Hello! I have read the letter from the client. I read your emotional poem: "It's nothing but blood and sorrow. Who wants to dig three feet, and the nuggets will cry when they are not in place? " I really don't know what to say.

At that time, I showed you the Tian Huangyin of "Cao Yinyin", and I really felt sorry to see your old man's depressed and disappointed expression. I blame myself for going too far. Why should I wake up the dream of red mansions that you have been sleeping for decades? It's also my fault that I can't go home. Why should I let you know the truth? But there was really nothing I could do at the time. You talked about it in Kan Kan. When it comes to the master of redology research, you are the most authoritative one. You are not only a professor in colleges and universities, but also a master and doctor ... who are you?

I couldn't bear it at that time. My attitude towards experts and scholars has always been respect, not blind obedience. Seeing the flattery of your fans here, I am bent on sanctifying you. I really didn't expect you to be depressed to the point of hysteria. You said incoherently and vaguely, "How did this happen ... how did this happen?" Then you said, "This is not Cao Yin's fake seal, is it?" ! Why did you do such a thing? "

Yes, I answered your doubts at that time. When I saw this "National Seal of Cao Yin" in 1999, my doubts were no less than yours, but I didn't have your fears and disappointments. When you play with a collection, you should first doubt its falsehood and then prove its truth.

Who would use such an expensive Huangshi top-level field to make the seal of Cao Yin? If Cao Yin doesn't study the Red Chamber, who cares who he is? What's more, it is extremely uneconomical to engrave his "Qing Zi" and "Jiaxu" year number. If you want to do it, you should also be an emperor's seal! Nothing can make a Tian Huang and Yin Shi valuable, which is really unnecessary. Historical traces on the seal, pictures depicting Cao Yin's mental journey on both sides, ebony boards and fans on the top of the seal, especially the gourd on the button, suddenly lifted the whole Dream of Red Mansions.

From the characters inside and outside the Hulu Temple for the first time to the characters at120th time, they all appeared in turn.

For the first time in "Zhen Meng is psychic, dusty and beautiful", Zhen is a township official who lives next to Hulu Temple. He was a bystander, and at the first time, he flew away with a madman. And "good price, wait for time to fly" Jia Yucun didn't wake up until the one hundred and twentieth time. Although he woke up, he "fell asleep". It is generally considered as "fake yucun dialect". In fact, Jia Yucun has another meaning: "Fake silly"-really clever. Of course, "cleverness is mistaken by cleverness", which is another story about Wang Xifeng.

Chapter one hundred and twenty, although I didn't understand this word referring to gourd, I also explained it very closely. Baoyu fled into an empty door, and Yin Shi said, "No! Such a strange fate, I am a prophet. I talked to my husband in front of the old house in Renqing Lane. " That "Renqing Lane Old House Gate" is next to Hulu Temple. In fact, the whole "Dream of Red Mansions" is telling stories inside and outside the Hulu Temple, all about the impermanence medicine sold in the Hulu Temple. The Grand View Garden is a big gourd, and the inside and outside of the garden is the inside and outside of the gourd. Just savor it carefully.

Thank you for introducing me to the Red Cross. I can't respond to you in front of you. I really can't show any interest in these clubs. I know all the students you mentioned in the past, and they all had contacts. 1996 When the China Collectors Association was founded, the great redology scholar Zhou Shaoliang was the vice president of the association. Zhao Puchu not only wrote the name of the association, but also served as the honorary advisor of the association. With his rich knowledge of Buddhism and Dunhuang studies, Mr. Zhou Shaoliang dabbled in the study of A Dream of Red Mansions, and also wrote a book A Dream of Red Mansions, and his views on A Dream of Red Mansions have not been less heard.

As for your opinion that Mr. Wang is the overbearing leader in the Red Chamber, I don't feel this way, because I have never been to the Red Chamber, but after the establishment of the China Collectors Association, I dealt with Mr. Feng for China Collection magazine. I think he is a modest gentleman. I asked him to write a few articles, all of which are collections of works, and more about teapots. I bought a copy of Mr. Feng's oral autobiography "Life in the Storm", in which a chapter reads:

"Ouyang of Nanjing gradually published an article. He thinks that all the manuscripts of Zhi Yanzhai are fake and made by later generations. Only Cheng Jiaben was Cao Xueqin's earliest work. After reading Ouyang Jian's article, I feel that it is groundless and cannot be established at all. At that time, my friends in Nanking strongly opposed Ouyang Jian's views. They asked me to write an article, and I was going to write an article, but I didn't write it right away.

Why didn't I write then? Because there are several places in Cheng Jia's book that are the original words in the manuscript of "Red Yanzhai Re-evaluating the Stone Story", which are fat comments and copied into the text as the text at that time. Because the comment on writing at the bottom of the text is double-line fine print, some of them are accidentally copied into the text as sentences. I have counted five similar situations, which can be extracted from Cheng Jia's book alone and proved by the original text of Re-evaluation of the Stone in Red Flame Zhai. In "Re-evaluation of the Stone Story by Red inkstone", it was approved while being approved, but it was turned into the text by Cheng Jiaben.

Ouyang Jian is compiling a family book for publication. If I publish an article, he will revise it according to what I pointed out in the article. My opinion is tantamount to helping him forge it, so I have been silent. Later, Cheng Jiaben compiled by him was published. As soon as I saw it, he punctuated Cheng Jiaben as it was. At that time, Malaysia invited me to participate in their national standard seminar "Dream of Red Mansions". Before going to the meeting, I wrote a paper evaluating Cheng Jiaben, pointing out that there were five mistakes in Cheng Jiaben's criticism, which proved that Cheng Jiaben's criticism was much later than Zhi Yanzhai's, and further proved that Ouyang Jian's statement was unfounded. "

I want to laugh every time I see this paragraph. In my mind, there will always be a scene where old man Feng is holding a shotgun and waiting for the "prey" to appear. I always feel that the old man is not kind enough at this point. In fact, there is another situation in the field of edition collection, that is, what comes out behind is deliberately copied wrong, so that others think it is genuine and made after copying it.

Senior, you reminded me that Cao Yin's seal alone is not enough to overturn the previous conclusion. Your reminder is worthy of attention, thank you very much.

Mr. Feng Qiyong once said in "A New Examination of Cao Xueqin's Family":

"But our traditional scholarship, the first is' don't believe without a license', you can't believe without evidence. There is also a saying that' isolated evidence does not stand'. There is only one piece of evidence that can't be believed. One thing can only be proved by more than two pieces of evidence. There is only one loneliness, and there are places that are not at ease. "

To learn through collection, we should pay more attention to "the isolated evidence does not stand, and the notarization is sincere."

Cheng Yi version is scheduled at 1792, which has been 226 years since. Textual research from Hu Shi's version 192 1, 1, A Dream of Red Mansions shows that 97 years have passed. The author and version of Mr. Hu's Dream of Red Mansions are "bold assumptions, careful verification", and there is no conclusion yet.

In fact, Yu Pingbo, another master who studied A Dream of Red Mansions at the same time as Hu Shi, wrote clearly in his later years: "Both Hu Shi and Yu Pingbo were guilty of beheading in A Dream of Red Mansions. Cheng Weiyuan and Gao E made great contributions to the preservation of A Dream of Red Mansions. Right and wrong! "

When Hu Shi opposed Cai Yuanpei's "seclusion" method, he went to the other extreme. In particular, he built his argument on Yuan Mei's Poems with the Garden in the Qing Dynasty. In the second volume of this volume, there is such a passage: "His son Qin Xue wrote A Dream of Red Mansions to commemorate the prosperity of romanticism. There is a so-called grand view garden, that is, the rest and the garden. "

Many articles have proved Yuan Mei's fabrication. In fact, Yuan Mei just wanted to set off his house-"Suiyuan".

People's Literature Publishing House published a series of famous writers' talks about a dream of red mansions, including a book called Ke Tanfei. I believe you have read this book, but you are a mainstream dream of red mansions and may not be interested in these things, but Mr. Ke Fei thinks that "Yuan Mei is the source of waterless, and Hu Shi has turned it into a big river."

These views are quite interesting. Mr Hu Shi verified that Cao Xueqin was not Cao Yin's son, but his grandson. So far, whether Cao Xueqin is the son of Cao Yin-the son of Cao Qing or the son of stepson Cao Fu-is still inconclusive. But the age of Cao Xueqin is uncertain. Because this research method of passive water is inherently uncertain. The fact is: there is no such thing as Cao Xueqin.

When chatting with you, I said that I used the trinity method of "cultural relics collection (cultural relics collection), literature (letters between the royal family and Cao family) and text (Cheng Yiben, the author of a dream of red mansions novel 120)" to research the author and version of a dream of red mansions.

Cao Xueqin's name appeared twice in the first chapter and chapter 120 of the text.

So who is the author of a dream of red mansions?

There is no Cao Xueqin in the world,

Don't treat Lu Xun as a Q.

In my opinion, Cao Xueqin is a pseudonym. In the text of A Dream of Red Mansions, "Cao Xueqin" appeared for the first time and the 120th time, but he did not say that he was the author.

Zhonghua Book Company published Dream of Red Mansions for the first time;

From then on, the empty Taoist priest changed his name to Love Monk, and changed the stone record to Love Monk Record. Meixi, the east foot of the sky, engraved Yue Feng Bao Jian. Later, Cao Xueqin spent ten years in mourning for Hong Xuan, so he added and deleted it five times, sealed it into a catalogue and divided it into chapters, with a unique title of Twelve Women in Jinling. In other words, this is the origin of "stone", and the poem says:

The paper is full of absurd words and bitter tears! Dou Yun's author is crazy, who can understand the taste?

Zhonghua Book Company published China's classic Dream of Red Mansions for the first time120th time;

Empty Taoist firmly remembers this sentence, and I don't know how many generations have passed. Sure enough, there is a mourning hall, and Mr. Cao Xueqin is reading ancient history in it. The ethereal Taoist showed this "stone" what Jia Yucun said. Then Mr. Cao Xueqin smiled and said, "It's really Jia Yucun's words!" The Taoist monk asked, "Why do you know this man and are willing to preach for him?" Seeing Mr Qin Xue smile, he said, "You are empty, but your stomach is really empty. This is a "false story", but Lu Yu and his absurdity are not contradictory. ...

For the first time, Qin Xue "read" and "added and deleted" without writing a book;

In paragraph 120, Mr. Qin Xue only "narrates" and "narrates Jia Yucun" for Jia Yucun.

The empty Taoist priest concluded: "It's really perfunctory and absurd! Not only the author does not know, the copy does not know, and the reader does not know. "

Cheng Jia this preface, said very clearly, "a dream of red mansions novel, real name is" the stone ". The author has been passed down from generation to generation, and it is unknown who he came from, but it is recorded in Mr. Cao Xueqin's several books. " In addition, the literary inquisition in the Qing Dynasty was quite strict. Cao Xueqin and A Dream of Red Mansions are all aimed at the Cao family. Didn't you just inform the royal family to seal off the descendants of the Cao family?

So who wrote this book?

In my opinion, A Dream of Red Mansions was written by Cao Yinxian, with an outline of the book, which was successively completed by Cao Fu and other people.

Let's go back to the "Seal of Cao Yin", whose year is "JOE". This year is 1694. In the thirty-third year of Kangxi, Cao Yin took over the second year of Jiangning weaving. He left Suzhou for Jiangning in June of 1692 165438, that is to say, he didn't return to Jiangning until the eighth year after his father Cao died (1684, Cao died in Jiangning). Cao Zao was succeeded by Sanger (from 23rd year of Kangxi to 3rd1).

The collector's edition of A Dream of Red Mansions, published by People's Literature Publishing House, has been marked as "Cao Xueqin's Writing, Unnamed Continuation". I think it is extremely serious. Since it is based on Geng, and followed the copy of Cheng Jiaben 120, the words "Cheng Weiyuan and edited" should be written more realistically. In addition, the preface of this collector's edition reads: "In the second year of Kangxi, Cao was appointed as the first weaver girl in Jiangning and served as a special envoy for a long time. Twenty-three years, died in Jiangning weaving. Kangxi immediately ordered his son Cao Yin to weave for Suzhou, and later served as Jiangning Weaving and Two Huai Salt Patrol, and ordered him to seal Tang poetry and Pei Yunwen to Yangzhou. " The word "immediately" here is not exact, but I don't know that a "spin" is eight years. In these eight years, Cao became the "Sanger" of Jiangning.

When Cao died at 1684 1 1, Emperor Kangxi visited Shangyuan in the south and was "summoned as the general manager of Jinnei" and "assisted in Jiangning's weaving affairs". In the same year1February, Massingue assisted Yuan Wailang in weaving in Jiangning, and Cao Yin was dismissed at the same time. In other words, Cao Yin was only transferred from his father's class for one month.

1690, Cao Yin was appointed by Kangxi to manage Suzhou weaving in order to return to Jiangnan from Beijing.

It has been six years since Cao Xi died.

When we review Cao Yin's resume, we will realize his motivation and ability to create A Dream of Red Mansions.

Cao Yin, born in 1658, died in 17 12, with a clear word, built pavilion, No.1 Li Xuan, No.1 Snow Bridge (this number was not written by people who play textual research, because it is not conducive to them to regard Cao Xueqin as the grandson of Cao Yin, and the word "snow" is taboo). In the second year of Kangxi 1663, he went to Nanjing with his father at the age of six. In other words, he grew up in Beijing with Kangxi before he was six years old. His mother Sun Shi was Kangxi's wet nurse, and Cao Yin, the chief of Kangxi, was four years old. Before he was six years old, it was hard to say how many days Cao Yin could remember when he accompanied Kangxi in the palace, but he could still remember the experience of growing up together. Cao Yin studied in Jiangnan from 1633 to 1675, and accompanied his father in Jiangning. 18 years old, 1675, was chosen as a bodyguard to accompany Kangxi and become friends with Nalan Xingde.

From 1675 to 1682, Cao Yin worked as a bodyguard for seven years. At the age of 25, 1682 was the fifth participant in the official ceremony and the third leader in the painting of the official white flag.

1684 27-year-old Cao Yinzeng Ginny Scott and assistant manager Jiangning Weaving Affairs. This year, I went from Beijing to Nanjing to accompany my sick father. In June of the same year, my father died in office, and in November, he was instructed by Jiangning to weave. Cao Yin's "Dongting Poetry Banknotes" Volume II "The Feeling of Planting Willow in the West Garden" has a cloud: "I am grateful again and dare to forget it in the court."

At the time of writing this first sentence, Cao was "in debt" as "the internal reference and assistant manager of Jiangning weaving affairs". However, only one month later, Cao Yin was "violated" and dismissed. What "example" was violated is unknown in history. In Cao Yin's Poems of Dongting, the poem "Zhu Chixia read the lotus after sending it" says: "The method of banning clothes is free of pills for stopping illness."

When his father died, the family left Jiangnan and returned to Beijing. Suffering has dealt a heavy blow to Cao Yin, leaving him in a state of sadness and despair, including the poem Regret for the Past. One of them is "for thousands of years, I dare not worry." The oppression that can't be fully described is all in the poem. The death of his father, the blow of retiring from poverty, and the sudden death of his good friend Nalan Chengde all constituted multiple blows to Cao Yin. It was not until ten years after Nalan's death that Cao Yincai felt that "every family was competing to sing" Drinking Words ",and Nalan's mind was unknown", and he wrote a deep memory of Nalan, and the sadness caused by this deep memory was "recalling the past, being cold and beautiful; Ma Ying dog laughed at it, and it is tender and withered now. "

This of course laid the foundation for Cao Yin to write A Dream of Red Mansions.

Leaving his father's inheritance in Jiangning and being suddenly dismissed not only involved the lucrative job of weaving in Jiangning falling into the hands of others in the competition, but also reflected that Wang Zheng, who was under the imperial envoy of Kangxi, was free to release it, uprooting Cao Yinjia's inheritance in Jiangning and returning it to Beijing. Cao Yin was a bodyguard beside Kangxi for nearly 15 years. Cao Yin served Kangxi for nearly 2 1 year if he was accompanied by his six-year-old childhood in the palace.

1685, in the 24th year of Kangxi, Cao Yin returned to the north with Fu Yun and served as foreign minister in the Criminal Department of the Ministry of Internal Affairs. In the same year, Kangxi issued an order to the interior office: "Now, there are very few assistants in the interior office who are good at shooting books. You can set up a special school, choose those who can teach and let them learn to shoot. The best one is hired and the worst one is dismissed. The school should be located in an ordinary place and let the learners work hard. "

It can be seen that Kangxi asked for both civil and military skills, personally supervised and trained the royal domestic slaves of the Ministry of Internal Affairs, especially Cao Yin, his younger brother who grew up together, and let him experience in different departments of the Ministry of Internal Affairs until 1690 when he moved to Suzhou as a weaver girl.

Cao Yin's son Cao Qing was born in Beijing.

Cao Yin's experience and life in Beijing laid the foundation for him to gain the absolute trust of Kangxi, and even more, he reserved rich life experiences and rich life materials for writing A Dream of Red Mansions.

Cao Yin is not only proficient in poetry and lyrics, but also good at writing plays. 1692 "The Story of the Northern Red Stroke" was written by the ship, with an inscription on the east, and boasted that "the book on the table is the joy on the field, wonderful. Although Zhou Lang has been revived, can Ann care? "

Cao Yin not only sang with a large number of literary celebrities in the south of the Yangtze River, but also often organized performances and arranged music, and had more contacts with playwrights such as Hong Sheng.

The original name of A Dream of Red Mansions is The Story of the Stone. Many of Cao Yin's poems are related to writing this masterpiece, but everyone was fooled by Hu Shi and focused on Cao Xueqin. For example, Cao Yin's The Stone of Martial Arts, which many researchers think does not exist, was inspired by Cao Xueqin's poem "Grandpa" Cao Yin.

"Wu gorge stone, Wu gorge stone, and you, Zhou Lao wrapped in a piece, cut off the rest of the liver like a soldier. I'm afraid I'll miss, but I won't say anything. Without a meteor, the gods will eat, and the thunder axe will be hollowed out to destroy the thunderbolt. The emperor will refine the ancient heritage, and the corners will not be used. "

I still remember the first time I said in A Dream of Red Mansions, "When Nu Wa's family tried to mend the sky ... a piece was useless and was abandoned at the foot of Geng Qingfeng."

Senior, I digress. Let's go back to Xu Jianian on the seal of Cao Yin and see what was recorded that year and why Cao Yin carved this chapter in JOE.

Xu Jianian, 1694, thirty-three years of Kangxi, Cao Yin was 37 years old, and returned to Jiangning to weave in the second year. At the end of 1692, Suzhou weaving was transferred to Jiangning weaving. That year, a poem said, "The past is unbearable, and I am young again."

Now, history and friends are chanting poems, and history 1693 has just arrived in Jiangning as a magistrate. Shi (1659- 1722), a native of Jinjiang (now Jinjiang City, Fujian Province), was born in Shilang. In the 24th year of Emperor Kangxi of Qing Dynasty (1685), Taizhou was known as the right assistant minister of the Ministry of War and the deputy capital of Duchayuan. When he was an official, his political achievements were remarkable and his reputation spread far and wide. It was once praised as "the first honest official in the world" by Kangxi.

Shi is a good friend. In a.d. 1694, Shi presented several poems, and Shi replied:

There are several secluded places in the famous garden, surrounded by green hills. Guests retreat to the Neem Pavilion to chat and try ink, and spend their spare time writing poems every day.

I don't need to be with my dark skin. Why should I report to you? Fortunately, the virtuous and noble people have been diligent and dusted for a long time.

This poem conveys two messages. 1. Cao Yin gave Shi a "sapphire", Shi gave a "number" and a "black skin", which is also a kind of topaz.

Of course, the "Cao Yin Seal" of Huangshi may not be sent by stone, but it is true that dignitaries give each other topaz.

He is the grandson of Shi, a famous poet in Qing Dynasty, and has a deep friendship with him. He once said: "Cao Dongting recited the Buddha's words in public and told the guests that the tree fell apart." "

In A Dream of Red Mansions, Qin Keqing once warned Wang Xifeng.

There are two paintings on both sides of the chapter "The Seal of Cao Yin". One is that the waves hit the mountain peaks, showing thrilling and helpless in the face of pressure. As Cao Yin said, "Being an official is a daunting thing at all times and in all countries. He who walks Wan Li Road without jumping will die. If you are afraid of falling or falling, you can't go forward or backward. Lying on your back is safe. " How can you have such a profound experience without being in danger? In the second episode of A Dream of Red Mansions, Jia Yucun looked at the couplets of Zhitong Temple: I forgot to put my hand behind me, but there was no turning back. That's what I thought. Do you think so?

On the other side of the seal, there is a picture of a mountain hut. Cao Yin said in Sleeping Sleep, the seventh volume of Dongting Poems: "Whenever you lie on the pillow, you begin to enter the center of the mountain."

There is also a game of "honor and death", with a difficult ending. I advise you to have a drink and be broad-minded. "

On the one hand, the seal was left blank, but it should be answered in the 120th time of A Dream of Red Mansions: "Jia Zheng still wants to move on, only to see a vast wilderness and no one." This corresponds to the situation of "seeing colors from the air, feeling from colors, expressing feelings into colors, and being empty from colors" in the first time.

While sealing a dream of red mansions from beginning to end.

The Seal of Cao Yin interprets a red chamber, which makes us understand the reason of our robbery from the Goddess of Mending Heaven and Making Stones, that is, "Yu Ling descended to the earth" and then returned to the "big barren mountain". Cao Yin writes from "heaven" to "earth" with his wonderful pen. Through A Dream of Red Mansions in chapter 120, he shows the impermanence of the world, the mutual change of Yin and Yang, and the truth of "seeing color from space, feeling color from color, entering color with emotion and being self-colored".

Jade should be pondered, and people should practice. The book A Dream of Red Mansions shows a lot of jade, such as Jia Baoyu, Lin Daiyu, Miao Yu and Jiang Yuhan ... Gathering jade is also Cao Jiayin's secret book in the Red Chamber.

That "one monk together" descended from the "dreamland" in the sky and took off Jia Baoyu. This fan-shaped jade has been branded as "a monk in common", not to mention the Shamanism religious culture that Manchu people believe in, and that "big barren mountain" is actually another name for Changbai Mountain, the holy mountain of Shamanism. "One Monk Together" is only the transformation and presentation of "Great Shaman" and "Two Shamans" in shaman's practice.

In the 18th episode of A Dream of Red Mansions, when Yuan Fei visited the motherland, there was a story about an antique dealer, Mo Huaigu Jade Cup, named Yan Hao in a pinch of snow in the Ming Dynasty. Don't ruin your family for a jade cup. A lot of jade is written in a dream of red mansions, isn't it because of "jade"? The Cao family also has a jade cup similar to a pinch of snow.

In fact, when Cao Yijia went to Tsao Fu, their property was robbed. In addition to participating in the seizure of property between governors, "transferring property" is also a very important link. The "lion" mentioned many times in the book actually originated from the transfer of "Jade Lion" by Cao Jia. Sixty-sixth time: "Your East House is clean except those two stone lions!" "

In the sixth year of Yongzheng, after the Cao family's property was robbed, it was found that the nine emperors Yunchen had been hidden in the golden lion of Cao family, and the prototype of the lion was the jade beast hidden by Cao family.

There are also cases where the Cao family did not burn porcelain according to the regulations and stole porcelain. Kangxi has a decree to scold Cao Fu. The Cao family has dealt with three generations of emperors, and Yongzheng praised them as "literators". His younger brother Cao Yong (Cao Yin's parent-child) was also praised by Kangxi as an all-rounder in civil and military affairs. Cao Cao's painful experience of being ousted by property during Yongzheng period was written by Cao Fu in the last forty chapters of A Dream of Red Mansions.

The book "The Red Chamber" was written by Cao Yin, and the big edition of 120 Yuan was written by Cao Fu. These two people not only have life experience and experience, but also have the strength and ability to complete the big manuscript of this book.

Those so-called fat versions are actually based on the far-fetched assumption that the author is Cao Xueqin, and the so-called "one Qin and one fat" is fabricated to approach Cao Xueqin, just to expose that these versions have nothing to do with A Dream of Red Mansions. Yu Pingbo and others certainly knew in their later years that this "lie" could not be made up.

Cheng Weiyuan once revealed in the preface of "Cheng Jia Shu Hui 120": "Don't think that there is no complete treasure because there is 120 in the book?" In order to search hard, all collectors and even old paper piles are concerned. Only more than 20 volumes have been accumulated in recent years. One day I made more than ten rolls on the drum shoulder, bought them at a high price and read them happily. When I saw the ups and downs, it was still a tenon, but it was out of control "

"I took more than ten rolls of drum bears and bought them at a big price."

Really is the key. Cheng Weiyuan spent a lot of money to buy the last forty times, but the "source" was kept secret and belonged to "Drum Bear".

After the release of 179 1, Cheng Jia Edition was "reassembled and examined in detail" in 1792. In fact, it has almost increased by more than 20 thousand words. Just like the first 105 episode of "Jin Yi Army raided Ningguo Mansion", we can see the clue from that "purchase order".

120 version of a dream of red mansions appeared in 1756. Emperor Qianlong saw the manuscript of A Dream of Red Mansions presented by Xiao Shenyang and said with emotion, "This is a family matter of writing pearls." This sentence is certainly not nonsense. Ganlong is familiar with this history and understands all aspects of Pearl family affairs. The Tang Yuan Museum's collection of "Twelve Golden Hairpins of Qingganlong Enamel Porcelain Plate" was the imperial palace of that year. This exquisite 12 gold hairpin should have been completed before 1756, that is, during the writing of A Dream of Red Mansions. When Qianlong played with the twelve gold hairpin of this enamel porcelain plate, he was naturally filled with emotion. Tang Ying died on 1756, and the enamel in the last years of Qianlong in Tang Ying was not as exquisite as before. Even the ceramics fired in Tang Ying were scolded by Qianlong for many times. This is also the reason why we set up this set of twelve golden hairpin before 1756.

The other twelve golden hairpin porcelain plates will be launched one after another with the article.

Of course, A Dream of Red Mansions gradually presents the impermanent medicine sold in the gourd to readers through Stone Story, Love Monk Record, Yue Feng Treasures, Twelve Women in Jinling to A Dream of Red Mansions, and even hides the historical truth in the novel with the meaning of "false stupidity" and "true cleverness" of "false village dialect".

By the way, the seniors hope to see my book A Dream of Red Mansions as soon as possible. To tell the truth, the big draft of the book has been written, but it may not be published, and there is no intention to squeeze into the study of A Dream of Red Mansions. The most expensive consumption in a person's life has nothing to do with his "life". Only once. A Dream of Red Mansions can be played leisurely and read happily. Never put your limited life into guessing "Cao Xueqin"

Thank you, senior!

Zhou Detian wrote in Hong Kong

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