The story is as follows: In the Song Dynasty, the Kang family in Henan lost their husband in their early years and had two sons, the eldest son Natalie married Wang and the second son Zhang Yi. Zhang Xuan went to try, and the official sent a letter to Xiangfu County to pick up his family. I don't want to send the letter to his wife Wang's maiden by mistake. Wang Su was at odds with her mother-in-law, Kang and Zhang Yi, leaving her mother and brother and going to Xiangfu County for reunion alone.

Zhang Yi fishes in the Jin Meng River every day to support his mother. One day, when he caught a beetle, he was ecstatic. On his way home, he learned from his neighbors that his brother had made a county magistrate of Xiangfu and told his mother. Kang sent his son Zhang Yi to Xiangfu County to look for his younger brother. After he went, there was no news, but he went to Xiangfu himself.

On the way, I saw Zhang Yi's face covered with blood, which made me suspicious. When he arrived in Xiangfu County, Zhang Xuan, the eldest son, greeted him, and Kang inquired about Zhang Yi's whereabouts. Zhang Xuan told me that he was right, and then he told me that he was dead. Kang Quling wept and offered sacrifices, and Zhang Yi signed them. Sister-in-law Wang coveted the scarab and committed suicide by taking poison. Kang's complaint went to Bao Zheng, and Bao Zheng made it clear.

Extended data:

Fishing for scarabs is very artistic. Although the drama "Fishing for Scarabs" is small, it can be said to be a small play, but there are many aria in it, and each paragraph has the characteristics of easy-to-understand lyrics, beautiful melody and endless aftertaste.

For example, the adagio in the drama "God opens three eyes", "Tell Zhang Yi that my son listens to his mother's lesson", "How many virtuous and dutiful sons listen to his mother's theory", "These generations of virtuous and dutiful sons can get along well", "The unfilial son says to listen to his son's original board" and "Zhang Yi 'er cries out of the kiln door" are all very familiar to Beijing opera audiences and even ticket lovers.

These aria, which can be followed by "classic models", should not only be accurate in terms of "breathing" (breathing place when singing), "groove" (eye-catching) and "size" (rhythm), but also show the vicissitudes of life expressed by poor woman Kang in the melody of singing, thus integrating singing skills with emotional expression.

If a professional actor can't handle the relationship between skill and emotion, and only rely on high pitch and strength to promote his voice, it is bound to be unable to impress and infect the audience with his singing. In this way, it is reasonable that he will not be recognized by the audience.