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He was drafted into the army in 9 years. He used to be a cadre of Beijing Public Security Bureau and director of the management department of Beijing Xinhua Industrial Corporation. He is currently the general manager and chairman of Kunlun Hotel, the vice president of Jinjiang Group Co., Ltd. and the chairman and general manager of Jinjiang Group North Company. 65438-0988 Join the Chinese Writers Association. Masterpieces: Plainclothes Policeman, A Tortured Affair, Never Close Your Eyes, What Can I Do to Save You, My Love, Jade Guanyin, Your Life is So Affectionate, Plain Life, etc.

Haiyan is a famous writer and one of the top ten cultural figures in China in 2003. Teenagers joined the army as electricians of Type 6 fighters, 1998 joined the Chinese Writers Association. The novel Plainclothes Policeman won the first Golden Shield Literature Award, Golden Eagle Award for TV series, Flying Award and Golden Shield Award. The novel Never Satisfied won the second China Population and Culture Award; The TV script "Jade Guanyin" won the "Best Screenplay" of China TV Golden Eagle Award; The TV script "What Can I Do to Save You and My Lover" won the "Best Screenplay" in the 13th Chun Yan Prize of Beijing TV Station; The novel Deep Prison won the Excellent Essay Award and the Golden Shield Literature Award to celebrate the 55th anniversary of the founding of New China. He has written many literary works, such as romantic love, your life is so sentimental, plain life, rivers of blood, the death of youth, the collection of Haiyan's works, seven deaths in my pen, and Fan.

He is also an outstanding entrepreneur and senior economist. He used to be a cadre of Beijing Public Security Bureau and Ministry of Public Security, general manager of Shanghai New Jinjiang Hotel, general manager of Kunlun Hotel and general manager of Asia Hotel. He is currently the director and senior vice president of Jinjiang International Group, the chairman and general manager of Jinjiang International Group North Company, and the chairman of Kunlun Hotel. He is also the vice president of china tourism association, the president of China Tourist Hotel Association, the deputy director of China Hotel Star Rating Committee, the vice president of China State-owned Assets Young Presidents Association, and the master tutor of beijing international studies university.

He is a first-class designer. Sunshine Lounge, Jinyuan Restaurant, Shanghai Restaurant, Japanese Restaurant, Fitness Club and Cigar Bar of Beijing Kunlun Hotel; He wrote the Old Wharf Restaurant, Jinjiang Restaurant and cherry orchard Cafe in Asia Hotel. They are gorgeous but not extravagant, heavy and not rigid. They interpret traditional civilization with the latest language and build humanistic care with spiritual creativity.

He said: "In our cultural ecology, there are both prosperity and problems. The commercialization of culture promotes the popularization and spread of culture, but at the same time it erodes the essence of culture. The vitality and influence of China's traditional culture need to change its face and activate its content. "

Rational petrel

Haiyan is not only a successful writer, but also a successful operator. In his own words, it is "one foot in the culture and one foot outside the culture". Multiple identities determine the particularity of perspective. Compared with Han Meilin's sincerity and sensibility, Haiyan is sharper and more rational.

Talking about "cultural ecology", Hai Yan said: "The changes of the times have changed our cultural ecology: the culture in the big industrial era developed around production, and the culture developed around production emphasized social will, group will and group morality, and developed with the function of education; In the era of globalization and informationization, culture is centered on consumption, and this culture is more related to leisure and entertainment and the publicity of personal will. "

As a successful businessman and writer, Haiyan does not deny the commercialization trend of culture: "As a consumer product, commercialized culture has an inevitable leisure and entertainment function. But in my opinion, as long as it is culture, it must be emotional activities, and emotional activities should be emotional sublimation and enrichment. However, we have seen that the entertainment and commercialization of culture, or the process of cultural commercialization characterized by entertainment, has entered an excessive and disorderly state. "

Looking at culture from the perspective of the market, Haiyan saw the imperfection of the cultural market. "Before selling a cultural product, others agreed to succeed, booed and failed. Now, the sales of cultural products have been praised by others and achieved success. Cheer, it's very effective. If you ignore it, you will fail. As long as the product can be sold and consumed, it is successful. As for the result of consumption, it doesn't matter. In fact, there are no such rules of the game in contemporary commercial society. No enterprise takes the pursuit of profit maximization as the slogan of corporate culture. On the contrary, enterprises turn the pursuit of profit into the pursuit of customers, and in order to be responsible for customers, they can sacrifice a little profit. Win-win' means that customers win first and win more. The commercial society has progressed to such a stage, and our cultural market is far from entering such a stage. "

What does the current cultural ecology lack? Hai Yan said: "What the Internet age lacks is not information, but truth and truth. Truth and truth depend on judgment, judgment depends on standards, and standards must be formulated by our cultural circles and the government. " He gave an example: the American series Harry Potter set a principle at the time of production-there should be no pornographic and violent images that are not conducive to the growth of teenagers. Because once a movie is defined as an age-limited movie, its box office will fail and it will lose the youth market. "This is the institutional arrangement, this is the standard. In a pluralistic era, we should establish the standards of cultural diversity, but we should also have the standards of our mainstream culture. We need to update and create new standards for traditional culture. "