Diao Dashun (Zhang Jiayi), a deep-rooted native of the village in the city, didn't earn rent by lying down in his ancestral home, nor did he earn all his money by opening a small shop in the tidal stream in the village. But insist on making money by hard work. In his words, "make money by strength and sleep soundly!"
I am busy with the stage work for the Shaanxi Opera Troupe, asking my brothers to do it together, and sometimes I have to stage other performances, including some weddings and funerals; In my spare time, I pull crutches (three rounds) to pave the work and pull furniture for refrigerators and washing machines that can be loaded.
Junko spent decades riding a tricycle onto the stage, including marrying two wives and meeting his third wife, Cai Sufen (Yan Ni), who was also picked up because of a tricycle accident.
Junko's love with element fragrance is very similar to that of post-80s generation. I remember the daily life of those "uncles and aunts" in Nakamura when I was a child. Element fragrance can make minced meat noodles, Junko will eat garlic for every meal, and the hot oil buns are made of thick sticks by hand. ...
Junko goes out early and returns late all year round, and he doesn't earn much money. He doesn't want to go to the hospital for surgery because of hemorrhoids. Instead, he looked for a skilled doctor in the village clinic. Element fragrance, who can't stop all day, still looks down on the face life of Ma Suju (Junko's eldest daughter).
Junko always smiles kindly at people, including comfortable smiles and helpless smiles, but in the eyes of element fragrance, Junko is a capable and attractive person. Element fragrance is strong and restrained, but often Lacrimosa. She has the shame of being a family "meddler" and her own efforts and determination to pursue happiness.
This drama is probably Yan Ni's most crying, right? Every time I see Yan Ni crying, I cry. How did you turn an arrogant clown boy shopkeeper into a poor woman in a dilemma? Yan Ni's crying is different every time, full of emotions and distinct levels, which is really a textbook-level interpretation.
Zhang Jiayi, however, is as handy as ever, writing a vivid Shaanxi man. There are not only a large number of Shaanxi dialects in the play, but also too many details of life in Laoshan. Eat belt noodles/gourd head/mutton bubble, iron garlic, eat persimmon vinegar, pot helmet with Chili, stumble (squatting in Shaanxi), pedal three rounds, etc. , are familiar to Zhang Jiayi, even sleeping on the cardboard in the park lawn.
The whole play always maintains a relaxed and humorous atmosphere, and the details of life penetrate incisively and vividly. In addition to the original author's observation and precipitation of life, senior screenwriter Ma also contributed!
In my opinion, on the one hand, the script is excellent enough, on the other hand, the memories of the two starring actors have made this TV series! Every actor in the play is working hard for this play!