There is a grass, a tree, a flower, a bird, a fish and a worm here. Mental? Yes This belief has not weakened in his decades of creative career, even to the point of obsession. This sincere belief is the feeling of a real artist and the embodiment of aesthetic interest. It can be said that he is more developed. A branch and a leaf are always related to love? Inner feelings. So sincere and loving, flowing through the pen, naturally conjures up the beauty of art and is full of vitality.
Wang Xuetao is a master of modern flower-and-bird painting in China, and has made outstanding contributions to China's freehand flower-and-bird painting. He inherited the excellent tradition since the Song and Yuan Dynasties, learning from each other's strengths. A wide range of subjects, exquisite conception, beautiful shape, fresh and beautiful, full of pen and ink interest. Creativity? It is natural to learn from others to express one's feelings, to integrate things with me, and to make use of our ancestors and keep innovating? . In painting, the combination of works and words and the combination of reality and reality.
Wang Xuetao is good at describing the richness and vividness of the world of flowers and birds, and expressing the painter's spiritual feelings and moving imagination. His paintings of flowers, birds, insects and fish are meticulous, vivid and lovely, and full of fun. Get rid of the rigid pattern of flower-and-bird painting in Ming and Qing Dynasties, and create a distinctive style that is fresh, exquisite and appealing to both refined and popular tastes.
193 1 year, the old man Baishi wrote an inscription on the lotus pond painted by Xue Tao. Painting can only be taught, not taught. This painting of Xue Tao looks like a white stone. When shall I give it to you? ?
In the artistic conception creation of flower-and-bird painting, Wang Xuetao once seriously talked about the relationship between painting emotion, painting theory and painting interest. He believes that emotion and interest are the feelings of the painter himself. ? China's painting tradition pays attention to freehand brushwork, just like the art of Peking Opera. It is not limited to mechanically reproducing the object, but also to grasp the spiritual temperament of the object, aiming at creating artistic conception and infecting the viewer? . ? The content of a painting is good, but it must be interesting to impress people. In order to paint people's feelings, painters must first have feelings. ?