Co-starring: Liu Shu

"Friendship" starring: Liu Jiang, Ding Jiali and Jian Zheng.

Richie in Guo Da's time

, Guo, Zhang Dali

Yang Lei, Liu Hui, Zhang Xiaotong

The film You Can't Eat Hot Tofu Hastily tells the story of Liu Hao, an ordinary tricycle driver, and depicts Liu Hao's bittersweet life experience and optimistic and positive attitude towards life.

The film revolves around two clues, one is the emotional entanglement between Liu Hao and three women, and the other is the father-son affection between Liu Hao and his adopted son Liu Xiaohao. The two clues are independent and collide with each other. Throughout the film, the protagonist Liu Hao has been hanging around.

Between these two clues, back and forth, running around. On the one hand, it is an infinite desire for love, on the other hand, it is a deep affection for adopted children. The contradiction in reality made Liu fall into a daze and embarrassment several times.

This characteristic tricycle accompanied Liu Hao from his first appearance to the end of the film, and it was a symbolic prop. In his real life, it seems that there are three wheels turning, that is, three women who appear in his life-him and Chen Hong. His illusion, secular, Chen Hong's innocence, and the love symphony that collided.

The father-son complex between Liu Hao and Liu Xiaohao changes the rhythm of the whole music from time to time. This is a father and son who are not related by blood. Although Liu Xiaohao never called Liu Hao his father, Liu Hao has regarded Liu Xiaohao as a part of his life. He finally gave up Yang Qian for the sake of being a good boy. Until Chen Hong came into his life, affection and love finally merged in Liu Hao's cabin.

For Liu Xiaohao, a woman abandoned him, and a woman abandoned him until a woman accepted him. He is unfortunate, but he is lucky, because he got true love beyond blood, and let his young heart find the home of love. When the word "dad" was shouted from Xiao Hao's mouth, it not only ended the film, but also drew a powerful footnote for truth, goodness and beauty, which caused a strong shock in people's hearts.

The film uses simple techniques to create ordinary and distinctive little people. On them, they are engraved with a distinctive brand of life and full of humanized colors. People feel that they are so close to us, as if they are real people around us.

Liu Hao is just an ordinary nobody, but Liu Hao is a real big shot. Although all kinds of situations in Liu Hao inevitably make people feel sour, the film runs through a relaxed and humorous tone from beginning to end. This is also in line with Liu Hao's attitude towards life-being kind to life, optimistic and tolerant. Humor itself is a kind of tolerance, and Liu Hao embraces everything that life brings him with kindness and sincerity. He accepted He's children with others and adopted them with him when He left him. He not only sent Chen Hong to the hospital when she was ill, but also paid a deposit for Chen Hong at the critical moment of the operation ... This is Liu Hao, who treated life with tolerance and finally got the reward from life. It can be said that the process of Liu Hao's love harvest is also the process of his constant restoration of his spiritual home.

Sincere, warm and relaxed humor, the film brings deep aftertaste and thinking in the form of light comedy.