond to the scenes seen in unearthed stone statues and murals.
According to Hanshu, when Liu Xiang presented the biography of Lienv to Emperor Hancheng, he also presented the ode to Lienv and painted it as a screen. In the poem of Ban Jieyu, the concubine of Emperor Han Cheng, she also mentioned that she had seen Biography of Lienv in the palace. And use the requirements to warn yourself.
Brief introduction of Gu Kaizhi landscape painting
Gu Kaizhi was born in the beautiful Jiangnan water town. Influenced by natural scenery and literati painting style in Jin Dynasty, he had more understanding and experience of landscape painting. Someone once asked him about the beauty of Huiji's landscape, and he used words such as "a thousand rocks compete and ten thousand valleys compete for victory" to describe the magnificence of Huiji's landscape. At that time, Gu Kaizhi was not the only one who experienced the beauty of scenery, but he made great contributions in transforming subjective experience into landscape painting creation.
Disciplining scroll
Gu Kaizhi's Proverbs of Women's History is based on Proverbs of Women's History, which describes the characteristics and images of characters. Only in the third paragraph, there is the shadow of landscape painting, and the rocks inside take up a lot of space. There are pheasants jumping on the mountain, decorated with the colors of trees. In painting, the situation of mountains is constantly overlapping, and the shape of mountains in painting has changed a lot, which is a great progress than the mountain paintings painted in the past.
Although this painting is not divorced from the theme of the characters, it can be seen that it wants to be divorced. At the same time, it also shows the painting characteristics of landscape paintings in the Eastern Jin Dynasty. Although the state of exploration is only the initial stage, it is also a very important stage in the formation of landscape painting. It also shows the painting level of Gu Kaizhi landscape painting and the development trend of landscape painting in figure painting.
The most obvious tendency of his figure painting in landscape painting is the poet Xie Kun, who uses stones and springs to express the unique image and personality of the characters. This feature may be a faint hint, but it has a deep meaning. It can show how to integrate figure painting with landscape painting, make the painter move from figure image to landscape, and finally form an independent landscape painting.