While waiting for the punishment, he is said to have written a poem: "Look at the door and stop thinking about James Zhang, and wait for Dugan for a while." I smile at the sky, and I'll save my courage. Some people also said that this poem was "tampered with" by Tan Sitong. The original poem wrote: "Looking forward to James Zhang, telling Chen Shu to treat Dugan ... throwing a knife at Europe and laughing, leaving it to the public to judge." Brave and fearless Tan Sitong.
In the history of Liuyang and even China, reformer Tan Sitong was a man of indomitable spirit. His feat of going to righteousness generously in the Reform Movement of 1898 inspired the sun and the moon. But many people don't know that Tan Sitong has been nicknamed "courage and heart" since he was a teenager. In the "Tan Martyrs Temple" on the road, there is a photo of Tan Sitong in Nanjing. That year, he was 32 years old, wearing a white gown and a dark black warrior suit. His left hand rested on her hips and his right hand held a sword, with heavy eyebrows and eyes like electricity. He stood like a mountain, looking down at death in awe. In Tan Sitong's short life, two swords and three pianos accompanied him through many long years.
Sword is heroic courage 1865. Tan Sitong was born in Beijing when his father Tan Jizhun was an official in Beijing. Tan Sitong grew up with an open mind, was brave and admired ancient chivalrous men, so at the age of 12, he began to learn fencing from "one-armed ape" Hu Qi and "Yi Xia" broadsword Wang Wu. At that time, he could not do without a "seven-star sword". 13 years old, Tan Sitong returned to his hometown of Liuyang for the first time. In the deep courtyard of "Dafu Land", he reads by the light at night and smells chickens dancing and fencing. Teacher Pan Xinzhi of the Municipal Cultural Center once saw the Seven Star Sword with his own eyes about a hundred years later. It has a long body with seven bronze stars embedded in it, arranged in the shape of the Big Dipper. During the 10 years when he was about 20 years old, Tan Sitong traveled all over the Yellow River, north and south. "Seven Stars Sword" is his faithful companion in the journey. Accompany him to travel around the mountains and rivers of the motherland, with a journey of more than 80,000 miles, covering 13 provinces, making friends with righteous people and visiting celebrities, which is an eye-opener. In particular, Tan Sitong used to ride a horse and hunt with a sword, traveling for seven days and seven nights 1700 miles. Although he met a "messy moustache", he still enjoyed it. During his strong tour, Tan Sitong accidentally got two old objects of Wen Tianxiang, the most revered figure in his life, from two extremely remote places: "Banana Qin Yu" and "Phoenix Sword", which he regarded as his life. From then on, he left the "Seven-Star Sword" in the "Blessed Land" and carried the "Phoenix Moment Sword" with him, never leaving.
Qin is even more heroic. Ancient China literati paid attention to the four arts of "Qin, Qi, Calligraphy and Painting", especially the Qin array. Many famous thinkers and artists in history, such as Confucius, Cai Yong and Ji Kang, are famous for playing the piano. Tan sitong is no exception. In the lonely world, he danced the sword and played the piano all his life. In the exhibition hall of "Tan Martyrs' Special Temple", there is also a photo of Tan Sitong's "Broken Tingqin", the body of which is black and shiny, and the "Broken Tingqin" in regular script is clearly visible. According to historical records, in the midsummer of one year, one of the two buttonwood trees about 60 feet high in Tan's home was cut down by thunder. Tan Sitong made two lyres from the branches of buttonwood, which were named "Remnant Thunder" and "Collapse Pavilion". The inscription of the lyre was "The axe broke the sky, and the branches were broken and the skin was broken. If you are a good material, you have suffered, you have suffered, sobbing and wailing! " "Ray by its beginning, I have its work. Good for Qin, bad for children. "The inscription of Wen Tianxiang's Banana Qin Yu is" The sea sinks, the sky is silent, and the banana rains. Why bother? ".Solitary minister tears, dare not cry! 1898, 34-year-old Tan Sitong was called to Beijing for political reform. When he broke up with his wife Li Run, he received a poem "Leaving his wife in the North after the Reform Movement of 1898". It is said that on the eve of their separation, the couple also said goodbye to playing Broken Violin and Broken Qin Lei. When he went to the north, Tan Sitong brought "Breaking the Tingqin", "Remnant Leiqin" and "Phoenix Moment Sword". How many years later, whether it is the autumn wind rustling or the spring rain drizzling, wandering in the room of "Dafu Land", listening to the ear, it seems that the beams of the house are still filled with their endless piano music!
Seeing the heroic color in Hot Blood, Tan Sitong carried a sword and two pianos. In order to save the Chinese nation from subjugation and extinction, he went north to Beijing to show his ambition to reform and strengthen the country. Unfortunately, the old forces were overcast, and the "Reform Movement of 1898" ended in a hundred days. In order to arouse people's awakening, Tan Sitong dedicated his life to disaster and died generously. Originally, Tan Sitong had a chance to escape, but when the broadsword Wang Wu and others advised him to escape, he chose to bleed and gave the "Phoenix Moment Sword" to the broadsword Wang Wu, and a generation of famous instruments would not humiliate him. The "Remnant Leiqin" is now hidden in the Palace Museum, and the "Broken Qin" has never been found. The length 1 19.8cm, shoulder width 19.3cm and tail width 13cm. It is sunset-style, painted with black varnish, and the back of the pool is engraved with the Wei style book "Remnant Leiqin", with the inscription "Tan" in the 16th year of Guangxu 1890, and Tan Sitong was 25 years old (it is said that this piano was made by Tan Sitong 16 years old). Somehow, this piano finally got into the hands of a man named Qian Junyi, who donated it to the Palace Museum at 1952. In Tan Sitong's hands, the lyre is no longer a plaything for ordinary literati, but a song of life sung by patriots with swords and halberds. On the piano "Collapse of the Court", there is an elegy of his close friend Tang: "I can't bear to go to Taiwan with my neck closed for 20 years. If I win, I will go to the lonely minister Chu to sob; Gan Yong threw 400 trillion for the slave race and went to hell, leaving only the three masters of Fusang. " After Tan Sitong's death in Beijing, his former residence "Dafudi" still left relics such as "Seven Stars Sword" and "Jiao Yuqin", which were carefully sealed and kept in the attic by Li Run. In the 1960s, the county cultural center provided rescue protection for Liuyang ancient music. When I learned about the "land reform" when I collected ancient musical instruments, I left some of Tan Sitong's relics to the tenant Tan. Teacher Pan Xinzhi, who worked in the cultural center at that time, said that the staff finally found Tan, where they not only found 24 bronze phoenix flutes, but also found the "Seven Stars Sword". Unfortunately, because of fear, Tan buried Tan Sitong's relics in the ground, and Jiao Yuqin had rotted into a pile of sawdust. The "Seven-Star Sword" was thus collected by the cultural center. Teacher Pan Xinzhi was transferred to work in other places on 1965. When he returned to work in the cultural center on 198 1, he never saw the "Seven Stars Sword" again. Through many inquiries, Mr. Pan learned about the process of the loss of the Seven-Star Sword: during the turmoil of the Cultural Revolution, a rebel leader of the County Huagu Opera Troupe broke into the cultural center and took the Seven-Star Sword, which was often worn around the city and was used by many people to "combat the warfare". However, Teacher Pan asked this person several times, but this person refused to admit that he had taken the "Seven-Star Sword", and Tan Sitong's all-powerful "Seven-Star Sword" was gone.
From: /view/ 1655.htm