Therefore, since the country wants to inherit and carry forward the art of Peking Opera, it has been doing it all the time, and no one likes to watch it unless it is popularized. I don't understand! It's not that the older Beijing opera actors get, the more fragrant they stay in Mika, but why are there fewer and fewer audiences? Especially this kind of stage play, can there be vitality without an audience? Is "elegance" divorced from the public, or what? But before liberation, when it was prosperous, I was mixed with the masses and had a low social status. In feudal society, it was also discriminated as a "player". After liberation, the new society was protected by the state and labeled as "the quintessence of the country". But there are not too many teenagers, but it has declined into such a situation, because people's needs are there, people like to watch TV dramas and movies, and there are also several gossip movies when they are free. Because the audience is less, there are fewer famous Peking Opera artists and movie stars emerge one after another.
Contemporary artists include: Mei Baojiu, son of Mei Lanfang, Liu Changyu, a successor of Mei School, Gong Qinggai, Hua Dan Li Weikang, Gao Shenglin, an actress of China Peking Opera Theatre, and a Beijing opera martial artist. My favorite is Li Yugang.