Liang loved painting and calligraphy since childhood and has been engaged in painting for a long time. He studied in Xi Academy of Fine Arts and China National Painting Academy, and studied under famous painters such as Liu Baoshen and Zhang Lichen. He is good at freehand brushwork of flowers, birds and landscapes in Chinese painting, and has deep research and love for the artistic image of egrets in Chinese painting. In this field, he is unique and unique. His works were highly praised by famous masters Zhou Ming, Liu Wenxi and Chen Guangjian. Chen, a famous writer, praised his works as "extraordinary", and the deputy director of China Modern Literature Museum praised his works as "elegant and beautiful", and published special issues of "Liang's Danqing Vision" and "Liang's Painting and Calligraphy Life".
His works have been compiled into the special issue of the National Art Channel, the collection of works by national famous artists, the collection of works by contemporary painters in Shaanxi, the expert doorways of Shaanxi Radio and Television Station, the Shaanxi cultural market, Hubei Calligraphy Newspaper and Shaanxi cultural viewpoint. It was published in China Post Book (a famous contemporary painter and calligrapher in China) and broadcast on TV stations such as Ink and Wash, Golden Lion Warner, Yihai Life, Qin Yun and Culture Shaanxi. Published in New Sanqin.com, Western.com, Huashang.com, News.com Xi, Sanqin.com, China Painters.com, Ink and Wash Talents and Shaanxi Forum.
In 20 10, he won the first prize of the Xi Cup National Calligraphers Invitational Tournament, the title of "Artist with Virtue and Art" in 20 12, and the silver prize in the National Celebrity Calligraphy and Painting Competition in 2012. The work "All Love" was collected by the exhibition hall of Xi 'an World Horticultural Exposition, and "There is a Voice in Persimmon" was collected by China Calligraphy and Painting Collectors Association. Life with Wealth was collected by Yulin Museum, and Flowers and Birds was collected by daming temple, Baoji City. Egret Evergreen was collected by the Law Department of Taiwan Province Provincial University, and Egret Harmony was collected by Famen Temple Art Museum. Peace of Egret was collected by Singapore, and Longevity of Fulu was collected by Beijing. Some works were presented to foreign friends as national gifts by the Ministry of Foreign Affairs, and were collected by many domestic cultural and artistic institutions, social organizations, relevant leaders and celebrities, and participated in exhibitions in China, provinces, cities, Hong Kong and Macao for many times.
Dancing egrets show their paintings.
-artistic impression of Liang's calligraphy and painting
Text/Cao
Although Liang is famous, he is elegant and quiet. Everyone's beautiful imagination and image of this female painter are so properly focused on her. She has a pair of eyes that can observe, absorb and cut the beauty of nature. In my spare time, I always like to walk into the mountains, listen to the heartbeat of nature and feel the breath of nature; She likes Hanfu, which looks so dignified and elegant, as if she were a scholarly woman coming out of ancient books; ? She has magical hands. The difference is that she does manual work with her left hand and only holds the strokes with her right hand, which is extremely rare for the left and right hands to work together. What is particularly touching is that she is absorbed in painting at her desk, and she has an indescribable sense of sacredness and cannot be disturbed. Her image, temperament, temperament and personality seem to be born for painting. She claims to live for art and make life artistic. This is really the solemn declaration of the goddess of art, which makes us feel awe of art and admire and admire the painter Liang.
When we walked into Liang's studio and saw her flowers and birds, landscapes as big as six feet or as small as a round fan, we suddenly held our breath and lost our mind, as if the sound of heartbeat would disturb our quiet viewing. This is the most primitive and unspeakable intuitive impression she painted for us. At this time, we will think of Jia Baoyu's sentence that men are made of mud and women are made of water, which has been fully confirmed by the female painter Liang.
Her paintings, we first felt a rich beauty, and then felt an elegance, and further felt how the word "elegance" came from. We can say that her flowers and birds landscape is exquisite and elegant, but it is not accurate enough. Because of her profound cultural background, her elegance is profound, historical and scholarly.
In painting skills, she not only respects sages, but also combines the techniques of western painting and Chinese painting, so her painting has the aesthetic style of "quiet and smart" and "plain and gorgeous". Every painting eye is always smart and dazzling, but the composition and background are calm, calm, confident and restrained. This is actually her quiet and peaceful heart, and it is the intellectual women's watch over culture and morality.
The painter Liang said to him:
Egret, look at it. Its streamlined structure, graceful posture and white hemp fiber are more like a fluttering fairy who is independent from Yi Shi.
Egret, how beautiful. For thousands of years, how many birds, insects and fish have leaped onto the canvas, but the egret, a bird spirit, has been greatly ignored, which is a great omission and regret in the history of China's painting.
Therefore, it became her artistic pursuit and dream to let the egret enter the painting.
She said that she has a grand artistic ambition, that is, to establish a Chinese painting art system with egrets as the artistic object, and comprehensively and completely explain the literary significance of egrets.
For more than ten years, she has been making constant contributions to this art system.
From Liang's many egret paintings, we can see the artistic system of egret Chinese painting. His works "Harmony", "Heron in Spring" and "Heron Singing and Green" present us with pure and beautiful images of egrets. These pictures amaze us, intoxicate us, and purify and precipitate our experience. Flying heron is really my friend, willing to come with you again and again. We look at this kind of painting as if the egret is like me, and I am an egret, which makes people reach the appreciation realm of the unity of things and me and the ecstasy of things.
Egrets are not only the embodiment of beauty, but also the humanistic significance of egrets from China's classical poems. Bai Juyi sighed, the sweater lost to the new snow, and the birds were noisy and lonely. Liu Changqing's song says: You are charming when you are idle, and you think about it when you are idle. Ouyang Xiu is full of praise, lonely style and leisurely disposition by the water.
The poet sang to the egrets, and Liang painted a series of artistic images of egrets with personality, temperament and even thought with her brush, which made us feel moved and thoughtful while enjoying them.
In folk culture, egrets often symbolize harmony, peace, auspiciousness and prosperity, and Liang has brought egrets' performance to the extreme. Look at the heron reaching heaven, heron peace, The Reunions and other works, all of which are blessing and praising the happiness and well-being of life. These works are deeply loved by the people.
Egrets live in ponds, paddy fields, ferries, ludang and other wetlands. However, with the rapid development of industrialization and urbanization, the habitat of egrets is constantly being squeezed and polluted. Liang has a deep realistic concern for egret painting, and she eagerly responds to the development concept of ecological civilization and natural friendship advocated by the state. She is an artist with social responsibility.
There is a long way to go in Xiu Yuan, and I will go up and down.
We expect and firmly believe that Liang will be the forerunner and leader of China painting circle.