During the day, the beacon tower climbing the mountain observes and gives an alarm, and at night, the horse leads the horse to the riverside.

The dark wind blew bursts of sounds, like the pipa of a princess in the Han Dynasty, full of hidden grievances.

The clouds in the wilderness are not near the city wall at all, and the rain and snow cover the boundless desert.

The sorrowful Hu Yanyan flew through the air, and HUS soldiers were all in tears.

It is said that Yumenguan has blocked the road, so the soldiers can only follow the general around.

The bones of death are buried in the wilderness every year, and only grapes from the western regions are sent to the Han people.

The tune is bold and unconstrained, which is a magical line. In the middle, I wrote down the big scenery with enthusiasm and one or two couplets, and then I was full of regret. Strong and powerful. Different from Cui Hao's poems, there is a lack of bright colors and overwhelming images such as wild clouds, rain and snow, and sad geese. Apollo's anger, which contains the madness at the end of his life, reveals a very desolate feeling.

Features:

1, vigorous beauty:

Wang Changling, Cui Hao, Li Qi and poets (William Wang, Wang Changling, Li Qi, Cui Hao, Zuyong, etc.). Who created the beauty of purity, vitality and health.

Along with landscape poets such as Wang Wei and Meng Haoran, there are also a group of chivalrous men with northern masculinity. They are more keen on fame and fortune in the world, and they are very confident and conceited, quite arrogant. Although their situation is quite different from the life ideal they pursued after becoming an official, and they feel a lot of frustration, they still have outstanding spirit. Their poetry creation has a common style, bold, handsome and awe-inspiring, creating beautiful, vigorous and healthy beauty.

2. The overall prosperity of Tang poetry

The prosperity of Tang poetry in Tianyuan and Tianbao periods. During this period, there appeared landscape pastoral poets Wang Wei and Meng Haoran, who fascinated people with the beauty of quiet Ming Xiu. Frontier poets Gao Shi and Cen Can appeared, who wrote the frontier life magnificently, sublimely and generously. There are also a large number of famous artists such as Wang Changling, Li Qi, Cui Hao and Wang Zhihuan. Of course, the most important thing is the great poet Li Bai. With his peerless talent and bold and elegant temperament, his poems are flowing and unpredictable, and his feelings are rolling and surging, as beautiful as clear water hibiscus.

Later generations have a lot of comments on this issue of Tang poetry. In a word, the backbone of Tang poetry is fragrant, with delicate image, no work to see and no trace to find, but it has profound meaning and infinite charm.

3. In the fifteenth year of Kaiyuan, temperament began to be prepared.

By kaiyuan 15, both emotional style, artistic conception and musical form had prepared sufficient conditions for the prosperity of Tang poetry. For example, Yin Kun's "He Yueling Photo Collection": "In the fifteenth year of Kaiyuan, temperament began to be prepared."

From the field of expression, the court gradually moved to Guanshan and Saimo, and the author also expanded from court officials to ordinary scholars. The open realm and heroic momentum of poetry writing. High place: Mountain climbing and bonfire, located at Yinma Crossing the River. Overview: Wan Li has no battlements, and the desert is covered with rain and snow. It is similar to Wang Wei's "lonely smoke in the desert, long river setting the yen".

From the emotional point of view, the vitality and vigor of the literature in the Northern Dynasties are also integrated with the freshness and brightness of the literature in the Southern Dynasties, moving towards a heroic and cheerful and bright realm. Poetry uses a variety of techniques to describe the pain and anger of soldiers. We heard the Chinese princess's guitar telling her endless sorrow. With their plaintive cries, wild geese flew from night to night, and Tatar's children had many tears to shed. They are all profile descriptions to avoid repetition and monotony. At the same time, the appearance of the word "princess" makes the feminine and graceful beauty complement each other when expressing the masculine and vigorous beauty, which embodies the diversified characteristics of aesthetics in principle. At the same time, the poet narrates emotional events in a very calm tone, such as "smell" and "response", which are neither salty nor light, neither cold nor hot, but the calmer he is, the more he can reflect the poet's anger. In particular, the word "empty view" in the last sentence avoids a lot of lyric and discussion, but it is better than any lyric and discussion.

From the form of poetry, on the basis of Yongming style, the Tang people did two things. First of all, they dualized the four tones, solved the temporary problem of sticking to the law, got rid of the shackles of all kinds of diseases and criminals of Yongming poets, and created a new style poem with both procedural constraints and broad creative space-regular poetry. For example, the intonation of poetry, poets especially like to use conjunctions, such as disyllabic words: Diao Dou, Pipa, reduplication: one after another, night after night, double, year after year, etc., which has produced a good phonetic effect. The syllable pause of each sentence is also neat, and its stressed syllable often falls at the highest point of emotional fluctuation.