The youngest son inherits family studies, loves literature and history, and is literary and enjoyable, not saying much; Nongye calligraphy began with painting red; Middle-aged to the right, "check" constantly; In his later years, he took a window class, specializing in running script. He has been studying under Liu Gongquan, He, He, Huang Gu and so on for more than 70 years.
Painting bamboo in the middle of the year, learning from Mr. Wang Senran's rough bamboo skills, out of Zhu Chan; In his later years, he painted more innocent families.
1999 1 month, China Archives Publishing House published the Collection of Fu Gengye's Paintings and Calligraphy. In 2000 1 1 month, Sui Xin Ji was published by China Literature and History Publishing House. 1in the autumn of 998, the "Juyong Diecui" stone tablet inscribed by Fu Gengye, one of the eight scenic spots in Yanjing, stood on the side of Juyongguan Road. In May, 2000, at the invitation of Zhejiang Provincial People's Government, Fu Gengye wrote inscriptions for Lingyin Temple and Longjing Imperial Tea Garden in West Lake, Hangzhou, and bamboo stones for Ziyunxuan Tibetan Painting Museum in Zhejiang. In the autumn of the same year, the "Five Hundred Arhats Hall" of Lingyin Temple in West Lake was completed, and the horizontal plaque inscribed by Fu Gengye was hung.
Fu Gengyun's Artistic World
In Beijing's calligraphy and painting circles, there is a man with a good spirit and a good face. He is the famous painter Mr. Fu Gengye, who is called "Beard" because of his silver beard.
Mr. Fu, whose real name is more wild, is called "Jinghua Beard Weng" and posthumous title "Changbai Cloth". His ancestral home was Zhengbaiqi, Manchu, and his father Fu was a doctor in the Qing Dynasty. Later, he served as a counselor in France and an minister in Spain. It is worth mentioning that Mr. Fu's excellent writing style and cultural and historical accomplishment have deeply influenced his descendants.
Mr. Gengye was born in Beijing, 1923. Influenced by his family, he likes literature and history since childhood and has a strong interest in painting and calligraphy. Although his paintings and calligraphy are based on Banqiao, they are not limited to this, but widely read and learn from others-Han Li, Huanggu, Liu Gongquan, Shi Tao and Badashanren are all the objects he pursues, and they can integrate ancient innovations to form their own unique style of rigorous composition, artistic conception and pursuit of pen and ink interest.
Mr. Wang is now 80 years old, but he still serves as honorary president of Oriental Painting and Calligraphy Research Association, vice president of Changbai Painting and Calligraphy Research Association, and also serves as a consultant for many painting and calligraphy institutions. Frequent pen meetings and various donation activities are indispensable for the elderly. Not long ago, Mr. Gengye was invited to write 1 1 plaque for the Tongyuan Hall, Daxiong Hall and Five Hundred Arhats Hall of Lingyin Temple in the West Lake, and at the same time, he wrote six plaques for Longjing Tea, one of the ten new scenic spots in the West Lake, such as Longjing Imperial Tea Garden and Gong Hu Tomb in the Northern Song Dynasty.