He studied under Hu Kaifu, Zhang Youcai, Li Weishi, Yu Wenjie, Lu Long, Feng Li, Li Jun and Qi Gong. I devoted myself to the tradition since Yuan, Ming and Qing Dynasties, and after deeply understanding China's traditional calligraphy (stele and paste) and painting, and savoring the beauty of nature, I devoted myself to pursuing the ethereal realm, taking "purifying people's hearts" as the creative purpose, pursuing the artistic conception of painting and calligraphy, and expressing profound and broad artistic conception with simple images. His calligraphy is rigorous, vigorous, steady and peaceful; The glyph is fair and symmetrical, slender and beautiful; The lines are as round as iron, and the more round they are; The structure is symmetrical left and right, horizontal and vertical, clumsy outside and clever inside, and suitable density, which can be described as melting inscriptions in one furnace and forming his unique book style. The pen in painting can convey emotions, and the change of priorities in lines can express a person's thoughts, emotions and even knowledge. The artistic conception in his paintings is extraordinary, mainly due to his inheritance of tradition and cultural accumulation. In my opinion, tradition itself is a vast world, enduring, and an eternal kingdom of freedom in the spiritual world. China's ideas of calligraphy and Chinese painting come from Confucius, Mencius and Zhuangzi ... China's calligraphy and China's painting are rooted in China's traditional national culture.