The army and local leaders jointly cut the ribbon for the opening of the exhibition.
Zhou Enlai actor Liu Jin is the opening guest of the exhibition.
The large-scale plum blossom art exhibition jointly organized by the military and local governments: "National Color, Military Soul-Zhang Jianxin Plum Blossom Art Exhibition" exhibits 20 pieces of Zhang Jianjin's 120 representative works in the past 20 years, which are divided into six series:
Ice plum blossom series: ice plum blossom is the main melody, praising the unique style and spiritual character of plum blossom.
Ancient plum blossom series: focus on learning and reference, "make the past serve the present." Dare to innovate and explore in pen and ink, form, material and context.
Purple Rhyme Plum Blossom Series: Plum Blossom is noble, elegant and fragrant, with unique aesthetic feeling, and purple gas comes from the east, which is pleasing to the eye.
Plum series: diverse, magnificent and fragrant. It is important to show its vitality, fragrance and agility, giving people a fresh, fragrant and leisure feeling.
Colored ink series: Inheriting and carrying forward traditional art, it carries the painter's thinking and exploration, and also contains the painter's emotional sustenance.
Ink series: the unique cultural connotation and spiritual realm of Chinese painting. The language and feelings expressed in the context of concrete, abstract or image are broad, pure and harmonious, and flourish with the rhythm.
The works on display not only show the elegant artistic style of Zhang Jianxin's works of art, but also show the visual feast of China's traditional art and culture. The successful holding of "National Color, Military Soul-Zhang Jianxin Plum Blossom Art Exhibition" has opened up new fields for the cultural exchange between the military and the land, and made active exploration and efforts for the prosperity and development of socialist culture. The exhibition will last from July 25th to August 15.
This exhibition is jointly sponsored by the Propaganda Department of Dalian Municipal Committee of the Communist Party of China, the Political Department of Dalian Military Division of China People's Liberation Army, Dalian Municipal Bureau of Culture, Radio, Film and Television, Dalian Federation of Culture and Arts, and Dalian Civil Affairs Bureau, with the assistance of Dalian Modern Museum, Dalian Changhe Real Estate Development Co., Ltd. and Dalian Yixin Special Culture Development Co., Ltd.
Zhang Jianxin is famous for painting plum blossoms, which is different from Wu Changshuo, Guan Shanyue and Wang Chengxi. His plum blossoms are bold and colorful. He combines the perspective and color of western painting with freehand brushwork, which is unique.
As a military painter, Zhang Jianxin's unique natural temperament always revolves around the noble theme of plum blossom. He poetized the theme of soul, and then formed a distinctive artistic feature-the work space co-cast by aesthetic grasp and life soul. Specifically, the plum blossoms painted by Zhang Jianxin are saturated with the aesthetic experience and humanistic care formed in his childhood. When he was a child, he lived in Tonglu, the hometown of the famous painter Ye, and witnessed an old man with white hair and beard burning incense to worship an old plum tree every morning. The old man said that plum blossom has special functions and knows the seasons. It is also called the flower of Five Blessingg and the flower of spring. People have endowed plum blossom with extremely rich spiritual symbols and cultural connotations, forming an anthropomorphic aesthetic tendency and an ideal sustenance of perfectionism. Such as indomitable spirit of cold resistance, iron skeleton clank; Proud and unyielding demeanor after vicissitudes of life; Qiao does not compete for spring, but is elegant and chic. This also makes plum blossom have a wide range of aesthetic groups. Since then, Zhang Jianxin has studied Mei, Xun Mei, Pinmei and Painted Mei for more than forty years. He regards learning plum painting as a lifelong pursuit. It can be described as a dream, a heart-to-heart commitment. The soul of Zhang Jianxin's plum blossom painting is a life ideal and feeling permeated with China's cultural spirit, which comes from the painter's spiritual pursuit. In other words, there is a free spiritual pursuit and profound aesthetic experience in Zhang Jianxin's freehand plum blossom time and space. For example, in the History of Painting in China, Wang Mian painted plum blossoms: "The trees in the West Wild Goose Lake near my home are covered with ink marks. Don't boast of lewdness, just leave a sigh of relief on earth. " It shows that people cherish noble souls.
The pursuit is the unity of character and art. The painter Chen said that "the spirit of freehand brushwork emphasizes the expression of the subject's spiritual world, and the individual's spiritual freedom is realized through' putting things in things and enjoying painting'", but freehand brushwork has something to do with carrying Tao, and the individual's "meaning" is directly related to spiritual character and moral ideal, so the ancients said that "the character is not high, and ink is not allowed". For example, China's aesthetics has the theory of "morality". Guan Zi Xiao Wen: "Things can be compared with the virtue of a gentleman." Confucius said, "The benevolent enjoys Leshan, while the wise enjoys water." Benevolent people are quiet, wise people move ""the virtue of a gentleman, the wind; The virtue of villains, grass; The wind on the grass must be suppressed, which is also "Bede". Laozi's "goodness as water" can also be regarded as "virtue". In China's ancient philosophy, water was often used to symbolize some kind of moral thought. The tradition of Bi Xing in China's poetry also contains a kind of thought of Bi De. China's emphasis on quality is a new development of the theory of "virtue". It is under the influence of this aesthetic thought that China's plum blossom art has a view of linking personality, and only noble plum blossoms can have first-class personality, which is almost the final conclusion of China's art and personality. "In my eyes, plum blossom is a spiritual life. I am familiar with her physical characteristics and smell, and I know her biological attributes and humanistic connections. I deeply share the feelings of the ancients that "three smells of plum blossoms are better than one cup" and "I miss plum blossoms and think of me". In my values, plum blossom is a symbol of elegance, exquisiteness, purity and selflessness. Plum blossom is also a totem of piety, kindness, beauty and good luck. Plum blossom is the first of the "Four Gentlemen". It is not a pleasure to get along with gentlemen day and night! " Here, Zhang Jianxin's interpretation of the spiritual character of plum blossom shows its spiritual pursuit. He always keeps pace with nature, understands Wan Li, and shows the spiritual realm of being alone with plum blossoms. Nature is profound, with no beginning and no end, but human life is only a short existence, and only this spiritual pursuit of harmony between man and nature is the ultimate. Zhang Jianxin's plum blossom is fascinating, exciting, heavy and harmonious; Painting plum blossoms is like a spiritual journey, which finally makes the spirit of pursuing freedom find a home, and at the same time liberates the spirit of freedom by returning to nature.
Zhang Jianxin painted plum blossoms with his heart, and his works were full and full of tension, as if trying to express the power of personality. Therefore, his plum blossom paintings have injected his personal temperament and feelings of the times, and have extraordinary artistic strength. The works such as Purple Sweet Soul, Proud Snow Map, and Inscribed Plum, with tall and straight branches, round and natural flowers, bold and simple brushwork, moved people's hearts, strengthened and purified the image of plum blossom freehand brushwork, pushed its aloofness to the extreme, and strived to be extremely simple, extremely thick, extremely strong and extremely dense. So it is refined and strengthened in simplifying the artistic language of plum blossom freehand brushwork. In his works such as Purple Fragrance, Mei Tu Chang Yue, Zi Xiang Tu, Green Calyx Welcoming Spring, Qin You, Song Mei, Gu Xiang Tu, Xue Rui Han Xiang, Ling Feng Chu Xiang, etc., he put red plum, yellow plum, green plum, Bai Mei and purple plum in different geographical environments. These works adopt fully open layout, extremely exaggerated plum blossom image, rich and clumsy colored ink, rough and simple touching brushwork, which will inevitably add a spiritual value that can be ratified. These works have aesthetic temperament, on the one hand, they benefit from Zhang Jianxin's understanding of traditional pen and ink; On the other hand, thanks to the color and composition of western painting art, Zhang Jianxin thinks that "the colorful world we live in is affecting people's aesthetic trend. Undoubtedly, painting will inevitably be deeply influenced by values and leave the brand of the times. An era of diversified color demand has arrived. " Jiang and Li Keran are both Chinese and Western, forming their own characteristics in sketch and light and shadow. Zhang Jianxin continued this idea, drawing lessons from western colors and perspectives, and created his own freehand plum blossom. On the subtle movements, Zhang Jianxin is just right. For example, Xi Chun and Xiangzi Tu draw two birds. It can be seen that Zhang Jianxin is an observant painter in daily life, from the expression of birds to the brilliant plum blossom, which is why Zhang Jianxin's plum blossom impressed us with freehand brushwork.
Zhang Jianxin's "Plum Blossom Freehand brushwork" is full of vitality and new ideas, which endows this long-standing art variety with a distinctive modern style and has blazed a path of Chinese painting, which is of great significance to China painting circle in the new century.
Zhang Jianxin Golden Rooster and Hundred Flowers Film Festival Memorial Porcelain Plate. (Photojournalist Park Feng)
At the just-concluded Golden Rooster and Hundred Flowers Film Festival, the commemorative porcelain plate "Spring Festival" fired by Jingdezhen was deeply loved by the participants. A rooster stands on a blooming plum blossom branch and crows with his head held high, which seems to bring endless good news to people, implying its happiness at the tip of the plum blossom. This painting was made by Zhang Jianxin, a famous China painter and military painter who lives in Dalian.
"Plum blossoms are the first of a hundred flowers, so with the plum garden in its heyday as the background, a rooster stands on the plum branch, and the rooster crows all over the world, with a deep black and white tone throughout, which is particularly eye-catching against the red comb and yellow feet of the rooster, which means that the rooster is delivering good news and its singing makes the world full of bright colors." Entrusted by the Golden Rooster and Hundred Flowers Film Festival Organizing Committee, Zhang Jianxin created the previous stage of "The Picture of Spring" and delivered it to Jingdezhen Porcelain Kiln for production, which endowed it with more profound China significance. The plum blossoms in the painting are closely related and correspond to the actual situation, leaving a deep impression on the participants.
The doctoral supervisor of China Academy of Fine Arts once commented on Mei: "The pen and ink are rich and smooth, combining rigidity with softness, full of charm, ethereal and meaningful, and full of new ideas." Zhang Jianxin said that his plum temperament may be related to his military status. In his eyes, Mei is vigorous and beautiful, unrestrained and uninhibited, without the affectation and flattery of vulgar flowers. The favorite thing that this Jiangnan child did when he was a child was to run to Meiyuan and listen to the story told by the old man Swimmer. "Plum blossoms are psychic and know the seasons. They are also called Five Blessingg flowers and auspicious flowers. How can a flower blossom herald a year? " That old voice seems to come from distant time and space, and it still echoes in Zhang Jianxin's heart.
Looking back on the future, I am obsessed with reading plum, tasting plum and painting plum. In the past 40 years, Zhang Jianxin has traveled all over China. The man of this iron warrior is sometimes very sentimental. Xiaoyan, a comrade-in-arms who accompanied him for several years, said that the general had moved many times along the way, but rarely left his name. Zhang Jianxin, who is walking on the road, is very happy. I still remember the expression on my old mother's face when she saw his paintings in the shabby earthen house. I still remember when he left, he left money silently. After being discovered, the old mother chased him out of the altar with vinegar to show her gratitude. ...
On the morning of June 27th, 20 12, relevant experts and famous artists from Liaoning Province held the "Academic Seminar on Plum Blossom Works in Zhang Jianxin" in Liaoning Academy of Social Sciences. The academic advisor is Mr. Wang Xiangfeng, doctoral supervisor and professor of Liaoning University and president of Liaoning Aesthetics Association. Present at the meeting were: cultural adviser of Liaoning Provincial Party Committee and provincial government, and Peng Dingan, honorary dean of the School of Law and Science of Northeastern University; Mou Xinhai, Chairman of Liaoning Original Literature Federation, a famous poet and painter; Geng Jun, Deputy Secretary General of Liaoning Provincial Party Committee, director of Liaoning Calligraphers Association and famous calligrapher; Cheng Yiwei, director of the Painting and Calligraphy Art Research Center of Liaoning Academy of Social Sciences; Bai Guowen, former vice chairman of Liaoning Artists Association; Bai Changqing, Vice Chairman of Liaoning Artists Association; Xu Guangrong, vice president and famous writer of Liaoning Academy of Literature. Yang Baofeng, a famous critic in Liaoning Province; Pan Debai, a famous seal engraver; Yang Guichen, a famous critic, calligrapher and researcher at the Research Center; Randy, chairman of Xinyou Culture and deputy director of the Research Center; Zhao Aiquan, a professor of Chinese Department of Liaoning University, a doctoral tutor, a young and middle-aged academic leader in Liaoning; Liu Yongxu, a famous female painter and professor of Shenyang Institute of Education; joy chen, a famous oil painter and president of Shenyang Painting and Calligraphy Institute.
He is a top cultural scholar, leader and painter who studies, discusses and summarizes the artistic phenomenon of plum blossom in Zhang Jianxin.
Cheng Yiwei: Mr. Zhang Jianxin is famous for painting plum blossoms. His plum blossoms combine western painting and color with Chinese painting. As a military painter, his unique temperament always revolves around the noble plum blossom. In the period of aesthetic perception and life and soul, I think Zhang Jianxin painted plum blossoms to grasp his spiritual feelings. He is no longer a subjective aesthetic, but more a spiritual edification. Through plum blossom, we can see the refinement of his pen and ink, and even see his thoughts. His pen and ink show his spiritual connotation, which also constitutes the overall style of Zhang Jianxin's freehand brushwork of plum blossom, which helps us to soothe the hearts of the public in the post-industrial society.
Wang Xiangfeng: Today, we focus on the paintings of Comrade Zhang Jianxin. His paintings are mainly plum blossoms. I have just browsed the photo album in our hand and the previously printed brochure. There are some of his masterpieces, especially the plum blossom painted in a snow in East Lake, Wuhan, which we are showing later. After reading these works, this one can best represent the charm and charm of Jian Xin Mei among all plum blossoms. Different painters have their own choices in painting objects. It should be said that in China's aesthetic concept, no flower can penetrate and endow him with spirit, whether it is himself or this object, so it is very meaningful to choose such an object to unfold their aesthetic world. ...
Liu Yongxu: It is quite difficult to hold a large-scale exhibition with the theme of painting plum. Because if this theme is to be exhibited, it is an in-depth understanding of plum blossoms. The natural attributes and humanistic feelings of plum blossoms are very demanding. I am a painter myself. What if I say I'm good at that subject and hold an exhibition? Very timid. However, building a new building can meet the difficulties and challenge the difficulty and height with a theme. Different styles and artistic conception, so it is worthy of our admiration to establish a new first step to do so. Judging from the whole exhibition, I feel that he has both tradition and innovation, and has the aesthetic trend of the times. He is not a cliche, nor is he eating other people's buns. He has his own unique things. This is a sign of building a new building. This is him. How do we do this? The result of my thinking is to go deep into life, to the front line of life, to observe and experience from life. As he wrote in his article, he and Meihua became one. ...
Bai Guowen: I saw the new exhibition, which was very touching. Two years ago, the exhibition had a good taste in color and pen and ink, but this time it really improved compared with many previous works. I learned a lot from it. The plum blossom he painted is different from others. The freshness of the new building rarely has a familiar taste. Because of his application of pen and ink and color, he has studied thoroughly and will soon become a botanist. There are not many people who specialize in painting plum blossoms in our country. A new plum blossom painting should be very successful. He learned from others, made the past serve the present, made foreign things serve China, and formed his own style. Jianxin really broke many restrictions, and used pen and ink to integrate many western paintings. ...
Yang Baofeng: I feel quite novel when I see the work. The theme of plum blossom is loved by painters of past dynasties in China. But before building a new painting, I can observe it before each work. Every work has a way of expression. Although plum blossom is popular, it is difficult to draw, and if it is not well drawn, it will have a vulgar feeling. But when building a new painting, I really feel that there are many things that are not monotonous and unconventional. ...
Jiao: I have a feeling after reading Teacher Jianxin's works. The pen and ink skills are in place, the composition is delicate, and there is a strong academic composition and texture. I work in the army like Jianxin, and Jianxin is our pride. Ask more about building new ones in the future. At the same time, I also wish Jianxin's plum blossom art exhibition a complete success ...
Joy chen: Through this album, I have a sense of freshness and intimacy about Jianxin. He is a student of Mr. Sun whom I am familiar with, which brings me closer. Teacher Jianxin's painting first focuses on composition, which is called business position from the perspective of Chinese painting. This composition is very novel, whether it is broken or not, the form inside is very unique. Some dots, lines and surfaces, and then black, white and gray, which is the color of ink. This black, white and gray has a strong sense of space, so his painting of plum blossoms is still breaking through the tradition. Then there is his artistic conception. I also look at his plums of various colors. This kind of ink is dry and wet, and it is very comfortable. There is also the picture skills. His pen and ink are very relaxed. This may come from his observation of plum blossoms, and this kind of experience and understanding is also a state in which he goes deep into life and forms himself. ...
Mou Xinhai: After seeing the new painting, I feel: firstly, he is a very diligent and talented China painter. He spent a lot of time studying it. I think his traditional Chinese paintings are not only plum blossoms, but also other landscape paintings. It takes a lot of time to study this painting and draw so many works. Without this diligence, we wouldn't have achieved such results. Secondly, according to our traditional painting method, his plum blossoms are not only painted in place, but also studied deeply. Observe this object carefully. It seems that it has reached the research of botanists, and the research on an object is still very profound. Thirdly, I think he explored some techniques of Chinese painting in painting plum blossoms, which shows that he has reached a high level of beauty in painting. Fourthly, from the plum blossom he painted, he painted this plum blossom spirit. Painting plum blossoms with plum blossoms is a carrier. To express people's mind, what is the object of praise, to achieve people's noble character, to have the courage to overcome difficulties, and to see the painter's deep excavation of the soul, I think this is very worthy of recognition.
In addition, he also took plum blossom as a symbol, absorbed some western things, and formed a sharp contrast in color, with the futuristic and fauvism styles in western oil paintings. For example, this painting is called Color Rhyme Map, which absorbs the characteristics of western oil painting a little. Not only in color, but also in composition, it has broken the limitations of Chinese painting and literati painting. ...
Xu Guangrong: Mei Lan, Zhu Ju and Zhu Ju are four gentlemen, while Plum Blossom and Pine Tree are three old and cold friends. In China's tradition, plum blossom is no longer a simple flower, but a noble personality and charming temperament, which is the difference between China and other countries in flower painting and a special cultural phenomenon in China's traditional problems. Therefore, in the literature and painting of past dynasties, plum blossom has always been regarded as a symbol of personality. Just like plum blossom fragrance comes from bitter cold, you can say it to yourself or to the younger generation. If you want to be a good painter and a good artistic genius, you must make constant efforts through yourself.
Today, I am particularly happy to finally see a painter who can integrate the plum blossom tradition of Chinese painting. But now most of the painters who paint plum blossoms in China are repetitive, and some have green plums. I saw the purple plum map you drew today, which really gave people a brand-new feeling. You still have colored ink. You graduated from 1983, and next year will be the 30th anniversary. Yes, plum blossom has figured it out. The ancients were able to use so many colors. In real life, these painters are afraid to go. Snow-white, sallow, especially purple plums are still rare. You can inherit the traditional plum blossom painting and give the traditional things new things with your own observation and experience. I paid attention to it and found that each painting was very distinctive. The green calyx is clear, and the red plum is really prosperous. I see that there is also a Long Mei in your album, which really gives people a traditional spring coming, a celebration of spring coming. Purple plum I think it is very common to draw purple plum and the moon in that color. You are very careful to create your new artistic conception. I think you still have your heart.
I think Shu Qingfeng of Tianjin Academy of Fine Arts is really a contemporary master of flowers and birds, and I think he speaks highly of you. You have really reached a certain level now. Fortunately, you have characteristics in color application, composition and innovation. I especially appreciate your calligraphy and painting here. Many painters are magpies, but you are different. Purple jade, purple plum and green calyx can point out the intention of this painting, which is also a major feature of you. I think you also wrote a poem. You are a painter, combining your usual literary accumulation with painting, especially your calligraphy here, which is not bad, and you have written some poems. Seeing you still feels like a brief encounter. ...
Geng Jun: I am very happy to attend the seminar of Jianxin Teacher today. Be the first to be happy for your exhibition; Second, the teachers' speeches are also very enlightening to you. I think your plum blossom embodies a spirit, a self-improvement, a beautiful life vision and a very strong style. Third, I also send you a blessing for your profound aesthetic foundation. I hope that you will further innovate and develop on the existing basis and produce more and better works. ...
Bai Changqing: I think plum appreciation is not only enjoyed by literati and upper-class people, but also by ordinary people. I think plum appreciation and painting are two different things. Why is it difficult to appreciate and draw plum blossoms? I think Mei is a traditional cultural slogan in China. This cultural slogan has a very unique position in the traditional culture of China. Specifically, he is symbolic, universal and national. Therefore, this puts high demands on painters. These three characteristics should be mastered. What is his symbolic core? What is the core of Mei's cultural symbol? One is noble, elegant and noble, and the other is nationality. He is a symbol of the Chinese nation, so I think it is a very arduous task to appreciate and draw plum as a carrier of China culture. Through Mei, I also feel that Mei in China culture is inseparable from a military post, and then it is deeply associated with a temperament, from which is associated a sense of responsibility, that is, a sense of responsibility. Therefore, I think it is a mission of China literati to write, praise and paint plums. We ordinary people can't do this, nor can western painters, but I think we should really use traditional cultural techniques to express freehand brushwork.
One more thing, Mei's calligraphy and painting are integrated, so I thought of it. Mei wrote about his personality, one is laughter, the other is beauty, and finally she laughed in the grass. Lu You's heart is fragrant, and Mei is also very fragrant. In addition, it is very quiet, so I write their Mei personality and their Mei Zan from different angles, so I think writing Mei must have personality. The third point is to establish the personality of new comrades. He thinks that his personality is to pursue an artistic conception, a noble thing. I especially like your purple plum. I think your purple plum and green plum are the most distinctive. The aesthetic combination of this purple thing and white snow, and the last black trunk create another aesthetic mood of personality. If there is moonlight here, under the hazy moonlight, it presents a hazy aesthetic collocation, purple and white hazy color structure and the impact of composition, showing a unique aesthetic feeling. But people generally like that kind of red plum, which shows a person's spiritual temperament. I hope you can discuss it again in Purple Plum under the Moon. This is what I appreciate. ...
Randy: First of all, Mr. Jianxin's works also have the characteristics of poetry criticism. We trace back the history of painting plum, which should be excavated in the prosperous Tang Dynasty. As a whole, it is carried by the traditional culture of China, which embodies a humanistic spirit of China. Teacher Jianxin's paintings are mostly glue ink and thick ink, and the distance is a kind of light ink, so he has a lasting appeal of ink marks. So I gave him a summary of Jianxin's freehand brushwork of plum blossom, "sparse and vigorous, light and attractive". Teacher Jianxin has a heavy theme, which we rarely see in traditional plum blossom works. Teacher Jianxin's life and experience in the military camp made his aesthetic tendency become an aboveboard masculinity and a broad and vigorous upward force. So his plum blossom freehand brushwork broke through this level and connotation. ...
Pan Debai: First of all, Mr. Jianxin's works give people the feeling that they are literary. Why is literature not poetry? Literariness may be broader and easier to understand. I feel that he feels itchy in front of this picture. The itch of poets lies in having poems, while that of ordinary people lies in having something to say but not being able to say it. That's what he is. This kind of thing is very touching. The second is style. I took a look and took many photos. I think the style is to use two words: Yayi. Because we also see a lot of plum blossoms in contemporary times, it is difficult to be elegant. Building a new teacher's painting, I think in the elegant process, it must have excavated traditional culture and integrated many things, ancient and modern, Chinese and foreign. I think this style has its own characteristics compared with contemporary painters. This style is hard to be elegant. Painting plum blossoms is easier than painting immortals, so I think it is not easy for contemporary painters to paint plum blossoms in terms of painting style. I think this is very worthy of my admiration. The third point is to draw plum blossom, which can basically form its own schema. This schema is different from that of Guan Shanyue and Wang Changxi. Basically, he has his own pattern. Jianxin has its own basic style in the whole schema. Although it is not very prominent, I think he will continue to go on. ...
Wu Yujie: I have three feelings. The first point is the relationship between his picture composition and blank. Because I used some terminology, which is the terminology of photography. I wonder what is the relationship between Mr. Zhang's painting and photography. But the composition I saw was a frame composition and a tunnel composition. Frame composition conforms to human visual experience and produces a strong sense of space and perspective effect. Tunnel composition is a very dim color, highlighting bright colors, giving people a sense of contrast and concentration, as well as a very calm feeling. The second point is the relationship between feathers and artistic fullness. This richness rhymes with his rhyme. His rhyme is full. I appreciate his purple color very much. I think it is well written. I saw the relationship between plum blossom and ice in several paintings, or the relationship between plum blossom and snow, which is different from that in traditional paintings. The third aspect, I thought of this kind of emotional and spiritual self-defense. What I see here is that Mr. Zhang may have a strong personality or great courage, but what I see is this kind of continuous affection. I just said that the composition of tunnel and frame shows the impression of the main body of plum blossom in the middle, which I think is a long and thick feeling. Behind it is spiritual self-defense. As teacher Zhang said, I draw plum blossoms, and plum blossoms are like me. Where is teacher Zhang? What point of all plum blossoms, or a specific object, or a bird, or one of the two small trees under a big tree ... Perhaps the painter will paint his own theme on the painting when painting different paintings, which is a kind of expression of his own personality, a kind of national pursuit and a kind of self-appreciation. Perhaps this kind of self-appreciation is different from others painting plum blossoms. This is not a morbid thing, not a thing that is very exclusive to the outside world, but a spiritual self-defense of self-improvement. ...
Patten: Culture is a very popular keyword now, but not many people really care about culture and really love it. Comrade Zhang Jianxin insisted on painting, and literature and art are still the product of the times. Zhang Jianxin's choice of painting plum is not accidental, but related to the times. I just read two short articles and saw that he especially likes plum blossoms and has a kind of sustenance for plum blossoms, so it is no accident, he is a kind of sustenance. At this time, painting plum blossoms is a dialogue with society. I like plum blossoms, and I show them. No matter you are money, you are power, you are debauchery, Zhang Jianxin painted plum blossoms. This is a kind of value. ...
V. Appreciation of 20 13 desk calendar fans
6. Auction records of some works