Basic materials: clay, bovine bone glue and tung oil;
Preparation tools: stove, iron pot;
Anjin coloring tools and raw materials: brushes, gold foils, pigments, pigments, cooked tung oil, etc. Inheritance pedigree of Buddha sculpture behind Penghu in Yongchun.
The first generation: Lu Tianfu Ming Zhengde 14th year (15 19)- Ming Wanli 3rd year (1575).
The second generation: twenty-five years of Lu Jiajing (1546)-four years from tomorrow (1624).
The three generations of Monroe were approved in the first year of Qin Long, Fan Ming (1567)-five years of Qing Chongde (1640).
The fourth generation of Lu Ji was in the 12th year of Ming Wan Wanli (1585)-14th year of Qing Shunzhi (1657).
The fifth generation: Lv Ya played the thirty-three years of Wanli in Ming Dynasty (1605)-the eighteenth year of Kangxi in Qing Dynasty (1679).
The sixth generation of land, the ninth year of Qing Dynasty (1635)- the fifteenth year of Qing Emperor Kangxi (1677).
The seventh generation of Lv Maodong was the seventeenth year of Shunzhi in Qing Dynasty (1660)-the fifty years of Kangxi in Qing Dynasty (17 1 1).
The Eighth Generation of Lv Zutao in the 12th Five-Year Plan of Qing Emperor Kangxi (1686)-Fourteen years of Qing Qianlong (1750)
The Ninth Generation Lv Weichun Twenty-eight Years of Qing Emperor Kangxi (1690)-Ten Years of Qing Jiaqing (1806)
The tenth generation of Lu Shushi was from the 14th year of Qing Dynasty (1750) to the 29th year of Qing Dynasty (1825).
The first 1 1 Dai Lu was in Qingganlong for fifty-one years (1787)-Qing Xianfeng for six years (1857).
Lv Yongfu's 12th generation, the first year of Qing Daoguang (1821)-the seventh year of Qing Guangxu (1882).
The 13th generation of Lu was the 14th year of Xianfeng in Qing Dynasty (1865)-25th year of Guangxu in Qing Dynasty (1900).
The 14th generation of Lv Mianxing in Guangxu Five Years (1880)-People's Republic of China (PRC) (PRC) 196 1.
The 15th generation of Lv Peifang 1923- 1999
16th generation Lv Junjie 1959—
The Inheritance Pedigree of Lushan State in Anhai
Qiu jiatian's family background
The first generation of Qiu Jiaoxian male 170 1 studied in Anhai Town, Jinjiang City.
The second generation Qiu Zhichang male 1728 family inherited Anhai Town, Jinjiang City.
The Third Generation Qiu Chaofeng Qiu Nan 1756
1758 Family Inheritance 1796 At the invitation of Longshan Temple in Lugang, Taiwan, he entered Taiwan to decorate and carve the icon of Bodhisattva and took root in Taiwan Province Province.
The fourth generation Qiu Jiahe male 1793 family inherited Anhai Town, Jinjiang City.
The fifth generation Qiu Zhenting male 183 1 family inherited Anhai Town, Jinjiang City.
The sixth generation Qiu Yiwan male 1872 family inherited Anhai Town, Jinjiang City.
The seventh generation Qiu Qingchi male 1909 family inherited Anhai Town, Jinjiang City.
The eighth generation Qiu Nan 1930 family inherited Anhai Town, Jinjiang City.
The ninth generation Qiu Jiatian male 1962 family inherited Anhai Town, Jinjiang City.
Quanzhou: Huinan Inheritance Pedigree
The genealogy of the first generation Huang Zhiliang of Zhangban Town Foyi Woodcarving Factory: Huang Pinzi 1880—1943, presided over the antique building construction of Guandi Palace in Tainan City. Second generation: Huang Focheng1909 ——1990, 1945 presided over the construction of guanyin temple in Kuala Lumpur. Third generation: Huang Jialai was born in 1937. 1960 to 1962 participated in the construction of Xiongbaotang in Foding Mountain, Putuo Mountain, Zhejiang Province. The fourth generation: Huang Zhiliang, born in 1972, is now the general manager of Foyi Woodcarving Factory in Zhangban Town, Hui 'an County. The fifth generation: Luo was born in 1975 and Liao Jinfang was born in 1978. Buddhist woodcarvers inherited the lineage of the first generation Chen Yi 1898- 1945, and presided over the construction of Mazu Palace in Taipei in 1932. The second generation of Chen Shenci (192 1 year-1958) presided over the construction of the Guanyin Hall of Cixi Palace in Hengcheng, Malaysia in 1942. Huang Zhihui, the third generation, was born in 195 1 year. He presided over the construction of 32 pieces, including the 4m×2m Nine-Day Patriarch of Tian Tao Palace in Taitung, and built the main hall (99 dragons). The fourth generation Huang Quanfu was born in 1964 and Ni Shijie was born in 1967.
Huang, a descendant of Hongsheng Lacquer Line Carving Craft Factory, was born in 1904 and fled to Nanyang near liberation. His whereabouts are unknown. Second generation: Chen Shenci 1932- Third generation: 1950- Fourth generation: Huang 1969- Fifth generation: Huang Jinxia 1974- Huang 1990- Sun/KLOC. 438+088 1 Date of birth and death unknown Second generation Huang Zucheng 19 16—2005 Third generation Huang Shuiliang 1949— Fourth generation Huang Shengyang 1972—"Boxian Lacquer Line Carving Craft Factory" Huang Peicong. 1-the third generation Huang Baoying1973-the fourth generation Huang1976-Su Huiqiong1975-Luo Minge1978-"Boxian Lacquer Line Carving Craft Factory" Huang Baoying inherits the first generation Huang Quanfu/kl. Huang Baoying 1973— the fourth generation Huang 1976— Su Huiqiong 1975— Luo Minge 1978—the first generation pedigree: Huang Xijiao 1904 was born and fled to Nanyang near liberation. Second generation: Chen Shenci 1932- third generation: 1950- fourth generation: Huang 1969- fifth generation: Huang Jinxia 1974- sixth generation:198/kloc. When I was 2 1 year-old, I studied Buddha carving and lacquer line carving, and I was skilled. The Buddha statues are lifelike, and Qi Diao is exquisite. Line carving and relief are used freely, and their works are exported to Southeast Asia and all parts of the province.
Qiu Jiatian, the ninth descendant of Lushan National Buddha Carving Zu Store in Anhai Town, Jinjiang, Quanzhou, was born in 1962. He studied the techniques of Buddha carving and lacquered line carving with his ancestors since childhood, and has been engaged in the innovation and research of Buddha carving and lacquered line carving techniques for a long time, and comprehensively used traditional and modern elements to make his works keep pace with the times and develop continuously.
Huang from Zhangban Town, quanzhou taiwanese investment zone was born at the age of 1969 and 15. He studied fine arts and has been engaged in the production of lacquered line carving crafts for 27 years. Her lacquered line carvings, such as Hundred Years of Harmony, Five Dragons Becoming Wounded, Red Dress in Tang Dynasty and Longteng in China, are ingeniously conceived and exquisitely made, and have successfully integrated the aesthetic taste of modern people in traditional themes, which are widely welcomed by the market and are the inheritors of Quanzhou city.
Huang Shengyang, born in Zhangban Town, quanzhou taiwanese investment zone, 1972,1911993 studied Buddha sculpture and lacquer line sculpture with his father, and served in the army. 1994, engaged in lacquer line carving and Buddha carving at home; Ziyunxuan Craft Co., Ltd. was established in 2000, specializing in the production of lacquer line carving crafts, and is the municipal inheritor of Quanzhou.
Huang Peicong of Zhangban Town, quanzhou taiwanese investment zone was born in 197 1 984. He studied Buddha sculpture and lacquerware under the skillful craftsman Huang Quanfu.
Line carving creation. 1990 was hired as the supervisor of the craft factory founded by Taiwanese businessman Huang in Quanzhou, teaching lacquer line carving technology. 1996, he opened Boxian Craft Factory at home, engaged in the production of Buddha statues and lacquer line carvings. His works "Prosperous Dragon", "Prosperous Tang Dynasty" and "Kowloon Plate" have won many awards.
Tongan Cai lacquer line carving inheritor: Cai Shuikuang.