19 14, 17-year-old Lin Shusen became a disciple of Wang Hongshou. Young workers in Lin Shusen are very magnetic, slender, tall and imposing, which is somewhat similar to Naishi. Wang Hongshou taught Lin Shusen all his Guan Gong operas and Hui operas, and Lin Shusen's performances were very charming, such as holding the blue pass in the snow, sweeping the book of Panasonic, Xu Ce running to the city, last stand, Sun Pang fighting wits, fighting Changsha, driving the Seventh Army and walking to Maicheng. He has performed on the same stage with Wang Hongshou, Mei Lanfang, Cheng, Shang Xiaoyun, Xun Huisheng, and other famous artists in the North and South, attracting much attention. In the mid-1930s, he and his uncle Wang took this class to perform in Qingdao, Tianjin and Northeast China. He returned to Shanghai in the early 1940s and performed in Shanghai for a long time. Lin Shusen is not only famous for Guan Gong's drama on the Peking Opera stage, but also for his versatility in the North and South drama circles. His voice is high, his singing is simple and vigorous, his performance is profound and generous, his works are dignified and steady, he is both civil and military, vigorous and vigorous, his performance skills are exquisite, and his performance is profound and profound. Especially good at performing Guan Yu opera. His "Guan Yu" not only fully inherited Wang Hongshou's performance expertise, but also had his own creative development. His masterpieces include Riding Alone for a Thousand Miles, Huarong Road, Changsha Battle, One Knife Meeting, Seven Armies Underwater, Walking in Maicheng, etc. The image of Guan, with extraordinary appearance, dignified and elegant figure, enjoys a high reputation and won the reputation of "the king of red life"