Cheng Gai is from Meishan (now Sichuan). Su Shi is the grandson of Cheng Zhicai. In the 13th year of Xichun (1 186), he traveled to Lin 'an, where Lu You made a postscript to the valley he had hidden, and soon returned to Shu. He wrote 50 articles about current events and interests. Shao Xi has been in the third year (1 192) and is fifty years old. Yang Wanli recommended him as the founder of Xianhui. Five years later (1 194), the villager Wang said, "Cheng Zhengbo is famous for his poems, and everyone in the countryside knows him. Yu Qing traveled all over the world, met several courtiers, and often praised Zheng Bo's beautiful words. " Feng Xu's On Hao 'an Ci: "Cheng Zhengbo is sad and beautiful, as if he had written Miao Hao Ci." There is a "Zhou Shu Ci" (a "Zhou Shu Ya Ci").
● Shuilongyin
Cheng Gai
There must be few flowers in my hometown in the stormy night.
Sorrow and resentment, idleness and loneliness, a year of kindness.
It's easy for people to get stuck in the flowers, inadvertently planting willows in the shade, and having small apricots and plums.
There are many good things, and the flowers are long, but Yuan is just, people are haggard.
Looking back on the past in China, it is hard for old stars to remember.
But now, I see presbyopia, and when I get hurt, I clear my tears.
I am not afraid that every time I meet Huadu, I am afraid that I will taste it when I am old.
You must be drunk if you stay in chaos and borrow the moon from the clouds.
Appreciation of Cheng Gai's Ci
The main content of this word can be summarized by four words: "Seeing presbyopia, clearing tears when you are hurt". The former says "old" and the latter says "sad". Because of the author life is unknown, it is necessary to make some reference to the above two points according to some materials in Zhou Shu Ci.
Say "old" first. The writer is from Meishan, Sichuan. According to the order of Song Ci, he and Xin Qiji (after Xin) lived at about the same time. In the past, some people thought that he was Su Shi's middle cousin, but it was not accurate. Judging from his words, he was exiled to Jiangsu and Zhejiang provinces. In particular, I wrote two poems when I was in Lin 'an (now Hangzhou, Zhejiang), such as Searching for Bass by Man Fang Ting. Who knows, Wu Nong doesn't know, and she is lonely "; Another example is "Wu Fengqi" (a guest in Lin 'an), which says, "Wan Li went to the west and looked forward to Qiu Lai, laughing at my failure." We can see that he has been wandering in other places for a long time. As he grew older, his sense of "old" became stronger and stronger, because he left his hometown. Therefore, his lonely goose said, "Now a stranger has hurt his arm, so he has to put up with his temples and grow old with the flowers." The feelings expressed in the last three sentences are in tune with the word "hidden in the water" to be talked about here, and are the thoughts and feelings of "being old" and "homesick".
Let's talk about "injury time". As a contemporary of Xin Qiji, I'm afraid the author was psychologically attacked by Nan (1 16 1) and Zhang Jun's failure in the Northern Expedition (1 163 or so). So he also used some words of "hurt" in his words. For example, the poem "Wu Fengqi" said: "Shuke was homesick and couldn't go home, so it was not suitable to rush south at that time. Worried that the country and Dan Xin had made separate promises. If you spit Changhong, you will not accept the sunset. " I'm afraid this sadness of worrying about the country and the people is also related to the "injury time" in Shui Long Yin.
Knowing the above two points, read the word "Shuilongyin" again, and the ideological context will be clearer. It begins with "hurting spring", expressing the feeling of homesickness, hurting oneself and dying, and implicitly including his feelings of worrying about the world and hurting chaos (more obscure). The word begins with "the rain comes in a hurry at night", which is very reminiscent of Xin Qiji's famous sentence "It is better to let go of a few storms and hurry back in spring" ("Fishing"), so I went on to say "flowers are indispensable in my hometown" and my thoughts flew to my hometown thousands of miles away. The author once built a garden pool pavilion in Meishan, his hometown (the word "Partridge Sky" says "a new painting pavilion, a small book boat", and the note "A book boat is named after a boat" in Looking at the South of the Yangtze River). Now he is in a foreign land, but he is sentimental about the flowers in his hometown, and he is deeply homesick. However, it is not obvious how the flowers in my hometown are, but it is a fact that the flowers in front of me are withered. So, I can't help sighing at the flowers: "I'm so worried and resentful. I'm so carefree and lonely and happy for a year." Yang Wanli's poem "Wounded Spring" said: "It is still a waste of an east wind to plan this spring.
If you don't get presbyopia every year, you won't get sick if you are anxious. Here, just like Shi Yang, it is because of his own sorrow and resentment that he has no intention of enjoying flowers, so he failed to live up to the spring of a year in vain; On the other hand, it is "the willows are trapped and the flowers are unintentional, and the apricots are small." Spring will pass in a blink of an eye, which seems too hasty for people ("easy for people"). In fact, the reason why "Good Spring" and "Good Flowers" are "long in knowledge" is that the above-mentioned people and flowers failed. In the final analysis, it is "Yuan Zheng, people are haggard!" So the last film was written from "Wounded Spring", and the theme of "old age" (haggard) was pointed out at this point.
After the movie, I mentioned the past in my hometown: "Looking back on the past in China". Qinan may refer to the location of his "Book Boat" bookstore. What happened to his "old story" in the "Book Ship" bookstore, I won't say much here. But he vaguely mentioned it in some other words. For example: "Building a house is a boat, you are a fisherman" ("Man Jiang Hong"), "Remember to respect the plum blossoms in your hometown when they are in full bloom" ("Lonely Goose"), which can be inferred to be more comfortable, unforgettable and memorable. But now, "I hate stars and can't bear to remember." The stars have turned white, and people in a foreign land are even more unbearable to look back. The following is the distress of Chen Qi's reality: "There is now, but there is. Seeing presbyopia, tears are clear when you are injured." "Old age" and "injury time" are all pointed out by these words. The author expresses his deep feelings for his home country and life experience through "Cherishing Flowers and Hurting Spring". However, the poet did not end his love affair because he still wanted to be "liberated". So, after repeating the feeling of "feeling old" that "he is not afraid of losing weight every flower, but only afraid of getting old", he went on to say: "If you stay in chaos, you must also get drunk." "Leave a cloud to borrow the moon" is a sentence in Zhu Dunru's Partridge Sky ("Rain gives a wind ticket, and the cloud borrows the moon"). In a coherent way, that is: when the flowers are in full bloom, let me "stay in the clouds and borrow the moon" (try to cherish and prolong the wonderful time) and try my best to drink and have fun! The meaning of these last words is somewhat similar to Du Fu's "Look at the flowers and eyes, don't be tired and hurt your lips" ("Qujiang"), expressing a negative psychology of eating, drinking and having fun in time.
In a word, Cheng Gai's poem repeatedly expresses his repressed feelings of "being old" and "being hurt" through euphemistic and sad strokes. There is indeed a feeling of "sadness and beauty" after reading it (comment on Feng Xu's Selected Poems of Sixty-one Song Family). In the words of "hurting spring" written by many people in the past, most of them only wrote the spring grievances of in my heart forever, a gifted scholar and a beautiful woman. But in this poem, he reflected his thoughts and feelings about his family's life experience (the latter is the main one), which made him have profound significance.
● Worried about the diaphragm.
Cheng Gai
Spring is still shallow, willows are in bud, and apricot blossoms are in bloom.
There is someone at the intersection of Yangliu Xinghua.
The jade window is bright, warm and rosy.
On the small screen, the water is far away.
Don't surprise him, because he drank too much last night and slept too deeply.
Appreciation of Cheng Gai's Ci
Quatrains and poems in poetry are difficult to write. Not only the number of words is small, but also the poems and paintings are rich, so it is necessary to temper word by word, concentrate word by word, be small and exquisite, and see everyone's demeanor. Cheng Gai's little poem, with only 42 words, is full of poetry and interesting, which can quite show the artistic charm of "beautiful writing".
It can be arranged in fine print, which is the artistic feature of this word. The meaning of this word is extremely simple: don't wake up "him" who is sleeping after drinking. But the word directly used to express this meaning is only the last sentence of the whole word; Most of the words are arranged to describe the environment and scenery related to "harmony", and try to render a quiet, comfortable and quiet picture. Write about the scenery in early spring and explain the seasonal solar terms. "Spring is still light" means that spring is still light. Liu Yaer and Xing Huaer, both in early spring, both have the word "early" and both write the "shallow" of spring scenery. Sorrow against the orchid is also known as Good Spring. The ancients wrote lyrics, saying that "the law should be used according to the month." This was transferred to Lee Tae Palace, which was the law used in the first month, requiring the use of early spring scenery. This word scene is very suitable for the law. The first three sentences of "Liu Yang" sentence are always pens. Use "cross shadow" to further describe the beauty of the scenery, add the word "place", then turn to explain the place and point out that there are people here. Judging from the word "cross shadow", it is a gathering place of spring, quiet and full of vitality.
The first two sentences of the second movie become the arrangement of indoor scenery, which corresponds to the outdoor spring scenery of the last movie. Outside the window, the willows and apricot blossoms complement each other, and the window is bright and clean, as warm as the baking glow, giving people a feeling of spring and sunny. On the small screen, the picture of "the water is far away and the mountains are inclined" also corresponds to the quiet spring.
Although the phrase "small screen" is small, it is not an optical fiber, but it can see the big from the small and gain momentum in a day. "The water is far away and the mountains are inclined", which just makes up for the shortage of mountains and rivers in the whole map. This is the wonder of small screen drawing arrangement. This word is written here sentence by sentence, and a landscape painting with extremely harmonious color, artistic conception and emotional appeal will be arranged just right. With elegant brushwork, the author creates a fascinating realm in this extremely limited sentence, and then makes the finishing point and points out the "he" who is sleeping after drinking. The word "don't surprise him" is written quietly, full of joy and joy, which is very suitable for the atmosphere and emotional appeal of the whole word. Although the language is ordinary, it can be called a stroke of genius.
The scenery of the whole poem is arranged step by step from far to near, with distinct levels at the end of the song and a pen to save the net. There is no disharmony, discomfort and tranquility between the lines. Obviously, the poet's description of the scenery permeates his ideal and desire for life, and also fully embodies the perfect writing technique that the poet feels from the scenery. Generally speaking, the rendering and arrangement of art often lead to the carving and complication of language. But this small print is fresh and simple, with no traces of knives and axes. Plain language is a remarkable feature of Cheng Gai's ci. After reading his poems on the book boat, it is almost clear from the first poem that this language style is not easy to come by. Kuang Huifeng's On Ci once quoted a passage from Metric: "Poems with Xie Tiao are plain and thoughtful. ..... generally want to make plain, when self-organizing beauty; Fall into its powder, and then you can create a dull environment. In this way, Tao and Xie are not enough. Mei gave Du Ting a poem, which said, "Nothing is difficult to write in ancient and modern times, but it is difficult to write simply". Li Baiyun: "Clear water is rich and natural. Simplicity is naturally good. Kuang Jia added: "This statement is exquisite and can be used in ci. "If you want to be dull, you must come out of self-organization, that is, relying on the voice at home will naturally come out of pursuit." Cheng Gai's poem "The Orchid of Sorrow for the Past" depicts the scenery in plain language, hides the feelings skillfully, and achieves natural beauty, which is enough to prove Kuang's theory of ci.
Low cool acacia.
Cheng Gai
The frost on the moon is cold.
Outside the main entrance, remind people to get up.
Nye, parting is really now.
If you want to live, you can't stay.
Come if you want, there is no plan.
Immediately drop the soul clothes and cry.
Every one, for Gunter.
Is Jiang Lumei in bloom?
Spring is coming, so be sure to send it frequently.
When people arrive, be sure to see them off frequently.
Appreciation of Cheng Gai's Ci
This poem is one of Cheng Gai's representative works. During the Song, Jin and Yuan Dynasties, this was the only one. Although Cheng Gai's words were recited in the text, they were selected in the Nazi compilation of flowers and plants. However, because it is a kind of "unique tune", its form is mysterious, and it is difficult to write and follow, so few future generations inherit this style of ci. According to Ci Yuan Cong Tan, Cheng Gai was very affectionate with a prostitute in Jinjiang, so he wrote the word "cold lovesickness" in addition.
The first part is about the pain of leaving love, focusing on the contradictory and painful feeling of wanting to stay and go when leaving. Starting with "the moon is hanging and the frost forest is about to fall", this is the only scene of the word, creating an ambiguous cold environment atmosphere. This should be a sweet sleep time. However, it is time to urge people to leave outside the door. "Nai's departure is really what it is now" is the inversion of "Nai's departure is really what it is now", which means it really has nothing to do with the reality of leaving. This inverted sentence not only meets the lexical requirements, but also appears novel and refined, highlighting the helplessness of parting. This feeling of helplessness and helplessness can be profoundly expressed in the following two sentences: "If you want to live, you can't stay; These two sentences, "Leave if you want, and come without a plan", are passionate and sentimental, and they are written straight and undisguised. Can't think of but can't find an excuse to stay; I haven't thought about starting over, and I can't think of a way to start over. It's hard to meet again, but it's hard to meet again. At this time, why not feel dejected and write a few words about the feeling of leaving the world?
The next movie is about the depth of lovesickness after parting. This layer of feelings, the poet made a general statement with "away from the soul" and "haggard", and then deepened it with folded plums. The three sentences of "Ask the way to the river" are quite poetic, and the expressions of "Folding plums to send to Jiangbei" and "Folding plums to send to leading people" given by Lu Kai to Ye Fan are even more vivid. In particular, one sentence from the two sentences, with the words "spring arrives" and "people arrive", repeatedly uses "must always send", which is fascinating and writes about the deep feelings of both sides and the suffering of lovesickness between the two places.
In this poem, there is not much language about scenery, but more feelings of parting. The language is simple and not exaggerated, but it can express lingering feelings in the narrative, which has a touching power. This artistic effect is closely related to the poet's special form and brushwork of using words. First, the words are in the same case, forming a repetitive style in general; The ending beat of the first part and the intermission beat of the next part all use overlapping rhymes, and the syntactic structure is the same, so in the first part and the second part, repeated styles are formed respectively. In this way, there is a cycle in the cycle, repeated, repeated singing, and has its own rhythm. Second, there are many funny words. There are six funny words in ten sentences, and all of them are funny in three words, and the syllables are short, which greatly causes a choking mood. Third, the word "ye" is often used to ease the tone. Five of the ten sentences in the whole word use the modal particle "ye", which, together with the funny features, forms the tone of whispering and sighing. Function words in words are difficult to use, so they can't be used, let alone used. It is not good to use function words in two or three places in the same word, which is a taboo for ci writers. In this poem, there are as many as five places in the word "Ye" alone. Others, such as "Zheng", "Nai" and "Ge", also belong to function words in poetry, but they are not read much, with vivid reflexive posture, euphemistic depression and full rhyme. The key is that there is emotion in every void, so there is reality in the void, and we can't feel its emptiness. All these forms are determined by the specific content of "cool acacia", and the content and form are perfectly unified in this poem by Cheng Gai. So the whole sentence is true, but its emotional strength is not as strong as that of the author who specializes in soft things.
● Operator
Cheng Gai
Alone upstairs, outside the castle peak building.
I can't see the geese flying west when the sunset is about to set.
Go downstairs alone and complain downstairs.
Until the evening on the moon, it still hurts.
Appreciation of Cheng Gai's Ci
Cheng Gai's "Bu Operator" is good at writing feelings. As time goes by, the protagonist's longing mood gradually turns into disappointment, and his feelings gradually turn from tenderness to fierceness, from silence to sadness until his heart breaks. Touching the scene and wandering around, the feelings have not been fully revealed, but everyone can understand what the author wants to say and express between the lines.
On the first page, write upstairs and look forward to it. The time is daytime. A person, climbing the stairs, takes the meaning of climbing high and looking far. But in my sight, I can only see the green hills and the sky. "Far" means that the green hills are in the distance, and it is also the distance that the protagonist yearns for. It means "standing alone on a tall building and looking at the horizon". Naturally, hope is not in the green hills, but in "people". However, when the sunset is almost over and the light is blurred, I still can't see the shadow of that person, and I don't even expect any news! Goose, using goose as a calligraphy book, see Hanshu. Biography of Su Wu. "I don't see geese flying west", that is, I didn't expect to hear the distance. "A thousand miles a day, cattle and sheep go down the mountain", the people outside don't return, the protagonist's feelings are sincere, eager to see, anxious and hesitant, and all kinds of emotions need not be said. But she was not discouraged. So the next film of the word says that the hero enters the high-rise building at night, then walks down the low floor alone and waits downstairs. But the yard was quiet, only the voice of flies (crickets) seemed to be crying and complaining. Loneliness is set off by the voice of flies, and then the protagonist's feelings are secretly written by the sadness of flies. At this point, the protagonist's "resentment" has been written. I looked forward to that building all day long, and then I stayed up all night and never saw the man come back. What is the cause of "resentment"? The last two sentences of the word are written on the evening moon, which is the moment to meet the person I love, but the protagonist is still wandering downstairs, and I can't help but feel sad and heartbroken. With the word "return", I can see that I have been so hopeful and disappointed for more than a day, and the heroine's deep desire and longing can be seen slightly.
The main content of this word is: people in a foreign land miss their relatives day and night. The longer they stay outside, the more they miss them. They looked forward to it day and night, but they didn't come back, which was heartbreaking. Judging from the "soft-hearted" and the inexhaustible tenderness written in the ci, the protagonist of the ci may be a young woman; The person I miss is her husband. In this poem, the author only wrote about the activities of the protagonist upstairs and downstairs. From this point of view, the author seems to be careless and handy, but after careful reading, it is moving and unforgettable. The author is familiar with life and is good at trying to figure out the psychology of aspirants: looking forward to people during the day, naturally going to high buildings, the higher the deeper. The same is true of the folk song "Looking at Lang to Brothel" in the Southern Dynasties. Of course, there are those who stay upstairs all the time. Yao wrote "upstairs lovers listen" in "Remembering Wang Sun", that is, the lover cheated, dare not blatantly, and wrote the psychological state of a specific character. "How can it be dark when you are alone in front of the window" by Li Qingzhao is a portrayal of her husband's death and no one can look forward to it. Therefore, although only writing upstairs and downstairs has won the truth of life, the words are not carved, but the words are really touching.
● The tallest building
Cheng Gai
Old worries, two eyebrows shy said.
Remember for a long time, swim shoulder.
The skirt covers the stockings and peach blossoms, and the thin shirt lightly fans the apricot blossom building.
Travel several times, get drunk several times, stay several times.
Unexpectedly, the spring breeze is broken.
Unexpectedly, the clouds also dispersed.
Old days are easy, but hate is hard to pay.
Bees don't understand people's sufferings and swallows don't understand people's worries.
When will the old love be over?
Appreciation of Cheng Gai's Ci
Cheng Gai, a poet in the Southern Song Dynasty, is very charming. He was deeply attached to a prostitute, but somehow they parted ways. But Cheng Gai did not weaken his yearning for prostitutes because of the passage of time. This word is the author's description of their love tragedy and their trauma, which reflects the author's obsession with prostitutes from one side!
This word is easy to understand, but its composition art is unique and full of emotion. In the first part, the phrase "old worries, very happy" comes straight to the point and tells my worries. It is put on my chest and is the outline of the whole word. The following words were born from this, and the poet made sentences. "Old Times" set the style of "memory" for this word. From "long memory" to the last sentence, they all inherited this style and turned to memory, all of which were dominated by the word "long memory". What the author recalls is the two years that impressed him the most and kept him in his memory for a long time. One is joy, and the other is parting. The former is the most enjoyable, while the latter is the most painful. He summed up the whole process of his and her joys and sorrows with such a typical mixed example. When writing about amusement, he remembers the most intimate form-"shoulder swimming", which is also the most beautiful image-"wearing skirt socks on the shore of peach blossoms and lightly fanning the apricot blossom building with thin shirts". Because of lovers' spring outing, the pen is light and delicate, extremely gentle and delicate, full of audio and video. When writing about his departure, he used three short, depressed and repetitive sentences: "Several trips, several drunkenness, and several stops." When writing Farewell, the author did not make such a frank description as "holding hands and staring with tears", but chose three actions of "doing", "getting drunk" and "staying", all of which were decorated with "several times", thus revealing the pain and reluctance of lovers when they parted. "Travel" means that the man is about to leave. "Drunk" means that the man fled to his drunken hometown to alleviate the pain of separation and get rid of it in the film. "Stay" is not only the woman's retention, but also because the man is too drunk and becomes a "trip". The author once said in "Cold Acacia": "To live, you can't stay." "Drunk" may be a "plan" when there is no plan to live. These actions are repeated several times, and their lingering attachment to love is self-evident. The author wrote "Farewell" in only nine words, but it was full of twists and turns, and it was really the authentic brushwork of the poet. When the author writes about happiness and parting, he depicts vivid characters. The former is like a "skirt", and through the description of appearance modality, the image of a charming girl in spring flutters like a living thing; The latter mainly writes the tragic image of men, but focuses on the depiction of the depths of the soul.
Memories of the last movie, especially those happy moments, are essential for the author's love tragedy revealed in the next movie of Ci and the seamless emotional trauma it brought to the author. The deeper the memories, the better, and the more reluctant to leave. This is exactly the method of cadence pursued by poets.
The writer's love tragedy began with a powerful turning point.
Spring Breeze and Facing the Cloud are metaphors of love. However, the good times did not last long, and the nostalgia of the past, the image of the skirt, socks, thin shirt and light fan, like the spring breeze blowing down, flew to the clouds and never returned, and tragedy was born! The author repeatedly stated that the accident happened with "who expected" and "who expected", which also implied deep sadness. Everything from Days Easily Grow Old to the end is to express the author's endless "hate", "bitterness" and "worry" after the breakup of love, and there are quite different levels between articles. "It's hard to make up for the old days." I always write that I hate it. This sentence comes from the love tragedy of the storm, and it is also a general expression of sadness and hatred below, and it is a key sentence connecting the preceding with the following. The words "bee son" and "swallow son" mean that the sadness in my heart has nowhere to tell and is not understood by others. Bees and swallows compare things to people and use words tactfully. The author's loneliness and bitterness at that time can be seen from this. This situation naturally further increased his inner pain, thus arousing the feeling that "old feelings are endless, when will they stop?" This conclusion is not only in harmony with the beginning of the sentence "old grievances", but also achieves the effect of structural cohesion from beginning to end. More importantly, it ended with a heavy sum, which was confusing and melancholy, full of emotion and hatred, and got "the earth will last forever, and the sky will last forever;" One day, both will end, and this endless sadness will last forever. In Bai Juyi's Song of Eternal Sorrow, the poet's nostalgia and persistence for the old feelings are further reflected here.
As can be seen from the above analysis, the structure of this word is still quite distinctive. It not only has a clear pulse mechanism, but also can wriggle around and change layer by layer; The weight of reality (the last memory is a virtual writing, not a pen; The next film is really written, not a heavy pen. It opens and closes in frustration and sets each other off. This kind of creative art aims at expressing sentimental and tender thoughts. This kind of art of composition really shows this kind of content well, which makes the whole word write suddenly happy and sad. At first glance, the language is light and affectionate, and the matter is shallow and deep, thus making the whole word a masterpiece of art.
Another artistic feature of this word is that it is used more and better in sentences. First, there are many. The words "wearing skirts and socks on the peach blossom bank" are right, "it was easy in the old days" is right, "the spring breeze broke" is right, "bees don't understand people's sufferings" and "Yaner doesn't understand people's worries" are right. The second is better use. The most worth mentioning is the phrase "skirt". These two sentences are both nominal words with positive structures. The skirt is a barnyard grass (light yellow) skirt, the socks are socks made of nylon (soft silk with pepper eye pattern), the shirt is a thin shirt and the fan is a light fan. Let's put a flower on display for these four phrases. Opposite the Peach Blossom Shore is the Xinghualou, where it swims. What is more noteworthy is that there are no verbs in the two sentences, but the amusement activities with distinct actions are written. I have to admire the author's word formation here. The word "spring breeze" is also impressive. As the embodiment of love, "spring breeze" and "facing the clouds" are in perfect harmony with "skirt" and "blouse". The author sums up the incompatible phenomena such as "spring breeze" and "blown through", "flying to the clouds" and "flying away" in two sentences, and they are opposite. The image described and the atmosphere created are tragic, which is very appropriate to describe the tragedy of love.
Tragedy is tearing up beautiful things for people to see. Similarly, the antonym of this word is also used where it needs to be expressed. Whether describing the object or creating an atmosphere, it can play a role that a line of prose can't. This well expresses the duality of this word. Of course, this word is not perfect, and there are some undeniable shortcomings, mainly reflected in the following aspects: first, it lacks open means, that is, it is too narrow for the life contained in the sentence; The second is the recent music. These two shortcomings can be clearly seen from the pair of "bees" and "swallows". However, the defect does not hide Yu, which has not affected the overall art of this word, and it is still a masterpiece.
● Fisherman's pride
Cheng Gai
The canoe was wet with smoke and rain.
Yaner, make a mess of Chunjiang Bi.
Please feel free to look for Mount Jiang Shangqing.
People are lonely, and falling flowers and herbs promote cold food.
Last night, the brothel was a guest today, so you can't worry about the east wind.
Pick up the remaining little red book and cry.
The current is fast, I don't know the news.
Appreciation of Cheng Gai's Ci
Compared with other poems, Cheng Gai's Fisherman has its own unique writing techniques, which are mainly reflected in the following aspects: First, the uniqueness of the article layout. Generally speaking, the ci poems expressing the feelings of parting between men and women are all gripping descriptions of Lacrimosa's reluctant scenes. And this word, instead of writing these words, focuses on the scene of leaving the ship. Through flashback, it superimposed last night's party on today's sadness, and compared the depth of previous love with today's acacia, thus forming a contrast between emptiness and reality, sadness and joy. This makes it condensed and profound. The second is to conceive a very expressive plot in a unique way, that is, to write it at the end and let the sun convey the pain of lovesickness. But its real purpose is not to express one's feelings through falling flowers, but only to express one's sincerity and infatuation, and to alleviate the suffering of lovesickness.
The first part deliberately describes what I saw and felt when I was sailing in the river after my lover and I parted.
The first three sentences describe the scenery of the spring rain in the spring river: the boat I took walked through the misty rain, and it was wet everywhere; Swallows splash water on the green river; The green hills on both sides of the strait are looming, but you can also look for them at will. These hazy scenery are naturally beautiful, but there is a melancholy atmosphere everywhere. The phrase "people are silent" is also a landscape, but it is more emotional. People are lonely, which means that there are few people on both sides of the strait, and they are inseparable, like lonely geese. "Falling flowers and fragrant grass promote cold food" is a humorous anthropomorphic statement, which means that the falling flowers are colorful, the fragrant grass is flourishing and the cold food festival is coming. The ancient Cold Food Festival is a happy festival with friends and relatives gathering to enjoy flowers and spring outing as the main content. The poet must have left his lover before the festival out of necessity, which inevitably added a little melancholy.
The next film deliberately shows the agony of lovesickness. "Brothel was a guest last night and today" explains why I feel lonely and sad. That's because I was in the brothel with my beloved last night, but today I am a passer-by on the river. How should I bear the pain of leaving suddenly? I want to use the east wind to blow away the haze in my heart, just because I hate mountains, and the east wind won't blow. In all kinds of helplessness, I finally came up with a new solution, which was written in the last three sentences: carefully pick up the fallen flowers (that is, residual red) flying from the shore and the head of the state, write down my grief and scatter them in the river. But the water is too fast, I don't know where it will drift, how can the right people see it, and who will these messengers of love send messages to? The implication is sadness or sorrow, resentment or resentment. Acacia is still like a spring river, endless. Obviously, these sentences evolved from the story of poems inscribed on red leaves in the Tang Dynasty. They are not only very natural, but also more expressive than the original story, and they are really a kind of re-creation.
There were many ancient literati and poets. Whenever they encounter something unsatisfactory and difficult to solve, such as frustration in the examination room, bad official luck, bumpy love, etc., they will not hesitate to spend a lot of time and money looking for flowers in the brothel and seek temporary relief. This word describes the romantic life of this impoverished scholar. This theme is very common in graceful poems, but in writing, the author took great pains and did not fall into the trap of others.