When preparing for the 20 15 CCTV Spring Festival Gala, CCTV once expressed its "three noes" commitment to the media, namely, vulgar and kitsch programs, low-style programs and actors with stains and moral defects. Now, the 20 15 Spring Festival Gala has come to an end. Let's review, has the promise of "three noes" been fulfilled? Perhaps the best way to test this commitment is the language project. Although the overall quality of language programs in this year's Spring Festival Gala has improved, especially the anti-corruption theme, it still exposes many problems, which are far from ideal. 1. Excessive consumption of "People with Physical Defects" and superficial sketch "The Great Adventure in the Station" have been teasing short people from beginning to end, hurting many short people's hearts. Pan Changjiang claimed that he could only step on the accelerator while driving. Cai Ming called Pan Changjiang a left-behind child and a chihuahua dog, saying that he was wearing children's clothes. The classic lines are as follows: (Opposite plate) There is another one crouching here! ? Don't make faces. You look scary. ? You don't wear a seat belt because you are afraid of hurting your face. I'm pinching my chest! You're hitting me in the face! ? I married your uncle because of that indestructible and tireless sympathy! (Traffic police answer) You are doing charity. The burden of the dwarves in The Adventures of the Station is not closely related to the plot, and there is no implication. This arrangement is a failure of the sketch. In fact, Cai Ming and Pan Changjiang worked together in the 20 13 CCTV Spring Festival Gala, with Ha Wen as the general director. In the sketch "Jump If You Want", Cai Ming almost said "poison tongue", satirizing the face of the host Li Yong. In Happy Street, the actress was even called an "airbag" to make the audience laugh, because she was obese. It is not the first time that obese people have been treated as jokes in CCTV and local TV programs this year. Looking back at the variety shows such as the Spring Festival Evening on CCTV and local TV stations over the years, it is not difficult to find that there are countless cross talks and sketches with the theme of disabled people in addition to ridiculing the works of chubby people. Many creators express that the world is sometimes numb, but fools also have a positive side, which often constitutes a subtle irony to society. Other disabled people or people with physical defects, their behavior is different from that of ordinary people, and their perspective on the world is often unique, so misunderstandings often occur in life, which makes people laugh. Then, does the appearance of disabled people and people with physical defects in cross talk and sketches mean malicious ridicule? What is most needed to look at this problem is rationality and objectivity. The view that "as long as there are disabled people and people with physical defects, it is malicious ridicule" is undoubtedly a subjective mistake. For example, in the 2007 National Farmers' Spring Festival Gala, the essay "Send the Opera" tells the story of an actor who sent the opera to the countryside to go to the nursing home. Although there are disabled people in the play, the arrangement is true and natural, full of positive energy and without any ugliness. In 2009, Qu Yuan's miscellaneous altar special program "China Good Man-Changchun Chapter" told the story of Cao's adoption of hundreds of mental patients. The actor vividly imitated the mental patient in the play, which was full of comedy, but the keynote of the whole plot was to praise the moral model and touched countless audiences. It must be pointed out that although we should not always go online and deny all the crosstalk and sketches of people with physical defects, we should also pay special attention to the meaningless ridicule of people with physical defects and people with physical defects in the creation of crosstalk and sketches, and we should delete them if we can, and resolutely oppose ridicule for the sake of ridicule. Playwrights, directors and actors should take care of the emotions of the disabled and the physically disabled, put themselves in their shoes and try to avoid hurting their self-esteem. Even if they really need to be the main body, they should be treated cautiously and skillfully. The most important thing is to treat literary and artistic creation with the greatest sincerity and a high degree of seriousness and responsibility, and not to harm these vulnerable groups.
Second, there are too many "sexual hints", and some works are not of high style. In this year's Spring Festival Evening sketch "Joy Street", the actress said that "no one left a message in the circle of friends, no one comforted and no one sympathized with a group of praises", and then mysteriously pointed to the audience and said "I will marry whoever I like!" It is very inappropriate for this line to appear on the stage of the Spring Festival Evening. "I will marry whoever likes me", such exaggerated words give people a feeling that "everyone can do whatever he wants", which is not a serious attitude towards marriage and love. It is natural to make jokes in life. Speaking this sentence on the stage of the Spring Festival Gala, which attracts much attention, is likely to have a bad influence on the children in front of the TV. Screenwriters, directors and actors should bear certain responsibilities. There are a few lines in the essay "Adventure at the Station" that are not high in style.
There is such a misunderstanding in the comic drama "Little Cotton Jacket": You (daughter) are second-hand, used, and worth at most 30 yuan. Such lines are obviously disrespectful to women, which is very uncoordinated with the overall atmosphere of the Spring Festival Evening. The 20 15 Spring Festival Gala went through five rigorous examinations and checks at different levels. It was such a result that people could not help but be surprised and added a strong irony to the previous "three noes" commitment. In the Spring Festival Evening directed by Ha Wen, it is common to make ethical jokes. On the Spring Festival Evening of 20 13, when he was the general director, there were two burdens in the sketch "You have something to do": "Tourists bet on each other to call the security guard's father" and "the security guard bet on the boss's grandmother", and the audience shouted "Call quickly!" This way of looking for jokes from an ethical point of view (such as father/son, wife/son) is called "ethical punch", and the laughter obtained is cheap and can't stand scrutiny, which reflects the wretched mentality of some China people who love to take advantage of their seniority, with street culture color, and appears on the stage of national television. This is a big mistake of the director group. In fact, there are many programs with low style in CCTV Spring Festival Gala over the years, which is by no means an individual phenomenon. Looking around, it is simply "terrible." Take Guo's sketch as an example: In the "Honest Man" co-produced by Guo Hehe in 2006, Guo made a gesture of putting his leg on a man's waist and kissing his face, trying to take his friend's wife back to his home. Wei Jian's nickname is actually "pimp"! In 2007, Guo said in his essay "Going Home", "The biggest feature of my daughter-in-law is a hemorrhoid on her mouth. It was a beauty spot, but she didn't want it. It's broken and turned into a sore. It turned out to be a mole, and now it is a sore-hemorrhoids! " However, these vulgar jokes did not seem to affect him to continue on the stage of the Spring Festival Evening. Don't the directors think these are moral flaws and vulgar kitsch? Of course, some works are vulgar, and the responsibility is not entirely on the actors. On the one hand, these phenomena reflect the lax review, on the other hand, we can also see the lack of excellent scripts. There is no shortage of screenwriters, what is lacking is excellent screenwriters. There are many reasons. I hope the relevant departments can pay full attention to scriptwriting, improve the incentive mechanism and encourage talents to innovate. "I advise God to restore his strength and drop talents in an eclectic way." After the symposium on literary and art work, the national literary and art circles are advocating positive energy. Since the director group of CCTV Spring Festival Evening has vowed to put forward the "three noes", it should keep its word, not "speak loudly, play small", and just stay at the stage of shouting slogans and expressing determination. Some people may think that these analyses are making a mountain out of a molehill, and even write articles to excuse vulgar programs. I just want to emphasize that CCTV is a national television station, and CCTV Spring Festival Evening, as the highest entertainment platform in China, has great influence. If the positive energy of literature and art can't be done here, do you expect the grassroots to be able to do it? If CCTV doesn't make a good start, can we still count on grassroots to take the lead? It can be seen that CCTV Spring Festival Evening still has a long way to go. Although a lot of efforts have been made, there is still a lot of room for improvement. The principle of "three noes" that has attracted national attention may need some real efforts to be truly implemented. Let good works stand out and keep bad works out. I hope CCTV will not disappoint the national audience, and don't let the "three noes" be just a legend on the rivers and lakes. Otherwise, there are too many empty promises, and the people will not buy it.