When I saw this movie in the cinema, I was actually a little sorry. If I put this movie on the cg animation of 10 or 20 years ago, I will think this movie is a perfect score.
But sorry, it's been 20 years. What kind of CG animation have we not seen? What exquisite special effects have we not seen? The hero and heroine, the villain and the heroine, used a face in this movie, and then changed several different heads. Come on, are you really so careless in painting? I admit that the plush on the windbreaker attached to the villain is so real, and I specially looked at the plush on the coat, but what we are going to see is a movie, a story, and an animated character's face. We won't be tailors to observe the plush on coats. Isn't that clear?
And each character has its own soul, the so-called patron saint. Please, can you copy it carefully again? Isn't this the soul in Zhensou Street? Isn't this the ability to be introduced in Huo Ying's cartoons? Of course, I don't know whether the author wants to call this plagiarism or tribute. Anyway, when I saw these bridges, I sighed again. It turns out that we can't be ourselves, even if you change a little.
Finally, let's talk about stories. Single-line narration is indeed a safe and secure expression, and it is also understandable by the audience. That's no problem, but what's wrong with interpreting a China film with the cultural relics of oriental mythology on the western wasteland culture? But this cartoon really has a box office of 300 million, which is the real hard truth, so it is said that this cartoon is successful to a certain extent because people make money.