Wu, pen name Wu, 1984, was born in Huzhou, Zhejiang. China, a writer, screenwriter and teacher, graduated from Xingzhi College of Zhejiang Normal University with a major in Chinese language and literature.
In 2007, he published the novel empresses in the palace and won the first prize in the second original literature competition of Tencent Cup.
20 1 1, screenwriter of costume drama "The Queen of the Palace", adapted from her novel of the same name, directed by Zheng Xiaolong.
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From June, 5438 to February, 2020, Wang Yiping, the screenwriter of "Hougong", responded to netizens' questions about the plagiarism of Zhen Xuan's original works in Weibo, saying that "I am opposed to anyone who plagiarizes from others". In response, Wang Yiping emphasized that "not a single line of his own script is copied from others", saying that "plagiarism belongs to theft" and made it clear that he would not plagiarize.
Empresses in the Palace, a A Qing-style palace drama released on 20 1 1, is adapted from an online novel of the same name and tells the story of a simple and kind girl, Zhen Xuan, who gradually grows into a generation of empress dowager. The Queen of the Palace was born in the era of dramatic explosion in Qing Dynasty. The novel of the same name has a tortuous plot and delicate description, and the author's writing intention and profound writing skills permeate between the lines of the novel.
At that time, when the phenomenon of water flooding in online novels was serious, it was no accident that this kind of articles with beautiful writing and rich content in a dream of red mansions stood out among a number of romance novels.
However, "Harem" is, after all, a romantic film with the Qing Palace as the background. The whole novel was written under the condition that the system of the harem series is still not perfect. The author intends to write it in the style of the Red Chamber, and the whole feeling is a little awkward. The writer of "Empresses in the Palace" puts the historical overhead environment on the background of the Qing Palace, and the overall plot is basically in the original text, with exquisite costumes, delicate lines and decent manners. As far as film and television itself are concerned, it is a work of absolute conscience.