Professor Ishikawa's academic research fields include China film history, film criticism, film and television industry, and Asian films. In recent years, he has published more than 50 papers in important academic journals such as Literature and Art Research, Contemporary Film and Film Art. In addition, he has also edited and published China New Literature Series Film Volume (the fifth series, 1976-2000), Selected Movies by Xie Jin, Walking through the Castle Peak: Xu Sangchu's Oral Autobiography, etc. His translation film director (Fudan University Press, version 1998) won the first prize of outstanding teaching achievements in Shanghai in 2000 and the special prize of outstanding teaching achievements in Shanghai universities. Professor Ishikawa has visited and lectured in universities in the United States, Britain, Japan, South Korea, New Zealand, Malaysia, Hong Kong, Taiwan Province Province and Macau.
Professor Ishikawa is also a famous film critic in Shanghai. He is currently the deputy director of the Theory and Criticism Working Committee of the Chinese Film Association and the director of the China Film Criticism Society. In People's Daily, Guangming Daily, Jiefang Daily, Wenhui Daily, Beijing News, Southern People Weekly, Sanlian Life Weekly, China Film Newspaper, Xinmin Weekly, Southern Metropolis Daily, Global Times, Hong Kong Literature, Film Appreciation (Taiwan Province Province), etc. That is, Chinese and foreign newspapers and media such as Shanghai have published more than 300 film and television commentary articles, and served as planners or special commentators in TV columns such as Shanghai Art and Humanities Channel Light and Shadow Space, Xingshang Channel Watching Movies Tonight, Rumors of Documentary Channel, Shaanxi Satellite TV Opening Ceremony, and recorded nearly 100 film and television commentary programs.
In addition to teaching and scientific research, Professor Ishikawa is also involved in film and television creation and planning. 1996 10 TV documentary Sichuanese in Tibet won the second prize of excellent documentary of China Radio and Television Society and the first prize of "Five One Projects" in Sichuan Province. From 65438 to 0997, he was the director of 100 large-scale biographical series Qian Weichang and Xu Kuangdi. From 2004 to 2007, he directed, scripted and planned large-scale documentary TV movies such as China Movies in Shanghai (40 episodes), Memory Movies (60 episodes), Master Xie Jin (18 episodes) and the film feature film Cherry. Among them, in 2005, the cinema documentary "Memory Movie", as the curator, won the "Special Contribution Award for Documentary" at the Hawaii Film Festival the following year; In 2007, he was the producer of the feature film Park Shanghai for the first time, and the film was shortlisted for the competition unit of Moscow International Film Festival in June 2008. In 2009, he planned the feature film "Six Hundred Miles to Fuyang" and won the Best Director Award of "Asian Newcomer Award" at Shanghai International Film Festival on 20 10. 20 1 1 Best Original Screenplay and Best Supporting Actress in the 48th Taiwan Golden Horse Awards, 20 12 China Film and Media Awards; 20 12 The feature film "Sweetheart Chocolate" as the chief planner was nominated for the best film in the "Asian Style" unit of the 25th Tokyo International Film Festival. Won the Best Film Jury Award of Korea 13 Gwangju International Film Festival in 20/0/3.
Professor Ishikawa is also a famous film activist and curator in Shanghai. 20 12-20 13 was hired as the general curator of the preparatory group of Shanghai film museum, responsible for the planning, design and display of the exhibition contents, cultural relics and documents of Shanghai film museum. On June 20 13, after the Shanghai Film Museum officially opened to the outside world, Professor Ishikawa was appointed as the academic director of the Shanghai Film Museum. In cooperation with Hong Kong Film Archive, he organized and planned the first film screening of Ziguihai in Shanghai Film Museum. Director Fei Mu filmed it in Shanghai on 1940, and was rescued and restored by Hong Kong Film Archive, and returned to Shanghai for screening more than 70 years later.